Here are 61 books that The American Resting Place fans have personally recommended if you like
The American Resting Place.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
Although Ross’s book appears to be a guide to visiting graveyards, its focus often turns toward the people who work there: gravediggers, tour guides, historians, and even memorial artists. One of my favorite essays in the book introduces a modern maker of death masks, whose work appears on three headstones in Highgate Cemetery. The eulogy for “the best-known guide at the most famous cemetery in Ireland” nearly brought me to tears.
A Tomb With A View tells the stories of the graveyards and their dead, true, but most of all Ross conveys how the relationships between the dead and those who remain behind deepen with time. A lovely, life-affirming book.
WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021
A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR
'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel
'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I grew up with a graveyard in my backyard: the historic Schenck-Covenhoven Graveyard in Penns Neck, New Jersey, just outside Princeton. This small square plot, filled with the 18th- and 19th-century graves of local families, served as the perfect playground for hide-and-seek and cops-and-robbers with my friends. Working as a tour guide and volunteer at Laurel Hill Cemetery for nearly thirty years, I fell in love with its rich history and its architectural and horticultural beauty. As I grow older, I have come to value cemeteries for their role as both a meeting place and a mediator between the living and the dead.
If you like visiting cemeteries, then this slender, profusely illustrated volume is a necessity. Keister, a professional photographer, covers an impressively wide variety of topics. He outlines key architectural forms and defines the meaning of floral, animal, and religious iconography. Keister goes beyond the standard New England skull-and-crossbones to identify symbols used in various regions and cultures, and discusses Hebrew, Islamic, and Chinese, and Japanese religious icons in addition to Christian motifs. He also includes handy features like an alphabetical list of acronyms of societies, clubs, and organizations to help decipher mysterious abbreviations. A concluding chapter on “Final Impressions” profiles unique and unusual memorials from around the world. Keister’s excellent photographs illustrate the various symbols succinctly.
Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person: date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
Any collection of famous people’s gravesites is going to be idiosyncratic. Ask 10 people whose graves they would like to visit, and you will get 100 different answers. That said, this is the most entertaining and reasonably comprehensive encyclopedia of the graves of the famous that you will find outside of Find-a-Grave. I’ve gotten hours of fun from it.
Since it contains very few grave monument photographs, Where Are They Buried? includes a whole lot of people whose ashes have been scattered. I would have loved to leave a rose at the grave of John Lennon, but the Strawberry Fields mosaic in Central Park will have to do.
Where Are They Buried? has directed legions of fervent fans and multitudes of the morbidly curious to the graves, monuments, memorials, and tombstones of the nearly 500 celebrities and antiheroes included in the book.
The most complete and well-organized guide on the subject by far, every entry features an entertaining capsule biography full of little-known facts, a detailed description of the death, and step-by-step directions to the grave, including not only the name of the cemetery but the exact location of the gravesite and how to reach it. The book also provides a handy index of grave locations organized by…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.
The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.
Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.
From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is…
I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
This beautifully illustrated book about the experience of death in Victorian Britain was a keynote publication in the emerging field of ‘death studies,’ once a niche interest and now an established academic discipline and popular historical topic. Curl’s scholarship is on display in this massive tome, but he wears his learning lightly, and it’s an entertaining read.
This book examines the background of the architecture and customs surrounding death in the 19th century, from the humble working class burial to the spectacular state funerals of the Duke of Wellington (who would have preferred something more low-key) and Queen Victoria herself, the doyenne of Victorian mourning. We learn about the founding of the great urban cemeteries, which were masterpieces of architecture and landscape gardening, and the inevitable development of cremation. In a style as ceremonial as a royal funeral, this book is by turns intriguing, poignant, and amusing.
In this beautifully illustrated and well-researched book Professor Curl has rescued much fascinating material from undeserved oblivion, and his work fills a genuine gap. From humble working-class exequies to the massive outpouringof grief at the State funerals of Wellington and Queen Victoria herself, The Victorian Celebration of Death covers an immense canvas. It describes the change in sensibility that led to a new tenderness towards the dead; the history of the urban cemeteries with their architecture and landscapes; the ephemera of death and dying; State funerals as national spectacles; and the utilitarian reactions towards the end of the nineteenth century.…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
For many of us who study cemeteries, there is a danger of thinking that these landscapes of the dead are just bodies and gravestones. Katherine Ramsland’s Cemetery Stories: Haunted Graveyards, Embalming Secrets, and the Life of a Corpse After Death is one of the few books out there that details every step between death and internment, which are just as revealing about American culture as a fancy gravestone epitaph or a biography of a deceased local celebrity.
