Here are 100 books that Mill Town fans have personally recommended if you like
Mill Town.
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I am an award-winning author of two five-star rated memoirs, and the creator/performer of the 90-minute solo show My Whorizontal Life: The Show!. I'm co-host of the podcast My Index to Sex, and I am a Juilliard Drama Graduate and the former #1 escort in the country. My desire in writing about the secret work of love and pleasure is first to create unexpected delight by leading the reader or audience into the surprisingly fascinating, funny, wild, misunderstood, and imagined life underground where so many women secretly work. Through my writing, I hope to give an authentic voice, knowledgeable, true, and uncynical to this experience.
I read this book when it was first published when working low-wage ‘regular’ jobs was something I feared. I had been poor for so long and worked low-wage regular jobs before and through 9 years of college and after until I became an escort. As much as being an escort was shamed, it was nothing compared to the shame of not being able to survive with two low-wage jobs that eat up all your time, your choices, and your health. Then here was this powerful, insightful book.
The author is a journalist who goes underground, takes these jobs, and tries to survive. What is revealed are the lives of so much of the population in America that are working this way. I read this book in one day. Once you see it and have felt it, it’s impossible not to see it and want better for all of us.
Beautifully repackaged as part of the Picador Modern Classics Series, this special edition is small enough to fit in your pocket and bold enough to stand out on your bookshelf.
A publishing phenomenon when first published, Barbara Ehrenreich’s Nickel and Dimed is a revelatory undercover investigation into life and survival in low-wage America, an increasingly urgent topic that continues to resonate.
Millions of Americans work full time, year round, for poverty-level wages. In 1998, Barbara Ehrenreich decided to join them. She was inspired in part by the rhetoric surrounding welfare reform, which promised that a job―any job―can be the ticket…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
A hard-hitting work of theory that hinges heavily on Despentes’ personal experience in the worlds of punk and sex work, the French writer and filmmaker goes further than most in her demands for feminist solidarity. Brilliant, fun, and captivating, King Kong Theory sits alongside Paolo Freire, James C. Scott, and Emma Goldman in my personal pantheon of thinkers.
'I write from the realms of the ugly, for the ugly, the frigid, the unfucked and the unfuckables, all those excluded from the great meat market of female flesh, and for all those guys who don't want to be protectors, for those who would like to be but don't know how, for those who are not ambitious, competitive, or well-endowed. Because this ideal of the seductive white woman constantly being waved under our noses - well, I'm pretty sure it doesn't exist.'
Powerful, provocative and personal, King Kong Theory is a candid account of how the author of Baise-moi came…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
When respected journalist Ulrike Meinhof abandoned her middle-class, job-holding lifestyle to join a group of revolutionaries she’d been covering as a reporter, she was talked about as if she’d been kidnapped. But her own writing reveals a far more devastating reckoning with notions of social class, privilege, and the urgent need for cultural change.
No other figure embodies revolutionary politics and radical chic quite like Ulrike Meinhof, who formed, with Andreas Baader and Gudrun Ensslin, the Red Army Faction (RAF), also known as the Baader–Meinhof Gang, notorious for its bombings and kidnappings of the wealthy in the 1970s. But in the years leading up to her leap into the fray, Meinhof was known throughout Europe as a respected journalist, who informed and entertained her loyal readers with monthly magazine columns. What impels someone to abandon middle-class privilege for the sake of revolution? In the 1960s, Meinhof began to see the world in increasingly stark…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
Writers are not generally supposed to publicly acknowledge books that track too closely to their own, but of the spate of autobiographical books by women about property ownership that came around at the same time as my book, Levy’s stood out for its intellectual honesty and consideration of the meaning of home. Haunting.
