100 Books Like Monkey

What truly is there left to say about this masterpiece of classic fantasy that hasn’t been said a million times already?

After devouring the light appetizer that is The Hobbit, my teenage imagination was utterly blown away by what I only later understood to be the quintessential blueprint for nearly everything that’s followed throughout the years in this genre.

The sheer level of minute detail and painstakingly developed mythos is nothing short of a masterclass in world-building—a must-have skill for writing this kind of epic tale—but it was the story itself, with its core principles of friendship, loyalty, and sacrifice, that resonated so deeply with me.

This fascinating little gem of a book is concerned with tiny, largely unknown islands scattered around the world. Schalansky essentially selected them largely for how far they are from big, continental lands. Even after spending a significant portion of my life at sea, I can only claim to have visited or even sailed within sight of about a dozen of them. Most of these small atolls are far from their mother countries. But each of these isolated islands has a story that is inextricably tied to the sea.

My father gave me a copy of this book when I was in 6th grade and it introduced the world of natural science to me. This was the first in a series of volumes that collected his monthly essays written for Natural History magazine.

Gould has an eye for unusual scientific phenomena that illuminate a deeper truth about the relationship between humanity and the natural world. He was not afraid to tackle moral issues, such as eugenics and the science of IQ, recognizing the importance of the popular scientist as more than just a translator.

But the most important thing for the 11-year-old me was that he was such a clear writer–I could follow all of his arguments without knowing anything about genetics, statistics, or anatomy. I still have the copy my father gave me–it is dog-eared, and the spine is long broken, but when I thumb through it, I… show more.

I cannot remember in which of his many short stories I read it, but the great Argentine writer Jorge Borges put into the mouth of one of his inimitable characters a line that has never left me: “I have often begun the study of metaphysics but have always been interrupted by happiness.” Borges was the master of the unexpected, describing situations no one could have foreseen. I have read everything he wrote and read his stories over and over again. 

The ones I like best deal with bravery and cowardice but also with time and how time can change what we think happened in the past out of all recognition. In The Other Death, a man who ran away during a great battle, dying forty years later of natural causes, describes in his delirium how he had fought bravely.

Those who heard him provide this first-hand account to the… show more.

Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.   

I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional. 

A fascinating counterpoint to Dante’s otherworldly journey is this great Sufi poet’s down-to-earth account of a group of birds who are seeking a leader to put their chaotic lives in order. Attar’s twelfth-century verse novel combines spiritual quest with pointed social satire, as his bird-brained characters keep putting off their journey, held back by earthly attachments: to power, wealth, even to poetry itself. Finally they go, only to find that their wished-for savior is -- themselves. In Attar’s masterpiece, all history, all storytelling, the Holy Qur’an, and even the poem we’re reading become a hall of mirrors in which we see ourselves multiply refracted, guided by the poet who tells us that “he cooks his own heart into verse.”

I loved this book because it combines the gothic tradition with politics. Written during the Soviet era, it deals with the Devil and his entourage who visit Soviet-era Moscow and reveal Soviet society.

While not truly a gothic novel, it is an imaginative work and kept me mesmerized as an undergraduate student so much that I have gone back to read it again as an adult.

This is a history of classical music from 1900 onwards. I’ve always been interested in early twentieth-century western art. It seems to have veered off in radically new directions and expressed a different consciousness than what preceded it. Perhaps it was fomented by the dissolution of the relatively stable European order of the nineteenth century, shattered by the First World War. 

Alex Ross discusses the music of these times and the lives of the people who composed it. He is eminently capable, being musically trained, and finds the perfect balance between the technical and the personal. I was fascinated to learn that Shostakovich was a man who lived in constant fear of being purged. He always expected to be imprisoned. 

I also learned about Harry Partch, the American composer, who devised his own tuning systems and built an orchestra of strange instruments to play his music.

The Rest is Noise… show more.

One of the most popular books in the history of East Asia, this classic sixteenth century novel is a combination of adventure fiction and folk epic that mixes satire, allegory, and history into a rollicking tale. The epic journey is the one undertaken by the monk Xuanzang under the escort of the roguish Monkey, who has many encounters along the way with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies.

The monk Xuanzang was active during the reign of Tang Taizong, the protagonist of my book. Monk and emperor have many interactions in that novel.

Of China’s four classic novels—The Romance of Three Kingdoms, The Water Margin, The Dream of the Red Chamber, and The Journey to the West—it’s the tale of the monkey king and his friends that stands out most for me.

I might struggle to name the rebels in The Water Margin, and I found Bao Yu’s moping in The Dream of the Red Chamber cloying when I read it as a student. But despite being a monkey, Sun Wukong’s behavior makes him both the simplest and the most human character in any of the books.

But behind that simplicity lies a narrative complexity. Patterns repeat throughout the 100 chapters at regular intervals, reflecting storytelling traditions but also suggesting Buddhist themes of reincarnation and perseverance that lie at the heart of the tale. No wonder it’s a book I keep coming back to.