Books like Three Assassins — picked by fans

I fell into this story with the first line and barely came up for air until I was done.

I’m not sure I’ve ever read a book filled with so much beautiful and tragic truth, or an ending that filled me with so much optimism. Thousands have written gorgeous reviews about the story, the characters, the writing—so I won’t even attempt that here. 

These lines, from the book, are among the most beautiful and meaningful to me: “If you are surrounded by those who call what you are different instead of beautiful. If your mind or body has cried out for peace and acknowledgement and understanding, just know…You are part of an infinite family. The people who have been through terrible things and survived them. If you are reading these words, you WON today.”

I read the book originally in college as part of a Jewish Literature course, and I was struck by the love story inside. The title drew me in immediately, and it was one of those beautifully heartbreaking stories with lines that will stick with you for a lifetime.

“Once upon a time, there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.” I will never be over this one.

On the surface, this book is about a person haunted by a single incident from their past but beneath the surface, How the Soldier Repairs the Gramophone is a gorgeous meditation on the moments in life that affect us, big and small.

The novel has a heavy subject but the stunning turns-of-phrase and imaginative world our narrator shares can make even the mundane and lived-in reality feel like the fantastical summed up in my favorite line, "Missing someone, they say, is self-centered. I self-center you more than ever."

The Instructions blew my mind from the moment I read the first page. At the time the novel was released, it took place in a near future recently reached.

We quickly dive into bullies, othering, and also the concept of judging without knowing focused on the lives of pre- and young teens, specifically Gurion ben-Judah Maccabee, our main character. The novel is over 1,000 pages but I will never forget diving deep into the story quickly and hungrily, wanting to devour every sentence.

“It is dangerous to exist in the world. To exist is to be threatened. We must live with threats.” The quote exudes Jewish anger, a possible messiah, but also fear, history, and violence making the pages feel magical and shocking, yet grounded firmly in our world. 

This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.

Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.

Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.

This was the first novel I read that had everything I craved: a setting in Japan, both rural and urban, cool ninja training, ancient Japanese mythology, a half-Japanese kid who’s never been to Japan but must go to fulfill her destiny, and a bit of spy intrigue as well. Yes, it’s the classic tale of “kid who was taught fighting skills but was never told what or why.” However, because of the Japanese angle, especially the descriptions of Japan and its culture which is so different than the western world, I thought the story was fresh. I do think the main character took too long to find herself, but my only real complaint is that the authors didn’t continue the series or write more books like this.  

Like other traditional guidebooks, Essential Japan, aims for almost encyclopedic coverage of its topic, and it successfully manages this without seeming overwhelming—not an easy task judging by other major guidebooks.

In the edition I read, most (but not all) of its “how to” instructions are up to date, but where it really excels is in helping visitors choose what kinds of experiences they would like to have in Japan. For instance, I found its suggested itineraries for Tokyo to be spot-on, and the entire book is rich with recommendations.

Because the book is heavy, I suggest using it to map out your trip itinerary—and then take a lighter reference guide and use online sources for your actual trip.

This expertly translated novel draws from the prolific Japanese writer Mizumura Minae’s experiences caring for her aging parents and eloquently exposes the vulnerability of women whose elderly family members require substantial care. To be sure, financial security mitigates precarity as does having professional caregivers who respect the family’s wishes concerning the medical treatment of their ailing loved ones. At the same time, Inheritance emphasizes that with so many younger individuals already overextended – whether because of their own health concerns, spousal conflicts, childcare responsibilities, employment challenges, and other factors – there are few reserves with which to compassionately care for others.

The fascinating tale of Tsuneno’s journey from respectable daughter and sister in a family of Buddhist priests to a hand-to-mouth existence in Edo—now Tokyo—could well have been titled “down and out in the city.” And she chose her fate. A fiery, headstrong woman, she endured three marriages that all ended in divorce, and when confronted with the possibility of a fourth, she ran away from her home in the storied snow country region along the Japan Sea to try her luck working as a maid. She detailed her adventures and her demands for money and clothes in letters to her brother, letters that Stanley has used to wonderful effect in recreating not only Tsuneo as an individual but also the world of people on the margin among whom she lived.  

Tokyo, Form and Spirit was the catalogue for an exhibition at the Walker Center in 1986 with contributions of the most important Japanese urban writers of the 1990s: Henry Smith, Kenneth Frampton, Donald Richie, Marc Treib, Chris Fawcett to name but a few. While I never saw the exhibition, the perspective of the authors created a mental scaffolding that shaped my understanding of the transition from the feudal to modern Japan. Henry

Smith is reading the city of Edo through a bipartite scheme characterized by the sky and the water, or how the city was viewed differently from above, as incarnated by the gaze of the samurai and other authorities, and from below, typically by the commoners who enjoyed life across the city’s waterways. He then searches for this structure in today’s Tokyo where the city’s skyline is dominated by wirescape and high-rise edifices, and the water has almost evaded.… show more.