100 Books Like Breaking Barriers

Tokyo, Form and Spirit was the catalogue for an exhibition at the Walker Center in 1986 with contributions of the most important Japanese urban writers of the 1990s: Henry Smith, Kenneth Frampton, Donald Richie, Marc Treib, Chris Fawcett to name but a few. While I never saw the exhibition, the perspective of the authors created a mental scaffolding that shaped my understanding of the transition from the feudal to modern Japan. Henry

Smith is reading the city of Edo through a bipartite scheme characterized by the sky and the water, or how the city was viewed differently from above, as incarnated by the gaze of the samurai and other authorities, and from below, typically by the commoners who enjoyed life across the city’s waterways. He then searches for this structure in today’s Tokyo where the city’s skyline is dominated by wirescape and high-rise edifices, and the water has almost evaded.… show more.

Tokyo by Jinnai Hidenobu was influential for me both as a source of information about the history of Tokyo and for its methodology of research. The author discovers the city via walking and traveling across its water routes, an experiential methodology which he first developed in his study of Venice. With the assistance of visuals, both historical and newly drawn based on his field observations, Jinnai explores modern-day Tokyo. His starting point is that Tokyo seems an anomaly when compared with other world cities in its lack of historical structures which is attributed to a series of wars and disasters that radically transformed the city’s physical environment.  

The impressive discovery of this inquiry however is that despite the perceived newness of Tokyo, the spirit of Edo (Tokyo’s name during the Tokugawa period, 1600-1868) has not vanished in today’s modern city. Through this book, we learn that the differences between the… show more.

I was extremely lucky to conduct my PhD research on Tokaido road in the 1990s. Books by scholars of Japanese Studies like Marily Ivy were extremely influential and opened my eyes to aspects that would not have been visible to me otherwise. 

The Discourses of the Vanishing was one such book that dispelled deeply rooted myths of Japan, especially the belief that Japan is a fully modernized country, that Japanese society is monolithic, and that Japan’s most noteworthy locales are its highly urbanized areas. What brought me to the book was Ivy’s examination of the Exotic Japan campaign of Japan’s railways in the late 1980s. This campaign was woven with powerful notions of furusato (nostalgia for one’s native place), neo-Japonesque exoticism, and other imaginary references of post-bubble Japan meant to appeal to women as new targets of Japan’s consumption campaigns.

Across the book’s six chapters, Ivy also takes us to… show more.

Laura Nenzi’s book discusses the role of travel in the formation of identity, using primary sources that derive from travel accounts of Edo Japan. Nenzi looks at personal travel diaries and brings an anthropological view on the subject seeing travel as a self-discovery process, while also paying attention to differences in the experience of the literati travelers and the less educated commoners for whom, with the rise of the market economy, the roads and their pleasures became more accessible. This brings to life the changes in the earlier literati tradition of the meisho (famous places) with the rise of commodification of both products (meibutsu) and religious practices.

Nenzi’s most unique contribution is shining a light on the travels of women, which still remain an elusive subject in historical narratives of Japan. Nenzi shows that the hierarchies of Edo Japan were defied by the transgressive potential of travel, as the roads… show more.

When it comes to historical fiction, especially one set in Asia, James Clavell is the guy to beat (or at least match).

The story of Shogun unfolds in 17th-century, feudal Japan. An undisputedly exotic setting. A British ship is wrecked on its shores, and its stranded navigator must find his way through Japan's complex cultural and political dynamics. Meanwhile there are other Europeans seeking religious influence and commercial advantage.

Perhaps best of all, the characters are monumental and include one of the strongest and most courageous women in literature since Joan of Arc.

A marvelously coherent and stimulating introduction to the turbulent politics and social and economic life of Japan between revolutionary changes in 1185 and the early sixteenth century, with much to say about cultural life as well. Souyri is as interested in the lives of peasants and traders as in that of shoguns and samurai.

The delightful scenes in Hiroshige’s nineteenth-century woodblock print series known as “Fifty-three Stations of the Tōkaidō” beckon travelers to journey along the Tōkaidō, Japan’s most famous Edo Period road. The road connected Kyōto, the ancient Imperial capital, to Edo (Tōkyō), where the shogun’s castle was located. Delord, a French artist, makes the journey on a motor scooter. His book provides historical notes, personal experiences, and sketches and watercolors of the road’s fifty-three stations, or post towns where travelers could find lodging, porters, and packhorses. Delord’s contemporary images of modern asphalted highways and urban landscapes document how the road and towns have changed. But one can still recognize the scenes depicted in Hiroshige’s prints and find remnants of the old road.

At the moment Yasuke - the Black Samurai is very prominent in the samurai enthusiast community, and rightly so, he was an African samurai who made his way up the ranks. However, not much is known about his story, so while it is fascinating, there is too little documentation to delve further. This is not the case with William Adams, a Londoner who made his way to Japan, who not only became a samurai but then also became a banner-man (Hatamoto) and leader of a small state. We have so much historical documentation about him and his story is captivating.

While he only arrived at the end of the wars, he was still around at one of the most important times of Japanese history. He never made it back home, but this was one Englishman who made his mark on Japanese culture. Something I hope to do.

Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.

Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.

Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.

This is one of the first books on Japan that I read when I moved to the country in 1997, and it still resonates with me. While still a college student, Alex Kerr buys a rundown farmhouse in the Iya Valley of Shikoku, re-thatches it, and maintains the traditional Japanese architecture of pre-WWII Japanese wooden houses.

Kerr went on to write many more books on Japan, most of which have become classics. He is the foundation of the akiya movement, lectures widely around the archipelago, and is responsible for revitalizing country villages around Japan.