Admit it: You're fascinated by cemeteries. We all die, and for most of us, a cemetery is our final resting place. But how many people really know what goes on inside, around, and beyond them?
Enter the world of the dead as Katherine Ramsland talks to mortuary assistants, gravediggers, funeral home owners, and more, and find out about:
Stitching and cosmetic secrets used on mutilated bodies
Embalmers who do more than just embalm
The rising popularity of cremation art
Ghosts that infest graveyards everywhere
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Dr. Harrington offers an accessible yet meticulous overview of the role of the dead in ancient Egyptian society, with a general, but not exclusive, focus on the New Kingdom. Her book was published while I was just starting my dissertation and it was inspiring to see a project that dealt with similar themes being published. I admit, I also love this book because it was the first time someone ever made reference to me and my research in a footnote. It made me feel like my work was worthwhile and for that, I am eternally grateful to Dr. Harrington.
Living with the Dead presents a detailed analysis of ancestor worship in Egypt, using a diverse range of material, both archaeological and anthropological, to examine the relationship between the living and the dead. Iconography and terminology associated with the deceased reveal indistinct differences between the blessedness and malevolence and that the potent spirit of the dead required constant propitiation in the form of worship and offerings. A range of evidence is presented for mortuary cults that were in operation throughout Egyptian history and for the various places, such as the house, shrines, chapels and tomb doorways, where the living could…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
A fascinating in-depth look at why ideas of Dead White Men of the late 19th and early 20th Century—Émile Durkheim, Arnold van Gennep, Robert Hertz—still matter and are, indeed, indispensable for understanding funerals and death rituals in places like Borneo, Bali, Thailand, early Egypt, Africa, and America.
By examining mortuary rites cross-culturally, the authors expose elements of a 'deep structure' in ritual that may be universal, thus offering the 'thrill of recognition' of ourselves in others.
This revised edition of a cross-cultural study of rituals surrounding death has become a standard text in anthropology, sociology and religion. Part of its fascination is that in understanding other people's death rituals we are able to gain a better understanding of our own. The authors refer to a wide variety of examples, from different continents and epochs. They compare the great tombs of the Berawan of Borneo and the pyramids of Egypt, as well as the dramas of medieval French royal funerals and the burial alive of the Dinka 'masters of the spear' in the Sudan, and other rituals…
Each summer when I was small, I visited my gram. During the day we would go off on one adventure or another—and at night, she enticed me to sleep with the promise of a story. Most often, she read Grimm’s fairytales to me. Full of darkness and also hope (!), they were, and still are, some of my very favorites. And they inspire what I most enjoy writing and reading.
In this fantastical story, which is a companion to Furthermore, a lonesome girl scrubs the skin of the dead to ready souls for the afterlife. (Sounds properly spooky, doesn’t it? I love when books give me chills!) And when things are especially dark, as they are for Laylee, friendship shines all the brighter once it is found.
Our story begins on a frosty night . . . Laylee can barely remember the happier times before her beloved mother died. Before her father, driven by grief, lost his wits (and his way) and she was left as the sole remaining mordeshoor in the village of Whichwood, destined…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
This book is a classic for a reason. It’s a sobering (and deeply entertaining) look at the industry of death.
With so few universal truths, one would imagine that humanity’s shared capacity to understand our own mortality would be a source of connection. Instead, it feels like the mechanics of death and everything surrounding it, get shoved under the carpet in our desperation to avoid the topic.
As Mitford lifts the veil on the funeral industry, it becomes apparent how important it is to shine a light on the things we’re most afraid of.
Only the scathing wit and searching intelligence of Jessica Mitford could turn an exposé of the American funeral industry into a book that is at once deadly serious and side-splittingly funny. When first published in 1963, this landmark of investigative journalism became a runaway bestseller and resulted in legislation to protect grieving families from the unscrupulous sales practices of those in "the dismal trade."
Just before her death in 1996, Mitford thoroughly revised and updated her classic study. The American Way of Death Revisited confronts new trends, including the success of the profession's lobbyists in Washington, inflated cremation costs, the…