Here are 100 books that Tokyo fans have personally recommended if you like
Tokyo.
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I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Vaporis’ Breaking Barriers gave me the background knowledge to understand how developed the
system of travel was in Edo Japan. Both in relation to the infrastructure and
the regulations imposed by the Bakufu under the Tokugawa regime. I was
particularly impressed to learn about the sankin kotai, which is the travel expeditions
of the regional lords (the daimyo) for their mandatory alternate residency in
Tokyo, and the different protocols and checks across the roads.
Despite the
harsh laws of the Tokugawa’s system of roads, barriers, relays, and permits, I
was surprised to discover the social reality of the roads and how travelers
managed to overcome the regulations and escape from social restrictions. I also
enjoyed the multiplicity of sources that Vaporis is using to describe the
culture of the road beyond the official records: from diaries and literary
sources to woodblock prints.
Travel in Tokugawa Japan was officially controlled by bakufu and domainal authorities via an elaborate system of barriers, or sekisho, and travel permits; commoners, however, found ways to circumvent these barriers, frequently ignoring the laws designed to control their mobility. In this study, Constantine Vaporis challenges the notion that this system of travel regulations prevented widespread travel, maintaining instead that a "culture of movement" in Japan developed in the Tokugawa era.
Using a combination of governmental documentation and travel literature, diaries, and wood-block prints, Vaporis examines the development of travel as recreation; he discusses the impact of pilgrimage and the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Tokyo, Form and Spirit was the catalogue for an exhibition at the Walker Center in 1986 with contributions of the most important Japanese urban writers of the 1990s: Henry Smith, Kenneth Frampton, Donald Richie, Marc Treib, Chris Fawcett to name but a few. While I never saw the exhibition, the perspective of the authors created a mental scaffolding that shaped my understanding of the transition from the feudal to modern Japan. Henry
Smith is reading the city of Edo through a bipartite scheme characterized by the sky and the water, or how the city was viewed differently from above, as incarnated by the gaze of the samurai and other authorities, and from below, typically by the commoners who enjoyed life across the city’s waterways. He then searches for this structure in today’s Tokyo where the city’s skyline is dominated by wirescape and high-rise edifices, and the water has almost evaded.…
Essays discuss the evolution of Tokyo's art and architecture from the seventeenth century to the present and the coexistence of technology and tradition
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
I was extremely lucky to conduct
my PhD research on Tokaido road in the 1990s. Books by scholars of Japanese Studies like Marily Ivy were
extremely influential and opened my eyes to aspects that would not have been
visible to me otherwise.
The Discourses of the Vanishing was
one such book that dispelled deeply rooted myths of Japan, especially
the belief that Japan is a fully modernized country, that Japanese society is
monolithic, and that Japan’s most noteworthy locales are its highly urbanized
areas. What brought me to the book was Ivy’s examination of the Exotic Japan
campaign of Japan’s railways in the late 1980s. This campaign was woven with
powerful notions of furusato (nostalgia for one’s native place), neo-Japonesque
exoticism, and other imaginary references of post-bubble Japan meant to appeal
to women as new targets of Japan’s consumption campaigns.
Across the book’s six
chapters, Ivy also takes us to…
Deep anxieties about the potential loss of national identity and continuity disturb many in Japan, despite widespread insistence that it has remained culturally intact. In this conjoining of ethnography, history and cultural criticism, Marilyn Ivy discloses these anxieties, as she tracks what she calls the vanishing: marginalized events, sites and cultural practices suspended at moments of impending disappearance. Ivy shows how a fascination with cultural margins accompanied the emergence of Japan as a modern nation-state. This fascination culminated in the early 20th-century establishment of Japanese folklore studies and its attempts to record the spectral, sometimes violent, narratives of those margins.…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Laura Nenzi’s book discusses the
role of travel in the formation of identity, using primary sources that derive from travel
accounts of Edo Japan. Nenzi looks at personal travel diaries and brings an
anthropological view on the subject seeing travel as a self-discovery process,
while also paying attention to differences in the experience of the literati
travelers and the less educated commoners for whom, with the rise of the market
economy, the roads and their pleasures became more accessible. This brings to
life the changes in the earlier literati tradition of the meisho (famous
places) with the rise of commodification of both products (meibutsu) and
religious practices.
