Books like Tokyo Underworld — picked by fans

Ryu Murakami is a musician, writer, and film director. He deals in surrealism and the dark side of a rigid Japanese society – drugs, sex, alienation. 

In this book, Murakami relates the tale of Kenji, a young man who makes his living guiding foreigners through Tokyo’s red-light district. Kenji’s new client is an extremely odd American named Frank.

As Kenji leads Frank through a labyrinth of hostess bars and peep shows, he comes to suspect that Frank may be the serial killer who has been on a rampage, murdering and dismembering teenage girls.

One of the best Japanese crime novels, this is the story of four women trapped in suburban hell, seeking to escape their empty lives. When one of them murders her husband in a fit of rage, they collude to dispose of his body, gradually sinking into a criminal netherworld.

I loved it for its crisp and taut prose, solid and relatable characters, dense and fast-paced plot, and heavy themes of urban isolation and aimlessness. 

This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.

Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.

Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.

Imagine you are a respected member of the literary establishment, a prize-winning novelist, and, a rare thing in Japan, a devout Christian. A man like the real Shusaku Endo, in fact. Suddenly, rumors start circulating that you have been seen frequently in a raunchy part of town, partying into the wee wee hours with hookers and taking women to love hotels. You catch glimpses of a strange face at various events. It is your own face but wearing a horrible lewd sneer. Who is this person? What is going on? Endo has come up with a taut psychological thriller that explores the deep contradictions of the human heart. As well as being a Christian, Endo is a leading expert on the Marquis de Sade.

Tokyo Year Zero follows detective Minami on the hunt for a serial killer in the immediate post-war period. It is a haunting and addictive journey inside the underbelly of Japan’s shattered capital city in the glaring light of defeat. There is crime, gang warfare, desolation, corruption, and decay. But Peace is above all a master of language, and his prose – fragmentary, truncated, hallucinatory – produces an idiosyncratic rhythm that mirrors the mental disintegration of a man and the convulsions of an entire city. A novel that will stick to your skin years after reading it.

The mother of all otaku guides was published by current Otaku USA magazine’s honcho Macias and famous otaku writer Machiyama and reflects their tastes and idiosyncratic approach to the subject. Admittedly, you can find better, more complete, and updated otaku travel guides now (e.g. my book… wink wink) but this colorful book has a funky turn-of-the-century design and features things that you will hardly find elsewhere, like interviews with Mandarake owner Masuzo Furukawa, magazine editor Hisanori Nukata (about action figures), past cosplay queen Jan Kurotaki and Japan’s most notorious plastic model kit collector Chimatsuri. It’s a wonderful blast from the past.

Like other traditional guidebooks, Essential Japan, aims for almost encyclopedic coverage of its topic, and it successfully manages this without seeming overwhelming—not an easy task judging by other major guidebooks.

In the edition I read, most (but not all) of its “how to” instructions are up to date, but where it really excels is in helping visitors choose what kinds of experiences they would like to have in Japan. For instance, I found its suggested itineraries for Tokyo to be spot-on, and the entire book is rich with recommendations.

Because the book is heavy, I suggest using it to map out your trip itinerary—and then take a lighter reference guide and use online sources for your actual trip.

Tokyo, Form and Spirit was the catalogue for an exhibition at the Walker Center in 1986 with contributions of the most important Japanese urban writers of the 1990s: Henry Smith, Kenneth Frampton, Donald Richie, Marc Treib, Chris Fawcett to name but a few. While I never saw the exhibition, the perspective of the authors created a mental scaffolding that shaped my understanding of the transition from the feudal to modern Japan. Henry

Smith is reading the city of Edo through a bipartite scheme characterized by the sky and the water, or how the city was viewed differently from above, as incarnated by the gaze of the samurai and other authorities, and from below, typically by the commoners who enjoyed life across the city’s waterways. He then searches for this structure in today’s Tokyo where the city’s skyline is dominated by wirescape and high-rise edifices, and the water has almost evaded.… show more.

Transience and the importance of tiny details are two important underpinnings of Japanese culture, and this book captured them beautifully. I love books that use personal stories to tell an overarching epic, and the rise of Tokyo from a little fishing village to one of the biggest cities in the world is just that.

The author’s poetic style also aligns with how thoughts and phrases would evolve in Japanese, making it very evocative. It is a love letter to this city of contradictions and gives a look into the deeper sides that most visitors would simply not think to ask about. 

The fascinating tale of Tsuneno’s journey from respectable daughter and sister in a family of Buddhist priests to a hand-to-mouth existence in Edo—now Tokyo—could well have been titled “down and out in the city.” And she chose her fate. A fiery, headstrong woman, she endured three marriages that all ended in divorce, and when confronted with the possibility of a fourth, she ran away from her home in the storied snow country region along the Japan Sea to try her luck working as a maid. She detailed her adventures and her demands for money and clothes in letters to her brother, letters that Stanley has used to wonderful effect in recreating not only Tsuneo as an individual but also the world of people on the margin among whom she lived.