As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
Even though it wasn’t commercially successful in its time, Cane was a critical success. I love the fact that it’s come to be considered a representative work of both literary modernism and the Harlem Renaissance.
The book’s three-part structure was described by Toomer as a circle, moving from stories, poems, and songs featuring rural characters in Georgia in the first part, to stories set in theaters and sections of dramatic dialogue set in the cities of Washington, DC, and Chicago in the second part, and finally back to the rural South in the third part.
It is a beautiful and wildly experimental work, and flies in the face of many assumptions about African American characters, in both the South and the North.
First published in 1923, Jean Toomer's Cane is an innovative literary work-part drama, part poetry, part fiction-powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American…
I reread this book recently and was fascinated to see how accurate (if perhaps overly optimistic) Egan was about the rise of social media and its role in our lives.
Egan resisted calling this book either a novel or a short story collection; in a June 2010 interview in Salon, she said, “You might say that discontinuity is the book’s organizing principle.” One of the book’s most commented-on chapters, “Great Rock and Roll Pauses by Alison Blake,” is presented as slides in a PowerPoint presentation.
Though Alison Blake’s mother, Sasha, and her record company executive boss Bennie Salazar appear at various points in the book, the chapters, or stories, stand alone, moving back and forth in time from the 1970s to a near future.
WINNER OF THE PULITZER PRIZE FOR FICTION NEW YORK TIMES TOP 10 BOOKS OF 2010
Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist's couch in…
Selected by Deesha Philyaw as winner of the AWP Grace Paley Prize in Short Fiction, Lake Song is set in the fictional town of Kinder Falls in New York’s Finger Lakes region. This novel in stories spans decades to plumb the complexities, violence, and compassion of small-town life as the…
I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.
Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.
The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
I love a good look at class realities from nineteenth- and early twentieth-century America.
So I was eager to dive into a book about Trust’s central character, Ida Partenza, the daughter of an early twentieth-century anarchist, but also the secretary and ghostwriter for wealthy financier Andrew Bevel.
Part of what is so captivating (and mind-boggling) about Trust is its metafictional structure: Is it a novel? Wait, is it a memoir? Wait, is it Bevel’s story, or Ida’s, or Bevel’s wife’s?
To say more, I’m afraid, would ruin too many wonderful surprises, but I will say that some of the loveliest, most memorable writing in this book appears in the voice of Bevel’s wife, Mildred.
Longlisted for the Booker Prize The Sunday Times Bestseller
Trust is a sweeping, unpredictable novel about power, wealth and truth, set against the backdrop of turbulent 1920s New York. Perfect for fans of Succession.
Can one person change the course of history?
A Wall Street tycoon takes a young woman as his wife. Together they rise to the top in an age of excess and speculation. But now a novelist is threatening to reveal the secrets behind their marriage, and this wealthy man's story - of greed, love and betrayal - is about to slip from his grasp.
Selected by Deesha Philyaw as winner of the AWP Grace Paley Prize in Short Fiction, Lake Song is set in the fictional town of Kinder Falls in New York’s Finger Lakes region. This novel in stories spans decades to plumb the complexities, violence, and compassion of small-town life as the…
I knew little about North Woods when I started reading it, except that it chronicled the lives of different inhabitants of a farmhouse in western New England—a region I love—and featured an intriguing image of what I assumed was a bobcat on the cover.
North Woods brings its setting vividly to life; while there are fascinating characters—including a colonial-era English soldier who abandons the war to cultivate an apple orchard on the farmhouse property—the flora and fauna of the farm and its surrounding woodlands play equally important roles.
I’m grateful to my daughter, the same sensitive reader who cried when she finished Homegoing, for posting a photo of her copy of North Woods along with her lunch one day and piquing my curiosity.
A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—“a time-spanning, genre-blurring work of storytelling magic” (The Washington Post) from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier.
“With the expansiveness and immersive feeling of two-time Booker Prize nominee David Mitchell’s fiction (Cloud Atlas), the wicked creepiness of Edgar Allan Poe, and Mason’s bone-deep knowledge of and appreciation for the natural world that’s on par with that of Thoreau, North Woods fires on all cylinders.”—San Francisco Chronicle
Reaching from the early twentieth century to the early years of the Covid-19 pandemic, Joyce Hinnefeld’s The Dime Museum: A Novel in Stories brings to life a vaudevillian male impersonator, a Vietnam vet turned gardener, an aimless poet, a Czech violinist, and a disaffected feminist scholar, along with ex-pats, nurses, nannies, and heart-worn mothers. These characters’ lives—centered in Chicago, Philadelphia, Venice, and Lisbon—intersect in surprising ways as the book’s chapters unfold.
As these characters seek love and solace, their lives are bound up with modernity, meaning, privilege, and inclusion. In the end, the youngest of them are left to face the daunting and ongoing wake of the tumultuous twentieth century.
