Books like No Human Involved — picked by fans

Gilmore's Golden Gulag helps us see why California is one of the wealthiest economies on the planet, but also home to the largest carceral system in the world.

She connects the evaporation of the social safety net and disruptions to stable employment by global capitalism to provide the answer: California uses prisons to absorb the surplus labor created by the greed, racism, and inequality of the global economy.

Read this book, and you will understand why, in my book, so many people I wrote about were pushed through our carceral system in California and never returned home.

Award-winning historian Kelly Lytle Hernandez tells the story of how Los Angeles became home to the nation's largest jail by taking us back to the founding of Los Angeles and the western settlement of California.

She explains that European and Anglo-American settlers looked to eliminate unwanted populations in the region by using war, raids, genocide, and incarceration to clear and restrict the presence of Native, Hispanic, and racial outsiders from western landscapes.

City of Inmates dispels any simple ideas about jails in America being rooted in reform—punishment and death have always been a part of law enforcement.

Black rebellions in the 1960s were a response to the decades of terror by police, the loss of jobs, poor housing, white supremacy, and the evaporation of the social safety net. Rebellions in Watts, New Jersey, and elsewhere happened because these communities were not safe and had been targets of state violence and indifference.

Hinton in America on Fire helps us see how the Black unrest of the 1960s were rebellions against forms of discrimination and injustice, and were led by people failed many times over by our democracy.

Reading this book helps us realize why the George Floyd Protests of 2020 were a nationwide phenomenon—Americans are tired of police violence. This book also helps us understand how current protests against state violence being perpetrated by ICE stand in a long tradition of civil rebellion against anti-democratic forces in America.

When I was reading the autopsies of people who died during arrest or in jail, it became clear that too many of the victims were simply poor people who lacked resources.

This book explains why the poor are the targets of our criminal justice system and why so many Americans are struggling for economic and legal freedom at the same time.

The Race Beat quickly turns to open conflict. White-owned media wake up to the atrocities of racism. (It was way past time to pay attention. Exploring that is among the reasons I appreciate the book.) What follows seem like war movies.

We learn just how hard it was to get the story, photograph, or film; get the story out; get yourself out. Journalists for the white-owned Northern press, black-owned press, and TV networks are assaulted by enraged mobs during the Montgomery bus boycott, Central High School’s desegregation in Little Rock, Arkansas; James Meredith’s enrollment at the University of Mississippi; and Freedom Rides into Anniston and Birmingham, Alabama.

They dodge attack dogs and fire hoses in Birmingham and club-wielding ”posse men” in Selma. They persist. They make a daily record. Without them, the movement would have been “a bird without wings,” said John Lewis, Freedom Rider (and later, US senator). 

I first encountered Ed Kennedy while doing research in the AP archives and have spent the better part of a decade untangling what proved to be the biggest controversy over press coverage of the war—Kennedy’s scoop of the German surrender.

No American war correspondent was more experienced than Kennedy, who reported for the Associated Press from the Spanish Civil War until the end of World War II.

Given that Kennedy acted as an AP bureau chief in both North Africa and Paris, his memoir, written in the late 1940s but not published for sixty years, is the best insider account we have at how American reporters interacted with army public relations and censorship officials during the war.

The compelling, digestible, and often dangerous metaphor is the star of Brown Tide Rising.

Santa Ana clearly explains that it is the mediated metaphor that embeds itself in our brains, cementing ideas and tropes. Looking at Latino metaphors in historical issues of the Los Angeles Times, he offers a new application for linguist George Lakoff’s cognitive model of metaphor, which studies how metaphors map to each other.

For instance, Santa Ana identifies “flowing waters” as one such metaphoric tie-in that joins metaphors such as tides, surges, waves. I like this book because it is a great reminder about how the images conjured by words—in this case metaphors—make us “see” the world in certain ways. 

Moseley was the Chief European Correspondent for The Chicago Tribune for the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship. 

It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.

Readers get a vivid sense of how World War II was just that—a war that raged across the globe. 

This book is not about death on its own but images of death, and the roles to which they are put by the press and politicians.

Focusing on iconic photographs of death from events such as the 1906 San Francisco Earthquake, the Vietnam War, and the September 11th attacks, among many others, Zelizer charts a growing discomfort over time with images of death in the news. As technology improved, such photos became more graphic and intimate, and norms around the increasingly professionalized field of journalism came to render them mostly off limits.

Despite the general squeamishness of Western journalists and readers towards such images today, however, we do still see them during major world events and important breaking stories. It’s also true, Zelizer points out, that images of death in far away places are often shown in American newspapers with less concern.

There are important lessons here for all of… show more.

Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.” 

By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.