Here are 9 books that Wagnerism fans have personally recommended if you like
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These journalists were some of the most fascinating people I've ever read about, living in one of the most dramatic moments in recent history, and somehow all knowing each other and having complicated entangled lives. The Greatest Generation at their best.
NEW YORK TIMES EDITORS’ CHOICE • A prize-winning historian’s “effervescent” (The New Yorker) account of a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism
“High-speed, four-lane storytelling . . . Cohen’s all-action narrative bursts with colour and incident.”—Financial Times
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, BookPage
They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A Telegraph, Sunday Times, Economist and TLS Book of the Year
'One of the best history books you will read this decade' History Today
An exhilarating reappraisal of one of the most dramatic years in European history, from the acclaimed author of The Sleepwalkers
There can be few more exciting or frightening moments in European history than the spring of 1848. Almost as if by magic, in city after city, from Palermo to Paris to Venice, huge crowds gathered, sometimes peaceful and sometimes violent, and the political order that had held sway since the defeat of Napoleon simply collapsed.
The "West" at war in Russia, along with a motley crew of Turkish and Sardinian allies, getting mired in a conflict marked by blood and destruction, stalemate and stupidity. Couldn't happen nowadays, obviously
From "the great storyteller of modern Russian historians" (Financial Times) comes the definitive account of the forgotten war that shaped the modern age.
The Charge of the Light Brigade, Florence Nightingale―these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires―the British, French, Turkish, and Russian―in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I spend some time every year in Greece and love reading about that country. Plus, I am trying to learn Greek myself, so I found it really interesting to read the experiences of someone else who's been tackling that difficult language much longer than I have.
In her The New York Times best-selling Between You & Me (ISBN 978 0 393 352146), Mary Norris delighted readers with her irreverent tales of pencils, punctuation and punctiliousness over three decades in The New Yorker's celebrated copy department. In Greek to Me, she delivers another wise and witty paean to the art of expressing oneself clearly and convincingly, this time filtered through her greatest passion: all things Greek.
From convincing her The New Yorker bosses to pay for Ancient Greek studies to travelling the sacred way in search of Persephone, Greek to Me is an unforgettable account of both…
I am a college professor and paleoanthropologist–I study human fossils and the evolution of the human lineage. My field site is in the Afar region of Ethiopia, and I regularly spend a month or so wandering across the desert, picking up fossils. I view myself very much as a scientist and believe that the scientific view is the most reliable in some important ways. However, I came to science fairly late in life–I was an undergraduate philosophy and English literature student and didn’t go to graduate school until I was 30. Because of my liberal arts background, I have always felt it was important to bridge the science-humanities divide.
My father gave me a copy of this book when I was in 6th grade and it introduced the world of natural science to me. This was the first in a series of volumes that collected his monthly essays written for Natural History magazine.
Gould has an eye for unusual scientific phenomena that illuminate a deeper truth about the relationship between humanity and the natural world. He was not afraid to tackle moral issues, such as eugenics and the science of IQ, recognizing the importance of the popular scientist as more than just a translator.
But the most important thing for the 11-year-old me was that he was such a clear writer–I could follow all of his arguments without knowing anything about genetics, statistics, or anatomy. I still have the copy my father gave me–it is dog-eared, and the spine is long broken, but when I thumb through it, I…
Ever Since Darwin, Stephen Jay Gould's first book, has sold more than a quarter of a million copies. Like all succeeding collections by this unique writer, it brings the art of the scientific essay to unparalleled heights.
I am fascinated by time, how a few brief moments can change or define a life, and how, when faced with danger, a first reaction can make you a hero or a coward. In trying cases, I saw how a slight hesitation or a quick glance away could make a witness under cross-examination seem a liar. The instant of truth, when everything about someone’s character becomes clear–the common theme of the five novels–is what my book is all about. The captain, Vincent Marlowe, had to make a decision about the price he had to pay for the deaths he had caused.
