Books like The Rest Is Noise — picked by fans

My father gave me a copy of this book when I was in 6th grade and it introduced the world of natural science to me. This was the first in a series of volumes that collected his monthly essays written for Natural History magazine.

Gould has an eye for unusual scientific phenomena that illuminate a deeper truth about the relationship between humanity and the natural world. He was not afraid to tackle moral issues, such as eugenics and the science of IQ, recognizing the importance of the popular scientist as more than just a translator.

But the most important thing for the 11-year-old me was that he was such a clear writer–I could follow all of his arguments without knowing anything about genetics, statistics, or anatomy. I still have the copy my father gave me–it is dog-eared, and the spine is long broken, but when I thumb through it, I… show more.

I cannot remember in which of his many short stories I read it, but the great Argentine writer Jorge Borges put into the mouth of one of his inimitable characters a line that has never left me: “I have often begun the study of metaphysics but have always been interrupted by happiness.” Borges was the master of the unexpected, describing situations no one could have foreseen. I have read everything he wrote and read his stories over and over again. 

The ones I like best deal with bravery and cowardice but also with time and how time can change what we think happened in the past out of all recognition. In The Other Death, a man who ran away during a great battle, dying forty years later of natural causes, describes in his delirium how he had fought bravely.

Those who heard him provide this first-hand account to the… show more.

I refer to Arthur Waley’s famous translation and abridgment of the novel Journey to the West, purportedly written by Wu Cheng’en in sixteenth-century China.

The story has the underlying theme of a quest—the protagonist Monkey, born from a stone egg, an impetuous, impatient, self-centered creature, occasionally violent but ultimately good-hearted, seeks knowledge and eternal life. His exploits get him in trouble with the Jade Emperor who imprisons him beneath a mountain for five hundred thousand years. He is released by the monk Tripitaka when he promises to accompany him to India to bring the Buddhist scriptures back to China. Adventures ensue with monsters, dragons, and ghosts. They pick up companions along the way until they eventually succeed and become enlightened.

It is a magical, humorous story with a refreshingly non-western sensibility. It is comprised of Chinese folk tales with added political satire. It also has an almost cartoon-like quality.

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I loved this book because it combines the gothic tradition with politics. Written during the Soviet era, it deals with the Devil and his entourage who visit Soviet-era Moscow and reveal Soviet society.

While not truly a gothic novel, it is an imaginative work and kept me mesmerized as an undergraduate student so much that I have gone back to read it again as an adult.

If you’ve ever heard drumrolls and rhythms in your head, this story is for you.

Set during a recession, Sam and her family are experiencing hard times. But sixth grader Sam has a dream to play drums, and she’s gutsy enough to lie and mow lawns to pay for lessons and save for her own drum set someday.

Her worries about friends, cuts to the school’s music program, and her parents fighting over money mean that drumming is the only thing that’s saving Sam.

Through sheer determination and lots of practice, this girl who everyone said would never be good finally plays like the star drummer she is.

I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.

The title clearly outlines the premise of the book, and it delivers what it promises.

Although these essays are related to teaching and learning music, the overarching principles are applicable to the development of any skill. Duke challenges any approach that would promote difficult over beautiful, or fast over meticulous, championing music teaching itself as an art.

We’ve read this book dozens of times, used it as a text for classes over the past 25 years, and included it on every suggested reading list that has anything to do with teaching and learning. If a reader takes time to deeply consider the messages in this book and put the recommended strategies into practice, the efficiency and effectiveness of every lesson will improve. 

Alan Leeds does a wonderful job presenting his eyewitness experiences as part of the James Brown entourage in the 1960s and beyond. The reader can’t wait to find out what happens next in the riveting story he presents of Soul Brother No. 1, the “hardest working man in show business.” It’s a fascinating tale, which presents Brown as an innovative musical force, determined artist, forceful businessman, and unpredictable personality. It’s a behind-the-scenes look at the Chitlin’ Circuit when soul music was taking off as a dynamic new genre—as recalled by a young, Jewish kid from Queens who joined James Brown’s team and learned the music business at the hand of the performer who mastered it.

The story of how Warner Bros Records, perhaps the best, most profitable yet artist-friendly record label in the 1970s and 1980s became heavily damaged when it was bought out in the 1990s and put under corporate auspices and expectations. Goodman communicates the financial details in a clear and accessible way, as well as the music executives’ singular personalities. Also offers a close-up view of how the corporate execs, especially with their short-term focus on quarterly results, failed to deal with the challenges of Napster and downloads at the turn of the century. An insightful view of the changing components of the music business in our time.

Why do certain tunes become popular and others fail? What is music that sells? In Selling Sounds, Suisman explains how the music industry has shaped the culture of listening to music and how they capitalized on it, creating an entirely new music culture in the early-twentieth-century United States. This emergence of the music industry and culture involved not just the creation of novel sounds by a genius musician, but rather commercial, technological, and cultural changes, which are still with us today.