Here are 100 books that The Year We Disappeared fans have personally recommended if you like
The Year We Disappeared.
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I have always been fascinated with bodies: the meaning we make of them; the suffering, joy, and indignities we receive through them; the outer limits of what we can do to and with them. I’ve worked in careers that have asked a lot of my own body, and I write about the brutalities humans inflict upon our own and other bodies. My work is obsessed with questions of how and why we endure suffering. Also, I’ve done a lot of dumb shit to and with my own body that has given me (in addition to a lifetime of medical problems) a highly specific perspective about intensity, hazard, and pain.
What if you got hit by lightning? What if the lightning came from inside your body? What if you are such an obsessive writer and researcher that you then had to trace the supply chain of the failed medical device that did that to you?
KS does body writing as a research quest, taking her battered heart back and forth across the Atlantic in pursuit of answers to the question of what, exactly, she’d been carrying around in it. The sense of vulnerability—medical, economic, and otherwise—that she creates within the narrative is so felt that I couldn’t shake it when I was done reading.
What if a lifesaving medical device causes loss of life along its supply chain? That's the question Katherine E. Standefer finds herself asking one night after being suddenly shocked by her implanted cardiac defibrillator.
In this gripping, intimate memoir about health, illness, and the invisible reverberating effects of our medical system, Standefer recounts the astonishing true story of the rare diagnosis that upended her rugged life in the mountains of Wyoming and sent her tumbling into a fraught maze of cardiology units, dramatic surgeries, and slow, painful recoveries. As her life increasingly comes to revolve around the internal defibrillator freshly…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
As a woman, I have experienced my share of sexism but it dims in comparison to what Lester faced in the 1950s and 1960s. When applying for a job at a bookstore, a young Lester is told the store can’t hire girls because they only have one toilet. Her plucky response—she could use the same toilet as the men—is one reason I enjoyed this book so much.
Lester is repeatedly pushed to the sidelines even as she takes up the fight for civil rights, devoting herself to bettering the lives of others while setting aside her own dreams—for a time. Luckily Lester never completely loses her nerve. Her second act is a fun adventure to follow for those who have faced their own setbacks, no matter their gender.
Committed to the struggle for civil rights, in the late 1950s Joan Steinau marched and protested as a white ally and young woman coming to terms with her own racism. She fell in love and married a fellow activist, the Black writer Julius Lester, establishing a partnership that was long and multifaceted but not free of the politics of race and gender. As the women's movement dawned, feminism helped Lester find her voice, her pansexuality, and the courage to be herself.
Braiding intellectual, personal, and political history, Lester tells the story of a writer and activist fighting for love…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
I have a fascination with countries that don’t fully exist and have visited a few myself. So when I learned that Chude-Sokei was from a country that really no longer exists, I was hooked. The country in question was not one I recognized. Biafra was a short-lived African state that declared independence from Nigeria in 1967.
What kept me reading the book though was the humor Chude-Sokei uses to describe his unique situation as the “first son of the first son” of a leader of a country that was “killed” in 1970, as his mother puts it. Chude-Sokei’s tales of growing up an African in Jamaica followed by his yearning to become a Black American in Inglewood, Los Angeles will resonate with anyone who ever struggled with their identity.
The astonishing journey of a bright, utterly displaced boy, from the short-lived African nation of Biafra, to Jamaica, to the harshest streets of Los Angeles—a searing memoir that adds fascinating depth to the coming-to-America story
The first time Chude-Sokei realizes that he is “first son of the first son” of a renowned leader of the bygone African nation is in Uncle Daddy and Big Auntie’s strict religious household in Jamaica, where he lives with other abandoned children. A visiting African has just fallen to his knees to shake him by the shoulders: “Is this the boy? Is this him?”
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
As a female journalist who has lived and worked abroad, including in sometimes unsafe situations but excluding war, I was drawn to Miller’s story about covering the Vietnam War. In 1970 young American women were not supposed to go to Vietnam. They were supposed to get married, and Miller did—to a member of the military whose job proves her ticket to Vietnam.
