100 Books Like Scandal

Ryu Murakami is a musician, writer, and film director. He deals in surrealism and the dark side of a rigid Japanese society – drugs, sex, alienation. 

In this book, Murakami relates the tale of Kenji, a young man who makes his living guiding foreigners through Tokyo’s red-light district. Kenji’s new client is an extremely odd American named Frank.

As Kenji leads Frank through a labyrinth of hostess bars and peep shows, he comes to suspect that Frank may be the serial killer who has been on a rampage, murdering and dismembering teenage girls.

Though non-fiction, Whiting’s romp through the secret history of post-war Japan is more eye-popping than most novels. The “hero” is a rogue called Nick the Greek who brought pizza to Japan, amongst other more nefarious accomplishments. I myself knew Nick, loved his thick crust Margherita and believed at least half his stories of gangster showdowns, heists, and con jobs. They don’t make them like that anymore - thank God.

One of the best Japanese crime novels, this is the story of four women trapped in suburban hell, seeking to escape their empty lives. When one of them murders her husband in a fit of rage, they collude to dispose of his body, gradually sinking into a criminal netherworld.

I loved it for its crisp and taut prose, solid and relatable characters, dense and fast-paced plot, and heavy themes of urban isolation and aimlessness. 

This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.

Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.

Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.

In my experience, a truly unique book is rare, and I’m always excited to find one that stands apart because of premise and setting. Waka is happy in her sixth-grade class in Kansas—until her parents notice she’s losing her Japanese language skills and decide to take action. They send Waka to Tokyo to spend several months living with her grandmother and attending a local public school. In Japan, Waka struggles with reading and writing kanji, feels awkward around her reserved grandmother, and can’t figure out the social scene at school. Japan may be her parents’ birth country, but in Tokyo, Waka is an outsider. Where is Waka’s real home, and who will she be once she figures that out? An unforgettable memoir with lots of fun 1980s flavor. 

Tokyo Year Zero follows detective Minami on the hunt for a serial killer in the immediate post-war period. It is a haunting and addictive journey inside the underbelly of Japan’s shattered capital city in the glaring light of defeat. There is crime, gang warfare, desolation, corruption, and decay. But Peace is above all a master of language, and his prose – fragmentary, truncated, hallucinatory – produces an idiosyncratic rhythm that mirrors the mental disintegration of a man and the convulsions of an entire city. A novel that will stick to your skin years after reading it.

Transience and the importance of tiny details are two important underpinnings of Japanese culture, and this book captured them beautifully. I love books that use personal stories to tell an overarching epic, and the rise of Tokyo from a little fishing village to one of the biggest cities in the world is just that.

The author’s poetic style also aligns with how thoughts and phrases would evolve in Japanese, making it very evocative. It is a love letter to this city of contradictions and gives a look into the deeper sides that most visitors would simply not think to ask about. 

Tokyo by Jinnai Hidenobu was influential for me both as a source of information about the history of Tokyo and for its methodology of research. The author discovers the city via walking and traveling across its water routes, an experiential methodology which he first developed in his study of Venice. With the assistance of visuals, both historical and newly drawn based on his field observations, Jinnai explores modern-day Tokyo. His starting point is that Tokyo seems an anomaly when compared with other world cities in its lack of historical structures which is attributed to a series of wars and disasters that radically transformed the city’s physical environment.  

The impressive discovery of this inquiry however is that despite the perceived newness of Tokyo, the spirit of Edo (Tokyo’s name during the Tokugawa period, 1600-1868) has not vanished in today’s modern city. Through this book, we learn that the differences between the… show more.

This is an autobiographical tale by an American journalist on the crime beat in Tokyo.

It’s not only a riveting tour of the underbelly of Japanese society – hostess bars, yakuza gangs, murder, and mayhem – it’s a fascinating cultural journey.

The author, Jake Adelstein, studied at a Japanese university and fell into journalism almost as an afterthought.

His description of the stringent procedures for getting hired, the brutally hierarchical nature of working for a major Japanese daily, and his growth as an intrepid investigative reporter is a must-read for anyone interested in Japanese culture, society, media, and crime.

From the start, the reader can’t help but notice a tower looming in the distance.

The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.

For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.

In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone… show more.