Books like Where Are They Buried? How Did They Die? — picked by fans

Although Ross’s book appears to be a guide to visiting graveyards, its focus often turns toward the people who work there: gravediggers, tour guides, historians, and even memorial artists. One of my favorite essays in the book introduces a modern maker of death masks, whose work appears on three headstones in Highgate Cemetery. The eulogy for “the best-known guide at the most famous cemetery in Ireland” nearly brought me to tears.

A Tomb With A View tells the stories of the graveyards and their dead, true, but most of all Ross conveys how the relationships between the dead and those who remain behind deepen with time. A lovely, life-affirming book.

Even though it’s 12 years old, this is still the definitive history of burial grounds in America.I honestly cannot rave about it enough.

Although the book looks dry and intimidating, I promise you it’s anything but. Yalom provides solid information about the history of burial and burial grounds in the United States, leavened with personal reflections inspired by the graveyards she visited as she researched. If anything can inspire a desire to travel to visit cemeteries, The American Resting Place will set your feet on the path.

If you like visiting cemeteries, then this slender, profusely illustrated volume is a necessity. Keister, a professional photographer, covers an impressively wide variety of topics. He outlines key architectural forms and defines the meaning of floral, animal, and religious iconography. Keister goes beyond the standard New England skull-and-crossbones to identify symbols used in various regions and cultures, and discusses Hebrew, Islamic, and Chinese, and Japanese religious icons in addition to Christian motifs. He also includes handy features like an alphabetical list of acronyms of societies, clubs, and organizations to help decipher mysterious abbreviations. A concluding chapter on “Final Impressions” profiles unique and unusual memorials from around the world. Keister’s excellent photographs illustrate the various symbols succinctly. 

London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.

The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.

Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.

In my opinion, this book has one of the best titles ever! I’ve always been fascinated by old-timey bad medicine, and I wasn’t disappointed. Poor George Washington died of a sore throat, but alas, no antibiotics back then. The leading doctors in the country took turns treating America’s first president. They tried bloodletting twice, blistering (being bitten by poisonous beetles), and gave him toxic potions that made him throw up. After all of that, he was begging to die, and he did. This book is brilliantly gross and disgusting, while still being delightfully humorous and informative. Highly recommended for ages ten and up.

This is a gorgeously written book about two best friends doing nothing in particular. Isa and Gala arrive in New York City intertwined and allied.

They whirl through all the requisite stops of the party girl layabout lifestyle. I was fascinated by the friendship’s closeness; Isa and Gala know each other’s quirks and fears in staggering intimacy. They function as a unit, as a “we.” Isa’s aimlessly wandering through life, but she isn’t in it alone, and that’s comforting to me.

Together, Isa and Gala turn aimlessness into freedom. It’s a detail-packed, slow-burning portrait of how we build identity together, intertwining ourselves and pushing each other forward.

The winner of the 2001 Pulitzer Prize for Beat Reporting, David Cay Johnston is also a specialist in social inequality, political economy, and taxation who has written several best-selling books on these topics, such as Free Lunch: How the Wealthiest Americans Enrich Themselves at Government Expense and Stick You With the Bill. Johnston has interviewed Trump and has been investigating Donald since the late 1980s.

This book was the first and most inclusive overview of Trump’s shady business career in real estate, highlighting his six casino and hotel bankruptcies in the 1990s and up to his run for the presidency in 2016.

I admire Wendy’s sense of intimacy and ability to enter people’s private lives through their interiors. I find her sense of style timeless. I love the intimacy level she connects with a room and its owners. I think she can see life and excitement at every level.

I know her personally and am very fond of her love for interiors, of original and unique living space as well as the way she has to find them.

Those Who Write for Immortality is, simply put, a remarkable book. It’s an in-depth study of British writers whose work was written with the goal of surviving what Horace called “the teeth of time.” It confronts the literary careers of authors who managed to be remembered after their deaths to the failed attempts of gifted, but ultimately unsuccessful rivals. This study illuminates both the romantic period and the quest for literary fame in our own time. A must-read for anyone interested in Austen, Keats, Blake, and Lord Biron, it is also indispensable for readers willing to explore the theoretical issues associated with the goal of writing for those who are yet to be born, people whose values and aesthetic preferences might very well become completely different from our own.

For me, this book is a master class on using animals to write about humans without losing sight that animals aren’t human at all. It’s also laugh-out-loud hilarious because each story here is based on a real celebrity’s fateful encounter with an animal—and Millet uses a delightfully broad and irreverent definition of “celebrity.”

In this book, Noam Chomsky tries to sell a used gerbil habitat, Sharon Stone’s journalist husband is bitten and infected by a komodo dragon, and Madonna, in her British accent phase, shoots a pheasant badly. Millet’s precise prose satirically skewers our relationship with celebrities and creatures, inviting us to reconsider both.