Books like Imperial Women of Rome — picked by fans

Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

This is the book that changed my perspective on Roman art. It focuses on relief sculptures, mainly from tombs in the port of Rome, that commemorated the livelihoods of ordinary people, artisans, shopkeepers, and laborers, with scenes of their work rendered in their own artistic styles (rather than those of the official state monuments). Now some of these tomb plaques are included in mainstream Roman art history textbooks, but the effect of this book taking both class (particularly those of low status) and gender seriously in the study of ancient art and archaeology was groundbreaking. 

It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.

Ain't She Sweet is my favorite second-chance romance. It will make you laugh, cry, and fall in love all over again.

It's about Sugar Beth Carey, the ultimate mean girl, who returns to her hometown and tries to make amends for all the drama she caused in the past. And of course, there's a handsome man from her past, Colin Byrne, who she just can't resist.

With hilarious banter, relatable characters, and steamy scenes, Ain't She Sweet is a must-read for romance junkies.

I think Jane Prescot is the perfect sleuth for this story of old money versus new money in 1910 New York City. She is a ladies’ maid to the new money Benchley daughters and she’s determined to keep them out of trouble. Her task becomes more difficult when Charlotte Benchley’s brand new fiancée is murdered. 

Jane is uniquely positioned to move through the city streets as well as into the homes of the upper crust. She’s smart, resourceful, and tenacious, but it’s her loyalty to her not-so-nice employers that had me rooting for her to uncover the killer. It definitely gave me Upstairs, Downstairs as well as Downton Abby vibes.

Peachtree Road is considered a modern-day Gone with The Wind, in that it is set in the pivotal, changing times of 1960’s Atlanta, and concerns the opulent area of Buckhead, where the privileged who built modern-day Atlanta live. The story is narrated in lyrical language by Shep Bondurant, an insightful young man born to privilege, who tells the coming-of-age story of Southern traditions and hypocrisy, and the impact of growing up alongside his troubled cousin, Lucy. A deeply probing story on multiple levels concerning society and the impact of family. 

I love Sandra Brown. Her books are always full of suspense. This book did not disappoint me. Romantic Suspense is one of my favorite genres. This book is about FBI agent Drex Easton, who is after a sociopath with multiple identities. It kept me on the edge of my seat. I couldn’t wait to turn the page to see what happens. It kept me up late into the night reading. If I can’t put it down, it’s a great book. 

There is always a woman involved, Talia Shafer. Drex believes her husband is the person he’s trailing. I loved how Sandra wove the characters together so the reader didn’t know who would win, the bad guy or Drex. I would recommend it to anyone who loves to read about law enforcement. 

And you thought your family was crazy! Set in Malaysia, this fascinating story combines family drama with class issues, ethnic tensions, the effects of colonial rule, and even ghosts. I love how writer Preeta Samarasan evokes a mysterious, almost magical feel to the setting and characters, as the reader gets acquainted with the wealthy, yet deeply dysfunctional family at the center of the story. No matter how bitter, enraging, or disappointing these characters feel towards each other, they are still bonded together, and the story ends on a hopeful note. This family can redeem itself-even if it takes moving to another country to do it.

This is a masterclass in satirical writing but also just in novel writing. Coe manages to combine a gripping narrative and murder mystery with a scathing indictment of Great Britain in the 80s, when venal wealth was king and the country lost its soul. This was one of those books where I felt like I learned so much, about British culture, politics, corruption, and a 1961 comedy horror movie that shares its name with the book title, but I didn’t notice it because I was having such a good time. There are so many layers to the plot – and inventive dimensions to the way the story is told - and it’s one of my favorite books of all time.