Books like The Rest Is Noise — picked by fans

My father gave me a copy of this book when I was in 6th grade and it introduced the world of natural science to me. This was the first in a series of volumes that collected his monthly essays written for Natural History magazine.

Gould has an eye for unusual scientific phenomena that illuminate a deeper truth about the relationship between humanity and the natural world. He was not afraid to tackle moral issues, such as eugenics and the science of IQ, recognizing the importance of the popular scientist as more than just a translator.

But the most important thing for the 11-year-old me was that he was such a clear writer–I could follow all of his arguments without knowing anything about genetics, statistics, or anatomy. I still have the copy my father gave me–it is dog-eared, and the spine is long broken, but when I thumb through it, I… show more.

I cannot remember in which of his many short stories I read it, but the great Argentine writer Jorge Borges put into the mouth of one of his inimitable characters a line that has never left me: “I have often begun the study of metaphysics but have always been interrupted by happiness.” Borges was the master of the unexpected, describing situations no one could have foreseen. I have read everything he wrote and read his stories over and over again. 

The ones I like best deal with bravery and cowardice but also with time and how time can change what we think happened in the past out of all recognition. In The Other Death, a man who ran away during a great battle, dying forty years later of natural causes, describes in his delirium how he had fought bravely.

Those who heard him provide this first-hand account to the… show more.

I refer to Arthur Waley’s famous translation and abridgment of the novel Journey to the West, purportedly written by Wu Cheng’en in sixteenth-century China.

The story has the underlying theme of a quest—the protagonist Monkey, born from a stone egg, an impetuous, impatient, self-centered creature, occasionally violent but ultimately good-hearted, seeks knowledge and eternal life. His exploits get him in trouble with the Jade Emperor who imprisons him beneath a mountain for five hundred thousand years. He is released by the monk Tripitaka when he promises to accompany him to India to bring the Buddhist scriptures back to China. Adventures ensue with monsters, dragons, and ghosts. They pick up companions along the way until they eventually succeed and become enlightened.

It is a magical, humorous story with a refreshingly non-western sensibility. It is comprised of Chinese folk tales with added political satire. It also has an almost cartoon-like quality.

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I loved this book because it combines the gothic tradition with politics. Written during the Soviet era, it deals with the Devil and his entourage who visit Soviet-era Moscow and reveal Soviet society.

While not truly a gothic novel, it is an imaginative work and kept me mesmerized as an undergraduate student so much that I have gone back to read it again as an adult.

If you’ve ever heard drumrolls and rhythms in your head, this story is for you.

Set during a recession, Sam and her family are experiencing hard times. But sixth grader Sam has a dream to play drums, and she’s gutsy enough to lie and mow lawns to pay for lessons and save for her own drum set someday.

Her worries about friends, cuts to the school’s music program, and her parents fighting over money mean that drumming is the only thing that’s saving Sam.

Through sheer determination and lots of practice, this girl who everyone said would never be good finally plays like the star drummer she is.

I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.

Neurologist Frank Wilson wrote this smart, funny, insightful book to connect his understanding of neuroscience to his own experience learning to play the piano as an adult.

While sharing his expertise about neural pathways and auditory perception, he pokes fun at himself, offers amusing anecdotes about other “experts” in various fields, writes lymmerics, and makes jokes when you least expect it: “We all know about biceps, triceps, deltoids, and ‘pecs’ but who ever heard of somebody having a knockout set of abductor digiti quinti minimi, or a breathtaking flexor pollicis brevis?”

His light touch creates an engaging and enlightening balance of science and music, and one can’t help but be encouraged by his enthusiasm and love of learning.  

From the 1960s but still one of the greatest books on how being creative means trying everything, trusting no one, and listening to everybody and everything. After you read this you will know that you can be an artist, that is, if you are meant to be one.

A century ago, the record industry sent representatives all over the country to do field recordings of vernacular artists playing folk, blues, and early country for “hillbilly” and “race” records (the sort that Rounder would start putting out in the 1970s).

One of these scouts was Ralph Peer from the Victor Talking Machine Company, for which he oversaw 1927’s legendary “Bristol Sessions.” It was the first time that Hall of Fame titans the Carter Family and Jimmie Rodgers recorded, generally cited as the beginning of the country music industry.

As explained in Barry Mazor’s excellent biography, Peer went on to become one of the giants of the recording and publishing industry, laying the groundwork that pretty much every record label including Rounder has followed since.

In these five stories music is the catalyst that shapes the narrators’ encounters with regret, failure, and loss. Through seemingly straightforward but complex dialogue, surprising plot twists, and individual revelations, Ishiguro mixes whimsy and melancholy with moments of connection and revelation—a cocktail that is oddly comforting.