As one of the rare female reporters in Vietnam, Miller captured stories her male colleagues couldn’t or wouldn’t cover such as how young Vietnamese girls were often tricked into the sex trade. An outsider in the “old boys club” of news and war Miller is able to understand better than her male colleagues how the war is impacting the locals who have in some ways been made outsiders in their own country.
The year is 1970; the war in Vietnam is five years from over. The women's movement is newly resurgent, and feminists are summarily reviled as "libbers." Inette Miller is one year out of college-a reporter for a small-town newspaper. Her boyfriend gets drafted and is issued orders to Vietnam. Within their few remaining days together, Inette marries her US Army private, determined to accompany him to war.
There are obstacles. All wives of US military are prohibited in country. With the aid of her newspaper's editor, Miller finagles a one-month work visa and becomes a war reporter. Her newspaper cannot…
I am a Professor at the University of California, Los Angeles, where I teach in the Department of African American Studies and the UCLA Institute for Society and Genetics. I also direct the UCLA Lab for BioCritical Studies and am the principal investigator of the Coroner Report Project within the UCLA Lab for BioCritical Studies. My research team is documenting how the death investigation system is failing to tell us the truth about Americans who lose their lives in jail and during arrest. I've written about this problem in several reports, journal articles, and now my latest book, The Coroner's Silence.
Many people who are unsure about police or prison abolition ask if we should still use carceral spaces for violent repeat offenders.
I have always found this question problematic because it assumes, firstly, that our criminal justice system, as currently constructed, actually arrests and convicts violent offenders to begin with. It also assumes that more police and more jails make us safer.
If that were true, the United States would be the safest of all advanced industrial democracies. It surely is not, and No Human Involved helps us understand that police continue to fail Black communities, especially Black women, who have been killed by violent repeat offenders.
Neely chronicles a series of unsolved murders involving Black women whose perpetrators are never found because of police indifference.
An urgent examination of the invisibility of Black women and girls as victims of targeted killings, and the lack of police intervention and media coverage
When Black women and girls are targeted and murdered their cases are often categorized by police officers as “N.H.I.” – “No Humans Involved.” Dehumanized and invisible to the public eye, they are rarely seen as victims. In the United States, Black women are killed at a higher rate than any other group of women, but their victimhood is not covered by the media and their cases do not receive an adequate level of urgency.
I am a Professor at the University of California, Los Angeles, where I teach in the Department of African American Studies and the UCLA Institute for Society and Genetics. I also direct the UCLA Lab for BioCritical Studies and am the principal investigator of the Coroner Report Project within the UCLA Lab for BioCritical Studies. My research team is documenting how the death investigation system is failing to tell us the truth about Americans who lose their lives in jail and during arrest. I've written about this problem in several reports, journal articles, and now my latest book, The Coroner's Silence.
Black rebellions in the 1960s were a response to the decades of terror by police, the loss of jobs, poor housing, white supremacy, and the evaporation of the social safety net. Rebellions in Watts, New Jersey, and elsewhere happened because these communities were not safe and had been targets of state violence and indifference.
Hinton in America on Fire helps us see how the Black unrest of the 1960s were rebellions against forms of discrimination and injustice, and were led by people failed many times over by our democracy.
Reading this book helps us realize why the George Floyd Protests of 2020 were a nationwide phenomenon—Americans are tired of police violence. This book also helps us understand how current protests against state violence being perpetrated by ICE stand in a long tradition of civil rebellion against anti-democratic forces in America.
What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation's streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors-and any attempt to understand our current crisis requires a…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Rebecca and Russell Dobash had studied men's violence against their female partners for decades and were already heroes of the women's movement when they began interviewing incarcerated killers in Britain. Two fine books have resulted, one focused on men who killed women, the other on men who killed men. It is the former, especially the section on intimate partner homicide, that I find most captivating. The Dobashes skilfully blend national statistics with the self-serving testimony of their interviewees, who minimize their lethal acts as things that "happened" rather than things that they did, and apparently believe themselves to be the victims. These insights are essential.
