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I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.
By the author of Stoner, the surprise international bestseller
After the brutal murder of his great-uncle, Julius Caesar, Octavian, a shy and scholarly youth of nineteen, suddenly finds himself heir to the vast power of Rome. He is destined, despite vicious power struggles, bloody wars and family strife, to transform his realm and become the greatest ruler the western world had ever seen: Augustus Caesar, the first Roman Emperor.
Building on impeccable research, John Williams brings the legendary figure of Augustus vividly to life, and invests his characters with such profound humanity that we enter completely into the heat and…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is a learned but lucid work that shows us why we don't know the names of many of the emperors' wives and female kin. Boatwright looks at a range of activities of the imperial women across Roman institutions (the imperial gov't and its laws, the military machine, and the family and the court). Important now to understand how power takes hold in conservative, entrenched societies, and how leading women are exploited in these regimes.
The Imperial Women of Rome explores the constraints and activities of the women who were part of Rome's imperial families from 35 BCE to 235 CE, the Roman principate. Boatwright uses coins, inscriptions, papyri, material culture, and archaeology, as well as the more familiar but biased ancient authors, to depict change and continuity in imperial women's pursuits and representations over time. Focused vignettes open each thematic chapter, emphasizing imperial women as individuals and their central yet marginalized position in the principate. Evaluating historical contingency and personal agency, the book assesses its subjects in relation to distinct Roman structures rather than…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices,…
I am a historian and history teacher in Ohio with a passion for studying the endlessly fascinating Roman Republic. It was a time when many believed the gods walked the earth, when legend and reality mixed. The resulting stories lure us with their strangeness while reminding us of our modern world. For me, no topic in the Republic captures this paradox of strangeness and familiarity more than the political systems of the Republic. Our very ideas about representative democracy come from the Romans. But the legacy is deeper. In Roman politicians’ thirst for votes and victory, their bitter rivalries we can, perhaps, see the dangers of excessive political competition today.
Even though the details of specific aristocratic women in the late Republic are often fleeting, serious digging into our sources provides a much fuller and richer picture of Roman women, a critical half of the Roman people. McClachlan offers a brief, but rich introduction to the available literary evidence. The book extends before and beyond the Republic, painting a picture that transcends the political structure of Monarchy, Republic, and Empire. The English translations are very readable (not always the case to be sure).
What makes her work so engaging for those who want to dig into the Romans’ own words, is that McLachlan essentially writes in each chapter a combination of narrative, context, and commentary that work seamlessly with the passages from the ancient sources to deliver an engaging narrative about the topics from Legendary Dido, to the historical women protesting the Oppian laws. It is such an accessible way…
This sourcebook includes a rich and accessible selection of Roman original sources in translation ranging from the Regal Period through Republican and Imperial Rome to the late Empire and the coming of Christianity. From Roman goddesses to mortal women, imperial women to slaves and prostitutes, the volume brings new perspectives to the study of Roman women's lives. Literary sources comprise works by Livy, Catullus, Ovid, Juvenal and many others. Suggestions for further reading, a general bibliography, and an index of ancient authors and works are also included.
I have spent 50 years studying, teaching, and writing about Roman history, participating in and leading many archaeological expeditions to the Roman world, particularly in Greece, Italy, Turkey, and the Levant. I have written a dozen books on the ancient world, including the best-selling Cleopatra: A Biography. Ancient Rome is both my expertise and passion.
This is a lavishly illustrated work showing the major pieces of Roman art, an important component of their ideology and self image. It explains how the Romans built on the Greek tradition of art and architecture and created their own artistic world, much of which is still with us today.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
This book is truly a staple for the study of Roman sex through Roman art. Clarke, a professor at the University of Texas, draws attention to the kind of details in ancient paintings and everyday objects we may miss when viewing them from behind museum glass, and interprets them to cast new light upon how the Romans viewed themselves as sexual beings. The pictures are also great.
What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question--and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works--many newly discovered and previously unpublished--in their ancient…
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
In two volumes, this is quite simply one of the most beautiful books I own. Much more than an atlas of maps, it includes illustrations of archaeological evidence from across the city and is full of reconstruction drawings. It is a book to simply lose yourself in and spend time browsing through the pages that set out the city of Rome. The overlaying of the ancient buildings from Rome onto the modern street grid, also allows for the reader to see how those ancient buildings, such as the Theatre of Pompey, continue to shape the streetscape of the city of Rome.
The Atlas of Ancient Rome provides a comprehensive archaeological survey of the city of Rome from prehistory to the early medieval period. Lavishly illustrated throughout with full-color maps, drawings, photos, and 3D reconstructions, this magnificent two-volume slipcased edition features the latest discoveries and scholarship, with new descriptions of more than 500 monuments, including the Sanctuary of Vesta, the domus Augusti, and the Mausoleum of Augustus. It is destined to become the standard reference for scholars, students, and anyone interested in the history of the city of Rome. The Atlas of Ancient Rome is monumental in scope. It examines the city's…
I have spent 50 years studying, teaching, and writing about Roman history, participating in and leading many archaeological expeditions to the Roman world, particularly in Greece, Italy, Turkey, and the Levant. I have written a dozen books on the ancient world, including the best-selling Cleopatra: A Biography. Ancient Rome is both my expertise and passion.
This is probably the best recent one-volume history of Rome, which covers the entire scope of the Roman world from its beginnings to its collapse. It is nicely illustrated, and gives a solid summary of the Roman environment that is easily understood by non-specialists. It is an exciting story: from a village on the Tiber River to ruling the world, an unexpected process that is well laid out.
How did a single village community in the Italian peninsula eventually become one of the most powerful imperial powers the world has ever known? In A Brief History of the Romans, Second Edition, Mary T. Boatwright, Daniel J. Gargola, Richard J.A. Talbert, and new coauthor Noel Lenski explore this question as they guide students through a comprehensive sweep of Roman history, ranging from the prehistoric settlements to the fall of the empire in 476. Addressing issues that still confront modern states worldwide--including warfare, empire building, consensus forging, and political fragmentation--the authors also provide glimpses into everyday Roman life and perspective,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
This book has everything in it across 37 chapters: technology, landscapes, material culture, identity, and empire. It is one of the few volumes in this series of Companions and Handbooks from various publishers that takes an explicitly archaeological focus. It includes developments in the city of Rome over time, but broadens out to include Italy and Rome’s empire. The book benefits from drawing on the research of 37 leading experts, who present in concise sections key findings based on archaeological research – often from archaeological projects that they have led in the field.
A Companion to the Archaeology of the Roman Republic offers a diversity of perspectives to explore how differing approaches and methodologies can contribute to a greater understanding of the formation of the Roman Republic. * Brings together the experiences and ideas of archaeologists from around the world, with multiple backgrounds and areas of interest * Offers a vibrant exploration of the ways in which archaeological methods can be used to explore different elements of the Roman Republican period * Demonstrates that the Republic was not formed in a vacuum, but was influenced by non-Latin-speaking cultures from throughout the Mediterranean region…