Nenzi’s most unique contribution is shining a light on the travels of women, which still remain an elusive subject in historical
narratives of Japan. Nenzi shows that the hierarchies of Edo Japan were defied
by the transgressive potential of travel, as the roads…
In the Edo period (1600-1868), status- and gender-based expectations largely defined a person's place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement.After the mid-eighteenth century - which saw the popularization of culture and the rise…
Japan has been my home for many decades. I know the world of business and finance inside out, and have an obsessive interest in art, film, and literature. I’ve written several books, fiction and non-fiction, and countless articles on Japan-related subjects, as you can see on my blog. I think I may have actually been Japanese in a previous life…
Imagine you are a respected member of the literary establishment, a prize-winning novelist, and, a rare thing in Japan, a devout Christian. A man like the real Shusaku Endo, in fact. Suddenly, rumors start circulating that you have been seen frequently in a raunchy part of town, partying into the wee wee hours with hookers and taking women to love hotels. You catch glimpses of a strange face at various events. It is your own face but wearing a horrible lewd sneer. Who is this person? What is going on? Endo has come up with a taut psychological thriller that explores the deep contradictions of the human heart. As well as being a Christian, Endo is a leading expert on the Marquis de Sade.
Suguro is an eminent Catholic novelist who is about to receive a major literary award. When a drunk woman he has never met before approaches him at the award ceremony, claiming she knows him well from his regular visits to Tokyo’s red-light district, he assumes she must surely be mistaken. But with a scurrilous press campaign damaging Suguro’s reputation, his sleazy doppelgänger appears more and more, as if deliberately trying to discredit him. He is sighted touring the love hotels and brothels of Shinjuku; a leering portrait of him appears in an exhibition—and Suguro is forced to undertake a journey…
Japan has been my home for many decades. I know the world of business and finance inside out, and have an obsessive interest in art, film, and literature. I’ve written several books, fiction and non-fiction, and countless articles on Japan-related subjects, as you can see on my blog. I think I may have actually been Japanese in a previous life…
Though non-fiction, Whiting’s romp through the secret history of post-war Japan is more eye-popping than most novels. The “hero” is a rogue called Nick the Greek who brought pizza to Japan, amongst other more nefarious accomplishments. I myself knew Nick, loved his thick crust Margherita and believed at least half his stories of gangster showdowns, heists, and con jobs. They don’t make them like that anymore - thank God.
A riveting account of the role of Americans in the evolution of the Tokyo underworld in the years since 1945.
In the ashes of postwar Japan lay a gold mine for certain opportunistic, expatriate Americans. Addicted to the volatile energy of Tokyo's freewheeling underworld, they formed ever-shifting but ever-profitable alliances with warring Japanese and Korean gangsters. At the center of this world was Nick Zappetti, an ex-marine from New York City who arrived in Tokyo in 1945, and whose restaurant soon became the rage throughout the city and the chief watering hole for celebrities, diplomats, sports figures, and mobsters.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds.
Transience and the importance of tiny details are two important underpinnings of Japanese culture, and this book captured them beautifully. I love books that use personal stories to tell an overarching epic, and the rise of Tokyo from a little fishing village to one of the biggest cities in the world is just that.
The author’s poetic style also aligns with how thoughts and phrases would evolve in Japanese, making it very evocative. It is a love letter to this city of contradictions and gives a look into the deeper sides that most visitors would simply not think to ask about.