In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man, and it is far rarer when a woman is killed by another woman. Unfortunately, this is not a very well understood phenomenon. Most books on the topic discuss serial killings, but those only make up 2% of sexual murder-a sensationalist subset of a subset. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women.
Dobash and Dobash, two seasoned researchers and longtime collaborators in the study of violence…
History and video games have defined much of my life, so it’s no surprise I’m writing about both. I was born in Sweden and first encountered the Wild West through the Lucky Luke comic books (huge in Europe!), and they instilled in me a fascination with American history. I emigrated to the U.S. with my family at age 8 and misspent most of my adolescence playing video games. In college, I returned to my childhood passion for studying the past and earned a BA, MA, and PhD in American history. Since 2013, I’ve been a professor at the University of Tennessee. Red Dead’s History is my second book.
Was the West of the late 1800s truly as violent as we imagine? And if it was, why was it that people were shooting each other on the streets?
Richard Brown’s book provides decisive answers to these questions. Yes, some corners of the West were strikingly bloody. But what spurred this violence wasn’t just personal feuds or poker table rivalries. It was particularly politics that drove the rash of gunfighting in this unsettled era.
Did you know that “Wild Bill” Hickok was a diehard Republican and that most of the people he shot were Democrats? Or, that Jesse James was a lifelong Democrat who usually robbed Republicans? When we forget the political realities of the West, we flatten the past–but Brown’s book provides an antidote to this.
No Duty to Retreat takes as its starting-point the increased popularity in American society of the old English common-law concept that a person under physical attack has the right to stand his ground, defend himself, and even kill his assailant in self-defence in certain circumstances. This doctrine came to public awareness recently when Berhard Goetz took the law into his own hands when assaulted by four youths in a New York City subway train. There is a chapter on the American as gunfighter, another on a famous vigilante case in California in the 1870s, when farmers retaliated against the Southern…
Telescopes, microscopes, computer modeling–these exist because some things are easier to study when you change their shape. That’s how we learned about planets, germs, and the economy. Enlarging, shrinking, and filling in details lets us examine and understand. I think literature can do the same thing with ideas. Asking ‘what if?’ lets us probe things we can’t with our gadgets. Concepts. Hypotheticals. A story that pulls a big idea like taffy? That is a treat. I’ve got five in this dish.
What if we could detect psychopaths? Like many of Sawyer’s novels (and there are a bunch I could’ve selected for this list), there is a question and then a lightning strike of answers. Not a single bolt, but many, branching off, colliding, bleaching the night. There is plenty of scientific realism here–a personal must for Sawyer–resulting in a far-reaching yet intimate story.
The title is not ‘Night of the Psychopaths’ because the book’s many forks take us deeper into the nature of the human mind and the quantum arena we all play in, whether we know it or not. Oh, and it is still fun, adventuresome, and easier to read than I may have made it sound with all that deep, introspective stuff.
With such compelling and provocative novels as Red Planet Blues, FlashForward and The WWW Trilogy, Robert J. Sawyer has proven himself to be “a writer of boundless confidence and bold scientific extrapolation” (New York Times). Now, the Hugo and Nebula Award-winning author explores the thin line between good and evil that every human being is capable of crossing…
Experimental psychologist Jim Marchuk has developed a flawless technique for identifying the previously undetected psychopaths lurking everywhere in society. But while being cross-examined about his breakthrough in court, Jim is shocked to discover that he has lost his memories of six months…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
The Brides of Dracula are a classic overlooked group. Most adaptations treat them like a sexy slideshow of danger, not allowed to do anything other than lust and hunger. They’re a flattened idea of feminine desire, put on Dracula’s leash.
S.T. Gibson breathes them to life (or undeath) by imagining what their long existence is like, constantly under a temperamental abuser’s thumb. Yes, they are angry and hungry, and they yearn, but it’s a deeply human yearning for more than companionship. You root for them to be the ones to plunge knives into the count’s heart.
S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta.
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark…