Here are 100 books that Women's Lives, Women's Voices fans have personally recommended if you like
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I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.
By the author of Stoner, the surprise international bestseller
After the brutal murder of his great-uncle, Julius Caesar, Octavian, a shy and scholarly youth of nineteen, suddenly finds himself heir to the vast power of Rome. He is destined, despite vicious power struggles, bloody wars and family strife, to transform his realm and become the greatest ruler the western world had ever seen: Augustus Caesar, the first Roman Emperor.
Building on impeccable research, John Williams brings the legendary figure of Augustus vividly to life, and invests his characters with such profound humanity that we enter completely into the heat and…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is a learned but lucid work that shows us why we don't know the names of many of the emperors' wives and female kin. Boatwright looks at a range of activities of the imperial women across Roman institutions (the imperial gov't and its laws, the military machine, and the family and the court). Important now to understand how power takes hold in conservative, entrenched societies, and how leading women are exploited in these regimes.
The Imperial Women of Rome explores the constraints and activities of the women who were part of Rome's imperial families from 35 BCE to 235 CE, the Roman principate. Boatwright uses coins, inscriptions, papyri, material culture, and archaeology, as well as the more familiar but biased ancient authors, to depict change and continuity in imperial women's pursuits and representations over time. Focused vignettes open each thematic chapter, emphasizing imperial women as individuals and their central yet marginalized position in the principate. Evaluating historical contingency and personal agency, the book assesses its subjects in relation to distinct Roman structures rather than…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
This is the book that changed my perspective on Roman art. It focuses on relief sculptures, mainly from tombs in the port of Rome, that commemorated the livelihoods of ordinary people, artisans, shopkeepers, and laborers, with scenes of their work rendered in their own artistic styles (rather than those of the official state monuments). Now some of these tomb plaques are included in mainstream Roman art history textbooks, but the effect of this book taking both class (particularly those of low status) and gender seriously in the study of ancient art and archaeology was groundbreaking.
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
More often than not, people forget that the Vesuvian sites are, as gruesome as it sounds, large mass burials – not just of the cities themselves, but of people. The human remains of Pompeii (and by extension, Herculaneum) have been ignored or treated like some kind of circus attraction for centuries. What Lazar does is open your eyes to just how much information there is to be found from the casts and skeletons, and the potential to learn so much more about people and life in the first century. Her work is groundbreaking.
Resurrecting Pompeii provides an in-depth study of a unique site from antiquity with information about a population who all died from the same known cause within a short period of time.
Pompeii has been continuously excavated and studied since 1748. Early scholars working in Pompeii and other sites associated with the AD 79 eruption of Mount Vesuvius were seduced by the wealth of artefacts and wall paintings yielded by the site. This meant that the less visually attractive evidence, such as human skeletal remains, were largely ignored.
Recognizing the important contribution of the human skeletal evidence to the archaeology of…
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
Pompeii is such a wonderful archaeological site and one that allows archaeologists to develop new ways to investigate how that ancient city functioned. This book, through meticulous study of paving, carts, and curbstones even, prods the surviving pieces from antiquity to create a full understanding of how traffic was enabled and hindered by the inhabitants of Pompeii. Plenty of streets blocked to traffic here and lots of detailed archaeological evidence to get to grips with, but coming through the book to the reader is the passion of the author and his need to discover and reveal new facts about Pompeii to his readers.
The Traffic Systems of Pompeii is the first sustained examination of the development of road infrastructure in Pompeii-from the archaic age to the eruption of Mt. Vesuvius in 79 CE-and its implications for urbanism in the Roman empire. Eric E. Poehler, an authority on Pompeii's uniquely preserved urban structure, distills over five hundred instances of street-level "wear and tear" to reveal for the first time the rules of the ancient road. Through a thorough, yet lively, investigation of every facet of the infrastructure, from the city's urban grid and the shape of the streets to the treatment of their surfaces…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.
This is a reference source for anyone with an interest in period styles of furniture and decoration, this book comprises a complete survey of domestic interiors portrayed in art from the ancient world to the late 19th century. A collection of pictures and watercolours from all over Europe, Russia and America record rooms of all periods and their contents; the furniture, fabrics, carpets, pictures and wall-coverings. This text presents a cultural history of man in relation to his domestic surroundings.
The books I recommend have stayed with me years after I read them. I’ve always been fascinated by my Jewish heritage and the rich traditions of my forebearers. I’ve incorporated some of that heritage in my own work as an author. Most recently, I published a historical novel about the Jewish Ghetto in Rome, which took me down a rabbit hole of research into Jewish literature. I revisited books I’d loved for decades and discovered new books I loved.
I was captivated by this epic tale of Grazia dei Rossi, secretary to the powerful wife of the Pope’s physician and the daughter of a powerful banker.
The book gave me a fascinating peek into Jewish life in Renaissance Italy as Grazia struggles between the temptations of Christian life and the pull of her Jewish heritage.
A sweeping saga of intrigue and romance set during the Italian Renaissance and told through the eyes of Grazia dei Rossi, a young Jewish woman torn between duty and forbidden romance, who wins our hearts with her recorded secrets of love.
Grazia dei Rossi, private secretary to the world-renowned Isabella d’Este, is the daughter of an eminent Jewish banker, the wife of the pope’s Jewish physician, and the lover of a Christian prince. In a “secret book,” written as a legacy for her son, she records her struggles to choose between the seductions of the Christian world and a return…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
Sometimes reading eighteenth-century writing can be tedious due to the differing norms and expectations of writing. But Archangela Tarabotti’s essays burn the page.
Her anger is incandescent. She became a cloistered nun without a calling and lived her years trying to make a life of letters. Though she had a couple patrons—men—who brought her books and helped publish her works, she was at their mercy and was later nearly silenced by them. She rails against fathers, priests, and powerful nobles who limit women’s choices and voices. I have never forgotten her anger at injustice.
Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.
Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’m a medieval historian, and I’ve written academic books and articles about the history of the medieval world, but I have also written two historical novels. I became interested in history in general and the Middle Ages in particular from reading historical fiction as a child (Jean Plaidy!). The past is another country, and visiting it through fiction is an excellent way to get a feel for it, for its values, norms, and cultures, for how it is different from and similar to our own age. I’ve chosen novels that I love that do this especially well, and bring to light less well-known aspects of the Middle Ages.
I like historical novels with strong female characters, even unsympathetic ones (maybe especially unsympathetic ones), but if I am not going to throw the book against the wall, their lives and values need to be true to those of their time.
The Maria of the title is one of the best examples I know of a slightly difficult and strong-minded woman who is fully a product of her world, in this case, the world of Norman adventurers of the eleventh century who carved out domains for themselves in southern Italy against opposition from Muslims and the pope in Rome.
Her life is constrained by the expectations of her class and gender and a marriage she does not want, but she is a survivor, and she finds her own way to exert power.
Courage of a king, Strength of a knight, Heart of a woman
"A literary phenomenon."
―New York Times
Her father is a robber baron...
Her husband has grand ambitions and a quick temper...
She will become...the Great Maria.
A lush portrait of the eleventh century that leaves out none of its harshest nature, Great Maria is Cecelia Holland at her most evocative. A mere fourteen years old, strong-willed Maria is betrothed to Richard. Theirs is a marriage of conflict, yet one that grows over the years into respect and partnership. As they struggle―at times against each other, at times side-by-side―Maria…