Fearless and essential - the highly anticipated final instalment in Deborah Levy's critically acclaimed 'Living Autobiography'
Following the international critical and commercial success of The Cost of Living, this final volume of Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it. It resumes and expands Levy's pioneering examination of a female life lived in the storm of the present tense, asking essential questions about womanhood, modernity, creative identity and personal freedom. From one of the great thinkers and writers of our time, Real Estate is a memoir and a manifesto…
Early observations of power and privilege came from growing up around my Pulitzer Prize-winning father, Richard Eberhart, and his circle of iconic literary friends. During my long career advising top executives, I came to understand the dynamics of male power and privilege and its fit with individual personality. In their corner suites, I listened to CEOs interpret their pasts and envision their futures while the best of them uncovered their real fears and vulnerabilities. As these (mostly) men confronted their own mythologies and legacies, I, too, got to examine mine—recognizing that the best way to change our companies and our lives is to change ourselves.
This book informed my macroeconomic thinking on the way banks and companies have long been twined and the complex decisions that ultimately somebody—whether company boards or government regulators—need to make when they fail.
This was a perfect study for my own research into the near collapse of the early Hormel company and the reason why it still exists today; Sorkin’s chosen title would apply. Companies have an impact, both good and sometimes bad, and our regional and national economies often suffer from their hubris and greed.
Sorkin’s master storytelling kept me riveted and mesmerized all the way through six hundred and forty pages.
They were masters of the financial universe, flying in private jets and raking in billions. They thought they were too big to fail. Yet they would bring the world to its knees.
Andrew Ross Sorkin, the news-breaking New York Times journalist, delivers the first true in-the-room account of the most powerful men and women at the eye of the financial storm - from reviled Lehman Brothers CEO Dick 'the gorilla' Fuld, to banking whiz Jamie Dimon, from bullish Treasury Secretary Hank Paulson to AIG's Joseph Cassano, dubbed 'The Man Who Crashed the…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I love a good look at class realities from nineteenth- and early twentieth-century America.
So I was eager to dive into a book about Trust’s central character, Ida Partenza, the daughter of an early twentieth-century anarchist, but also the secretary and ghostwriter for wealthy financier Andrew Bevel.
Part of what is so captivating (and mind-boggling) about Trust is its metafictional structure: Is it a novel? Wait, is it a memoir? Wait, is it Bevel’s story, or Ida’s, or Bevel’s wife’s?
To say more, I’m afraid, would ruin too many wonderful surprises, but I will say that some of the loveliest, most memorable writing in this book appears in the voice of Bevel’s wife, Mildred.
Longlisted for the Booker Prize The Sunday Times Bestseller
Trust is a sweeping, unpredictable novel about power, wealth and truth, set against the backdrop of turbulent 1920s New York. Perfect for fans of Succession.
Can one person change the course of history?
A Wall Street tycoon takes a young woman as his wife. Together they rise to the top in an age of excess and speculation. But now a novelist is threatening to reveal the secrets behind their marriage, and this wealthy man's story - of greed, love and betrayal - is about to slip from his grasp.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Early observations of power and privilege came from growing up around my Pulitzer Prize-winning father, Richard Eberhart, and his circle of iconic literary friends. During my long career advising top executives, I came to understand the dynamics of male power and privilege and its fit with individual personality. In their corner suites, I listened to CEOs interpret their pasts and envision their futures while the best of them uncovered their real fears and vulnerabilities. As these (mostly) men confronted their own mythologies and legacies, I, too, got to examine mine—recognizing that the best way to change our companies and our lives is to change ourselves.
This is the best book I’ve read about the human dreams and failings of white-collar criminals.
With Soltes’ direct access to headline names—like Bernie Madoff, Jeffrey Skilling, and Marc Drier—I steeped myself in his profound research on our myths about “nurture vs. nature,” whether companies are inherently “good” or “bad,” and whether criminal behavior inside companies is performed by fundamentally “bad” people. The book taught me about the psyche of embezzlers and the conditions inside companies that influence their stealing. That knowledge took me beyond my own familial myths about George Hormel’s embezzler and enhanced my understanding of why he likely did his stealing.