I cannot remember in which of his many short stories I read it, but the great Argentine writer Jorge Borges put into the mouth of one of his inimitable characters a line that has never left me: “I have often begun the study of metaphysics but have always been interrupted by happiness.” Borges was the master of the unexpected, describing situations no one could have foreseen. I have read everything he wrote and read his stories over and over again.
The ones I like best deal with bravery and cowardice but also with time and how time can change what we think happened in the past out of all recognition. In The Other Death, a man who ran away during a great battle, dying forty years later of natural causes, describes in his delirium how he had fought bravely.
Those who heard him provide this first-hand account to the…
All of Borges' dazzling fictions have been freshly translated and gathered for the first time into a single volume - from his 1935 debut with The Universal History of Iniquity, through the immensely influential collections Ficciones and the The Aleph, to his final and never before translated work from the 1980s, Shakespeare's Memory.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
By the age of nine, I was beginning to wonder why things were the way they were, or if indeed they were at all. Perhaps growing up the youngest of five siblings and listening to conflicting opinions set me on my course. One of my sisters introduced me to literature. I began to write plays based on Shakespeare and Monty Python. The love of absurdity took me early on. I liked books that offered a different view of reality. I still do, and it influences what I write today. I believe Borges said something to the effect that all authors keep writing the same book, just in different ways.
I refer to Arthur Waley’s famous translation and abridgment of the novel Journey to the West, purportedly written by Wu Cheng’en in sixteenth-century China.
The story has the underlying theme of a quest—the protagonist Monkey, born from a stone egg, an impetuous, impatient, self-centered creature, occasionally violent but ultimately good-hearted, seeks knowledge and eternal life. His exploits get him in trouble with the Jade Emperor who imprisons him beneath a mountain for five hundred thousand years. He is released by the monk Tripitaka when he promises to accompany him to India to bring the Buddhist scriptures back to China. Adventures ensue with monsters, dragons, and ghosts. They pick up companions along the way until they eventually succeed and become enlightened.
It is a magical, humorous story with a refreshingly non-western sensibility. It is comprised of Chinese folk tales with added political satire. It also has an almost cartoon-like quality.…
Probably the most popular book in the history of the Far East, this classic sixteenth century novel is a combination of picaresque novel and folk epic that mixes satire, allegory, and history into a rollicking adventure. It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies. This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original.
This book is a message in a bottle for dark times. Bulgakov wrote this novel from Stalin's Soviet Union and managed to find a way to laugh (if darkly). His daring and vibrant imagination took me to another world and even made me laugh out loud.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
By the age of nine, I was beginning to wonder why things were the way they were, or if indeed they were at all. Perhaps growing up the youngest of five siblings and listening to conflicting opinions set me on my course. One of my sisters introduced me to literature. I began to write plays based on Shakespeare and Monty Python. The love of absurdity took me early on. I liked books that offered a different view of reality. I still do, and it influences what I write today. I believe Borges said something to the effect that all authors keep writing the same book, just in different ways.
This is a history of classical music from 1900 onwards. I’ve always been interested in early twentieth-century western art. It seems to have veered off in radically new directions and expressed a different consciousness than what preceded it. Perhaps it was fomented by the dissolution of the relatively stable European order of the nineteenth century, shattered by the First World War.
Alex Ross discusses the music of these times and the lives of the people who composed it. He is eminently capable, being musically trained, and finds the perfect balance between the technical and the personal. I was fascinated to learn that Shostakovich was a man who lived in constant fear of being purged. He always expected to be imprisoned.
I also learned about Harry Partch, the American composer, who devised his own tuning systems and built an orchestra of strange instruments to play his music.
Alex Ross's sweeping history of twentieth-century classical music, winner of the Guardian First Book Award, is a gripping account of a musical revolution.
The landscape of twentieth-century classical music is a wild one: this was a period in which music fragmented into apparently divergent strands, each influenced by its own composers, performers and musical innovations. In this comprehensive tour, Alex Ross, music critic for the 'New Yorker', explores the people and places that shaped musical development: Adams to Zweig, Brahms to Bjoerk, pre-First World War Vienna to 'Nixon in China'.
Above all, this unique portrait of an exceptional era weaves…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
