Here are 100 books that Trust fans have personally recommended if you like
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I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.
Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review)
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.
Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.
The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
Early observations of power and privilege came from growing up around my Pulitzer Prize-winning father, Richard Eberhart, and his circle of iconic literary friends. During my long career advising top executives, I came to understand the dynamics of male power and privilege and its fit with individual personality. In their corner suites, I listened to CEOs interpret their pasts and envision their futures while the best of them uncovered their real fears and vulnerabilities. As these (mostly) men confronted their own mythologies and legacies, I, too, got to examine mine—recognizing that the best way to change our companies and our lives is to change ourselves.
This book held my hands to a high bar while accumulating, through good storytelling, the truths of a company, both clear and nuanced, as I searched for them in the early George A. Hormel & Company.
Arsenault’s book upends many beliefs we hold about “good companies” that provide stable, long-term jobs to hundreds of employees, like this prominent and popular paper mill in Mexico, Maine, where Arsenault’s family worked through multiple generations. The long-term economic safety and security that employees had felt for years is upended by their numerous life-threatening, sometimes intractable, cancers.
I loved this book for its investigative environmental journalism, its exposure of truths the powerful did not want to be exposed, and its influence on my own research.
In Mill Town "[Kerri] Arsenault pays loving homage to her family's tight-knit Maine town even as she examines the cancers that have stricken so many residents."-The New York Times Book Review
"Mill Town is a powerful, blistering, devastating book. Kerri Arsenault is both a graceful writer and a grieving daughter in search of answers and ultimately, justice. In telling the story of the town where generations of her family have lived and died, she raises important and timely questions." -Dani Shapiro, author of Inheritance
Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I've spent over 15 years as an organizational coach, watching businesses struggle with challenges nature has solved and been fine-tuning over billions of years. This frustration led me to a six-month biomimicry programme where I researched and studied how natural systems actually organize themselves. As a circular economy professional and organization in action of the Doughnut Economics Action Lab, I've seen how businesses attempting sustainability transitions often fail not from lack of technical knowledge but from organisational structures that impede evolution. These books have been my companion on my journey from recognizing the problem to discovering nature's proven solutions, and ultimately writing my own book to share those research insights with others facing similar challenges.
Raworth articulates something I'd felt but couldn't express: that our current economic models are fundamentally flawed, simultaneously transgressing planetary boundaries whilst leaving billions below social foundations.
Her doughnut framework—depicting the safe and just space between social foundations and ecological ceilings—clarifies the "why of work.”
I love how she challenges conventional economic thinking with such clarity and wit. When she explains why GDP growth can't be our goal, or why economies are embedded within society and nature (not the other way around), it feels both radical and obvious.
As a member organization of the Doughnut Economics Action Lab, I've seen how this framework helps businesses understand their purpose beyond profit.
This book provides the destination; my work explores the organizational navigation, the concrete patterns and structures that enable businesses to actually operate in that safe and just space.
800-CEO-Read "Best Business Book of 2017: Current Events & Public Affairs"
Economics is the mother tongue of public policy. It dominates our decision-making for the future, guides multi-billion-dollar investments, and shapes our responses to climate change, inequality, and other environmental and social challenges that define our times.
Pity then, or more like disaster, that its fundamental ideas are centuries out of date yet are still taught in college courses worldwide and still used to address critical issues in government and business alike.
That's why it is time, says renegade economist Kate Raworth,…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I reread this book recently and was fascinated to see how accurate (if perhaps overly optimistic) Egan was about the rise of social media and its role in our lives.
Egan resisted calling this book either a novel or a short story collection; in a June 2010 interview in Salon, she said, “You might say that discontinuity is the book’s organizing principle.” One of the book’s most commented-on chapters, “Great Rock and Roll Pauses by Alison Blake,” is presented as slides in a PowerPoint presentation.
Though Alison Blake’s mother, Sasha, and her record company executive boss Bennie Salazar appear at various points in the book, the chapters, or stories, stand alone, moving back and forth in time from the 1970s to a near future.
WINNER OF THE PULITZER PRIZE FOR FICTION NEW YORK TIMES TOP 10 BOOKS OF 2010
Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist's couch in…
As a writer, I want my novels to be deeply humane and beautifully written, with characters who are worth your time and love and worry. And as a reader, I want my plots to keep you up past bedtime. Unsurprisingly, these same qualities show up in novels I remember the longest. In days of yore (the 1980s) the rap on “literary novels” was that they had poetic writing and no plot. I’m glad to say that’s no longer true (if it ever was). Gorgeous writing and riveting plots can and do go together! In that spirit, I hope you’ll love my book selections.
I loved the novel’s unforgettable narrator, Perry L. Crandall, who has an IQ of 76.
A masterpiece of narrative voice, Lottery is easily the most engulfing book I’ve read in ten years. (I had a beloved sister with developmental disabilities and expected to be reduced to mush by page 5, but instead I was filled with joy.) The story follows Perry and his loathsome, money-grubbing sibs after Perry wins a boatload of dough in the state lottery.
This book is not what you think it will be, in about a million ways, and the ending is a heart-filling surprise. It made me want to be a better person. Everyone I’ve recommended this to adored it. (P.S. I’m not related to the author but I wish I were.)
2
authors picked
Lottery
as one of their favorite books, and they share
why you should read it.