As read on BBC Radio 4 'Book of the Week' Shortlisted for the Stanford Dolman Travel Book of the Year Award Longlisted for the RSL Ondaatje Prize
'Sherman's is a special book. Every sentence, every thought she has, every question she asks, every detail she notices, offers something. The Bells of Old Tokyo is a gift . . . It is a masterpiece.' - The Spectator
For over 300 years, Japan closed itself to outsiders, developing a remarkable and unique culture. During its period of isolation, the inhabitants of the city of Edo, later known as Tokyo, relied on its…
Although my travels had taken me to Asia numerous times, Japan eluded me until my teen daughter and I spent three weeks there following the country’s re-opening from covid. The trip exceeded all of our expectations, but facing the country’s impenetrable language and complex transportation system felt intimidating. To prepare, I devoured a shelf full of guidebooks. I learned that each has its strengths and weaknesses, but these books and our own adventures greatly informed my decision to write First-Time Japan. I was especially fortunate to collaborate with Japan tour guide Roy Ozaki, who contributed greatly to the book and gave me essential insights into Japan’s people, places, and culture.
Like other traditional guidebooks, Essential Japan, aims for almost encyclopedic coverage of its topic, and it successfully manages this without seeming overwhelming—not an easy task judging by other major guidebooks.
In the edition I read, most (but not all) of its “how to” instructions are up to date, but where it really excels is in helping visitors choose what kinds of experiences they would like to have in Japan. For instance, I found its suggested itineraries for Tokyo to be spot-on, and the entire book is rich with recommendations.
Because the book is heavy, I suggest using it to map out your trip itinerary—and then take a lighter reference guide and use online sources for your actual trip.
Whether you want to have sushi in a top Tokyo restaurant, visit the shrines of historic Kyoto, or head to the beaches of Okinawa, the local Fodor's travel experts in Japan are here to help! Fodor's Essential Japan guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor's "Essential" guides have been named by Booklist as the Best Travel Guide Series of 2020!
I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.
This is an autobiographical tale by an American journalist on the crime beat in Tokyo.
It’s not only a riveting tour of the underbelly of Japanese society – hostess bars, yakuza gangs, murder, and mayhem – it’s a fascinating cultural journey.
The author, Jake Adelstein, studied at a Japanese university and fell into journalism almost as an afterthought.
His description of the stringent procedures for getting hired, the brutally hierarchical nature of working for a major Japanese daily, and his growth as an intrepid investigative reporter is a must-read for anyone interested in Japanese culture, society, media, and crime.
A riveting true-life tale of newspaper noir and Japanese organised crime from an American investigative journalist. Soon to be a Max Original Series on HBO Max
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EITHER ERASE THE STORY, OR WE'LL ERASE YOU. AND MAYBE YOUR FAMILY. BUT WE'LL DO THEM FIRST, SO YOU LEARN YOUR LESSON BEFORE YOU DIE.
From the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police press club: a unique, first-hand, revelatory look at Japanese culture from the underbelly up.
At nineteen, Jake Adelstein went to Japan in search of peace and tranquility. What he got was a…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I fell in love with magical realism and stories that have a sense of whimsy after hearing my grandparents tell stories of their lives. They always embellished a bit, making a simple detail of a bread line or a penny found on the ground feel massive. Then I read Tom Robbins’s Fierce Invalids Home from Hot Climates. I didn’t understand at the time that the light touches of magic or moments that felt magical, even if not truly enchantment, were uplifting in stories both light and dark. I quickly fell under the spell and have placed elements of magic or whimsy in my own writing ever since.
Three Assassins almost feels like the movie Bullet Train with Brad Pitt.
It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.
We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile.
SUZUKI IS JUST AN ORDINARY MATHS TEACHER...UNTIL HIS WIFE IS MURDERED.
Seeking justice, he leaves his old life behind to infiltrate the criminal gang responsible. What he doesn't realise is that he's about to get drawn into a web of the most unusual professional assassins, each with their own agenda:
THE WHALE convinces his victims to take their own lives using just his words.
THE CICADA is a talkative and deadly knife expert.
THE PUSHER dispatches his targets in deadly traffic 'accidents'.
Suzuki must take on the three assassins to avenge his wife - but can he keep his innocence…