The book also outlined the great impact of white-collar crime on families, companies, and our economy, leading me to a more nuanced understanding of southern Minnesota in the 1920s. History and humanity are woven together in whole cloth, and Soltes’ work allowed me to speculate about…
From the financial fraudsters of Enron, to the embezzlers at Tyco, to the insider traders at McKinsey, to the Ponzi schemer Bernie Madoff, the failings of corporate titans are regular fixtures in the news. In Why They Do It, Harvard Business School professor Eugene Soltes draws from extensive personal interaction and correspondence with nearly fifty former executives as well as the latest research in psychology, criminology, and economics to investigate how once-celebrated executives become white-collar criminals.
White-collar criminals are not merely driven by excessive greed or hubris, nor do they usually carefully calculate costs and benefits before breaking the law.…
In the late 1980s, I led a team of researchers who studied relations between Vietnamese refugees, Hispanic immigrants, and native-born residents of Garden City, Kansas, many of whom came to work in what was then the world’s largest beef packing plant. I became fascinated by the meat and poultry industry. Since then, I have studied industry impacts on communities, plant workers, farmers and ranchers in Nebraska, Oklahoma, and my hometown in Kentucky. The meat and poultry industry is highly concentrated, heavily industrialized, and heavily reliant on immigrant labor. As such, it has much to teach us about where our food comes from and how it is made.
This is a must-read book about Spam. No, not the kind that clogs up your inbox, but the cheap canned meat that pioneered the postwar love affair with processed foods, which Monty Python so cleverly satirized.
In this hard-driving and wide-ranging investigation, Ted Genoways focuses on Hormel Foods and its signature product—Spam—to expose the dark underbelly of industrial pork production that brings us our bacon, hams, chops—and Spam. It broke my heart and turned my stomach at the same time.
A powerful and important work of investigative journalism that explores the runaway growth of the American meatpacking industry and its dangerous consequences.
On the production line in American packinghouses, there is one cardinal rule: the chain never slows. Every year, the chain conveyors that set the pace of slaughter have continually accelerated to keep up with America’s growing appetite for processed meat. Acclaimed journalist Ted Genoways uses the story of Hormel Foods and soaring recession-era demand for its most famous product, Spam, to probe the state of the meatpacking industry, including the expansion of agribusiness and the effects of immigrant…
As a longtime lover of Gothic literature, I wrote my doctoral dissertation on it, which became my book The Gothic Wanderer: From Transgression to Redemption. My second book on the Gothic, Vampire Groomsand Spectre Brides, explored how French and British Gothic authors influenced each other. The City Mysteries novels were part of that influence, as evidenced by how British author Reynolds borrowed the idea to write The Mysteries of London from French author Sue’s The Mysteries of Paris. After reading so many City Mysteriesnovels, I decided to write my own, complete with crossdressers, prostitutes, criminals, innocents, and the genre’s many other signature elements.
This book began the entire City Mysteries genre. When French novelist Eugène Sue published it serially in 1842-1843, it took the world by storm and became an instant bestseller. I love the intrigue in the novel. The main character, Prince Rodolphe, is in disguise as a working man in Paris among criminals and the poor with the intent to help them.
I love how the novel shows the complex personalities of the different characters and their backstories, explaining how many became criminals. The novel is full of Gothic atmosphere and helped to change the Gothic from being set in crumbling castles and the past to the present-day and the modern city. This Gothic cityscape reflected the trauma and displacement many felt living in crime-ridden metropolises.
The first new translation in over a century of the the brilliant epic novel that inspired Les Miserables
From July 1842 through October 1843, Parisians rushed to the newspaper each week for the latest installment of Eugene Sue's The Mysteries of Paris, one of France's first serial novels. The suspenseful story of Rodolphe, a magnetic hero of noble heart and shadowy origins, played out over ninety issues, garnering wild popularity and leading many to call it the most widely read novel of the 19th century. Sue's novel created the city mystery genre and inspired a raft of successors, including Les…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