This book is for kids age
14.
What is this book about?
Money isn't the same as treasure, and IQ isn't the same as smarts-An uplifting and joyous new novel hailed by Jacqueline Mitchard as "solid gold."
Perry L. Crandall knows what it's like to be an outsider. With an IQ of 76, he's an easy mark. Before his grandmother died, she armed Perry well with what he'd need to know: the importance of words and writing things down, and how to play the lottery. Most important, she taught him whom to trust-a crucial lesson for Perry when he wins the multimillion-dollar jackpot. As his family descends, moving in on his fortune,…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
Even though it wasn’t commercially successful in its time, Cane was a critical success. I love the fact that it’s come to be considered a representative work of both literary modernism and the Harlem Renaissance.
The book’s three-part structure was described by Toomer as a circle, moving from stories, poems, and songs featuring rural characters in Georgia in the first part, to stories set in theaters and sections of dramatic dialogue set in the cities of Washington, DC, and Chicago in the second part, and finally back to the rural South in the third part.
It is a beautiful and wildly experimental work, and flies in the face of many assumptions about African American characters, in both the South and the North.
First published in 1923, Jean Toomer's Cane is an innovative literary work-part drama, part poetry, part fiction-powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American…
We are the academic and creative directors at the Stanford d.school. Our students study design, but they really hope to navigate a world of unknowns and make their way to a better future. We believe the best way to do that is not to limit yourself to a single domain or area but to find new possibilities in the overlaps, patterns, and discoveries that linger between ideas. We love books that stretch us beyond the design domain and into new places of inspiration and investigation. The ones on our list have all delighted us with their ability to reframe our thinking about design, even though none are squarely about the topic.
This is foundational work for anyone building, creating, or designing on the planet today.
If you care about the Earth, about other humans, or about other species, you need to read it. This book is about Indigenous thinking. We love that it is grounded in story, connection, and symbiosis with the natural world.
Winner, Small Publishers' Adult Book of the Year, Australian Book Industry Awards 2020
This remarkable book is about everything from echidnas to evolution, cosmology to cooking, sex and science and spirits to Schrödinger’s cat.
Tyson Yunkaporta looks at global systems from an Indigenous perspective. He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?
Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about…
Early observations of power and privilege came from growing up around my Pulitzer Prize-winning father, Richard Eberhart, and his circle of iconic literary friends. During my long career advising top executives, I came to understand the dynamics of male power and privilege and its fit with individual personality. In their corner suites, I listened to CEOs interpret their pasts and envision their futures while the best of them uncovered their real fears and vulnerabilities. As these (mostly) men confronted their own mythologies and legacies, I, too, got to examine mine—recognizing that the best way to change our companies and our lives is to change ourselves.
This book informed my macroeconomic thinking on the way banks and companies have long been twined and the complex decisions that ultimately somebody—whether company boards or government regulators—need to make when they fail.
This was a perfect study for my own research into the near collapse of the early Hormel company and the reason why it still exists today; Sorkin’s chosen title would apply. Companies have an impact, both good and sometimes bad, and our regional and national economies often suffer from their hubris and greed.
Sorkin’s master storytelling kept me riveted and mesmerized all the way through six hundred and forty pages.
They were masters of the financial universe, flying in private jets and raking in billions. They thought they were too big to fail. Yet they would bring the world to its knees.
Andrew Ross Sorkin, the news-breaking New York Times journalist, delivers the first true in-the-room account of the most powerful men and women at the eye of the financial storm - from reviled Lehman Brothers CEO Dick 'the gorilla' Fuld, to banking whiz Jamie Dimon, from bullish Treasury Secretary Hank Paulson to AIG's Joseph Cassano, dubbed 'The Man Who Crashed the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m Gen X, through and through. And because I grew up in that (glorious?) time before social media, I didn’t have the worry that my messy-woman missteps would be exposed online. But the trade-off to keeping my mistakes as private as possible was that I often felt like I couldn’t live boldly. So now I’m fascinated by the ways other women handle the messier aspects of their lives: the obsessions and frustrations, the secrets we all keep, the duality we choke down. I want to know what we’re each quietly starving for, what’s driving us when we strip away social expectation and are left to sit with our gnawing hungers.
I’m drawn to books that buck expectations, whether that’s through the format, content, or approach. So I adore how this book absolutely tears them all down and creates something more original instead. Chunks of this book are written like social media posts, which create quick, digestible sections that let the absurdity, humor, and social musings really hit.
I also admire how Lockwood is able to switch so smoothly between hilarity, heartbreak, anxiety, and sadness; I was cackling one minute and then ugly crying just a few pages later. I’ve never read a book quite like this before. Lockwood’s writing style inspires me to take more risks in my own stories.
'Patricia Lockwood is the voice of a generation' Namita Gokhale
'A masterpiece' Guardian
'I really admire and love this book' Sally Rooney
'An intellectual and emotional rollercoaster' Daily Mail
'I can't remember the last time I laughed so much reading a book' David Sedaris
'A rare wonder . . . I was left in bits' Douglas Stuart
* WINNER OF THE DYLAN THOMAS PRIZE 2022 *
* SHORTLISTED FOR THE BOOKER PRIZE 2021 *
* SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 *
* A BBC BETWEEN THE COVERS BOOK CLUB PICK *
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