Here are 76 books that Imperial Women of Rome fans have personally recommended if you like
Imperial Women of Rome.
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I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.
By the author of Stoner, the surprise international bestseller
After the brutal murder of his great-uncle, Julius Caesar, Octavian, a shy and scholarly youth of nineteen, suddenly finds himself heir to the vast power of Rome. He is destined, despite vicious power struggles, bloody wars and family strife, to transform his realm and become the greatest ruler the western world had ever seen: Augustus Caesar, the first Roman Emperor.
Building on impeccable research, John Williams brings the legendary figure of Augustus vividly to life, and invests his characters with such profound humanity that we enter completely into the heat and…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
This is the book that changed my perspective on Roman art. It focuses on relief sculptures, mainly from tombs in the port of Rome, that commemorated the livelihoods of ordinary people, artisans, shopkeepers, and laborers, with scenes of their work rendered in their own artistic styles (rather than those of the official state monuments). Now some of these tomb plaques are included in mainstream Roman art history textbooks, but the effect of this book taking both class (particularly those of low status) and gender seriously in the study of ancient art and archaeology was groundbreaking.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices,…
I’ve been reading romance novels since I was way too young to be reading romances and I love the romance genre. I’m a fan of many tropes, but second-chance romance is one of my favorites and it is the main trope in my debut novel, Just a Fling. When I read romance, I want to read stories that make my heart break and then stitch it back together. Second-chance romances do that because they capture the essence of hope and forgiveness. They give readers the opportunity to experience the beauty and power of forgiveness and to believe in the transformative power of love.
Ain't She Sweet is my favorite second-chance romance. It will make you laugh, cry, and fall in love all over again.
It's about Sugar Beth Carey, the ultimate mean girl, who returns to her hometown and tries to make amends for all the drama she caused in the past. And of course, there's a handsome man from her past, Colin Byrne, who she just can't resist.
With hilarious banter, relatable characters, and steamy scenes, Ain't She Sweet is a must-read for romance junkies.
In high school Sugar Carey had reigned supreme. She alone had decided what or who was cool. Her spiral perm had been the perm against which all others were measured, and her opinion on which boys were acceptable to date the only one that counted. A beautiful, blonde - if not always benevolent - dictator, she had a reputation for being the wild child of Parrish, Mississippi, the girl most likely to set the world on fire, and leave a trail of destruction in her wake. When she left home she swore she'd never return. Only now, fifteen years and…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.
I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work.
Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world.
“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code
“Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I’m passionate about any suspense or thriller book. Even better, if I can’t figure out the ending, I love it when I believe I have the killer or bad guy figured out, and I’m wrong. I have read all of the books I recommended. They were page-turners and kept me on the edge of my seat. I loved reading every single one.
I love Sandra Brown. Her books are always full of suspense. This book did not disappoint me. Romantic Suspense is one of my favorite genres. This book is about FBI agent Drex Easton, who is after a sociopath with multiple identities. It kept me on the edge of my seat. I couldn’t wait to turn the page to see what happens. It kept me up late into the night reading. If I can’t put it down, it’s a great book.
There is always a woman involved, Talia Shafer. Drex believes her husband is the person he’s trailing. I loved how Sandra wove the characters together so the reader didn’t know who would win, the bad guy or Drex. I would recommend it to anyone who loves to read about law enforcement.
From the #1 NYT bestselling author: After a thirty-year search for a serial killer, FBI agent Drex Easton becomes a suspect's next-door neighbor -- but can he navigate a shocking series of twists and turns to track down the truth?
FBI agent Drex Easton is relentlessly driven by a single goal: to outmaneuver the conman once known as Weston Graham. Over the past thirty years, Weston has assumed many names and countless disguises, enabling him to lure eight wealthy women out of their fortunes before they disappeared without a trace, their families left without answers and the authorities without clues.…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
I think Jane Prescot is the perfect sleuth for this story of old money versus new money in 1910 New York City. She is a ladies’ maid to the new money Benchley daughters and she’s determined to keep them out of trouble. Her task becomes more difficult when Charlotte Benchley’s brand new fiancée is murdered.
Jane is uniquely positioned to move through the city streets as well as into the homes of the upper crust. She’s smart, resourceful, and tenacious, but it’s her loyalty to her not-so-nice employers that had me rooting for her to uncover the killer. It definitely gave me Upstairs, Downstairs as well as Downton Abby vibes.
“A taut, suspenseful, and complex murder mystery with gorgeous period detail.”―Susan Elia MacNeal
Through her exquisite prose, sharp observation and deft plotting, Mariah Fredericks invites us into the heart of a changing New York in her remarkable debut adult novel, A Death of No Importance.
New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. When she takes up a position with the Benchley family, dismissed by the city’s elite as “new money”, Jane realizes that while she may not have financial privilege, she has…
I have been fascinated by the role of power dynamics and psychological games in relationships for as long as I can remember, frequently seeking out entertainment and exploring these topics to make sense of what was happening in the world around me. Now as a writer of 42 novels, many of my stories center around these themes and their consequences and complications, always from a point of view that empowers women. Dirty Filthy Rich Men, and its follow-up Dirty Filthy Rich Love, specifically focus on the difference between the devastating act of rape and consensual rape play, with the intention of validating women who are drawn to edgier fantasies in fiction.
I could not put this book down. Already a favorite author of mine, Nikki Sloane surprised me with this sensual fairytale of a novel. It’s both inventive and twisted, deftly handling the love triangle as well as the power dynamics. Not only does Sloane knock the kink out of the park in this one, she also conveys all the fantasy of the uber-rich life without missing a thing.
No one knows how new members are selected to the board of Hale Banking and Holding. But there are rumors of a sordid rite of initiation.
Whispers how one woman and nine men disappear into a boardroom.
This time, that woman will be me.
The Hale family owns everything—the eighth largest bank in the world, everyone in our town, even the mortgage on my parents’ mansion. And now Royce Hale wants to own me.
He is charming. Seductive. Ruthless. But above all, he’s the prince of lies. My body may tighten with white-hot desire under his penetrating gaze, but I…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
This one is a bit of an obscurity. Another roman a clef from the 1980s, it’s a murder mystery set in Manhattan Society, only this time, it’s about the ways the high and mighty get down and dirty—and at the time, it was said to be based on several very real Upper East Side New York gentleman whose behavior was anything but gentle. At the time, many knew but no one talked about the sleaze and moral corruption that lurked in the dark corners of the world of wealth. I heard enough and saw enough to think that Stewart knew a lot.
New York, its wealth, decadence and crime levels are the subject of this novel which tells the intertwining tales of a rich society queen's sudden recovery from coma and the discovery of a mutiliated corpse. When Lieutenant Vince Cordoza begins to investigate, he gradually finds links between the two seemingly unconnected events. What he finds is dirty, explosive and gruesome and involves not only the society queen's family, but the whole fabric of New York, rich and poor alike.