Books like Your Shadow Half Remains — picked by fans

I believe this book is one of the classic staples of surreal fiction. Its disjointed, spiraling narrative and sprawling non-linear plot lines challenge the definition of what a ‘book’ is. It uses everything from footnotes to text alignment to color schemes to make the act of reading itself increasingly difficult, which matches the house’s influence on the narrators’ memories and interests.

Reading it for me was like learning Latin or watching Casablanca–it gave context to decades of experimental media inspired by it, from TV shows to DOOM game mods. Love it or hate it, it’s a solid tool for any inhuman’s toolkit. 

I could not predict this book. I love how dark and disturbing it was. It led me down a path of psychological vertigo. By the end, I had exhausted all possible predictions and guessed wrong.

The shock of the twist wrung me out dry. I’m a big fan of books that can take you on a turbulent journey and then deposit you onto uneven ground, leaving you to question your own reality. Was it all real, or was it a part of some awful, waking dream?

Sometimes I want to sink into the Sunken Place, and this collection of scary stories by authors ranging from sci-fi icon NK Jemisin to writer-illustrator Ezra Clayton Daniels does the trick.

Here’s the thing about short story collections: you’ll love at least one, right? Especially when the book’s edited by someone like quirky genius Jordan Peele, of Get Out, Us, Nope, and Key & Peele fame.

Without giving any spoilers, I’ll say this book’s got cops, creeps, and cousins, human and (utterly) inhuman monsters.

"There is a despair that goes deeper than existence; it runs to the marrow of consciousness, to the seat of the soul."

In this brief but brilliant masterpiece, the afterlife is a (nearly) infinite library. That doesn't sound so bad, right? Just wait. With each page turn, I found myself sinking deeper and deeper into a state of existential dread. Immersive, heartbreaking, and profound, I would've been happy to stay in this hell a good while longer.

This book is a meditation on the ways in which violence has come to shape everyday life in the modern age, from the international political stage to scenes of our own daily routines.

Particularly poignant and thought-provoking are Žižek’s considerations of how inactivity, passivity, and reluctance to engage may ultimately be the most violent courses of action to adopt.

Why did anti-Chinese violence continue to rise even after the Chinese Exclusion Act of 1882, reaching a terrible peak in 1885 and 1886?

In a powerful reinterpretation of Chinese exclusion, Beth Lew-Williams reveals how the 1882 act was deliberately limited in scope, poorly funded, and loosely enforced—because immigration policy at this time was still governed by diplomacy. Only in the late 1880s, with China perceived as weak, did the US unilaterally abrogate its treaty obligations and move toward outright exclusion.

The chronology really matters here: for Chinese immigrants it was a question not just of entry or exclusion, but of life and death. Deftly situating anti-Chinese violence in overlapping regional, national, and international contexts, Lew Williams shows how the idea of the immigrant “alien” emerged in tandem with national citizenship during the era of the Civil War and Reconstruction. 

This is the classic study of the changes in violence and war in Chinese society from the Spring and Autumn Period to the Warring States Period. Lewis demonstrates that war, hunting, and the sacrifices of the Spring and Autumn chariot-riding aristocracy were key to demonstrating membership in that class. Political power moved from the feudal rulers to their ministers, who were lower-ranking members of the aristocratic class, and the struggle for power among those men transformed warfare and society. Violence was transformed from a class-defining activity into a state-building tool that had to be controlled by the feudal ruler.

The Brides of Dracula are a classic overlooked group. Most adaptations treat them like a sexy slideshow of danger, not allowed to do anything other than lust and hunger. They’re a flattened idea of feminine desire, put on Dracula’s leash.

S.T. Gibson breathes them to life (or undeath) by imagining what their long existence is like, constantly under a temperamental abuser’s thumb. Yes, they are angry and hungry, and they yearn, but it’s a deeply human yearning for more than companionship. You root for them to be the ones to plunge knives into the count’s heart.

The late Rabbi Sacks served as the Chief Rabbi of the United Hebrew Congregations of the British Commonwealth. This was one of the last books he wrote before his death. He makes the case that religion is not only the cause of violence but also part of the solution to violence. In each chapter, he deeply analyzes a different religious text and evinces eye-opening interpretations. Perhaps most prescient are his notions of “altruistic evil” and “pathological dualism.” Pathological dualism operates in three ways: first, it dehumanizes and demonizes your enemies; second, it portrays the perpetrator as the victim; and third, it leads the perpetrator to commit altruistic evil—killing others as a perceived favor to humanity. As Sacks so movingly asserts, “When religion turns men into murderers, God weeps.”

Of the many strange stories from Kentucky, this book concentrates on ones from Lexington/Fayette County with a witty writing style that strikes a balance of history and humor.

Young-Brown covers several remarkable duels, frontier violence, racism, and the notorious prostitute Belle Brezing. One of the most remarkable stories concerns Col. William Breckinridge, a congressman who delivered lectures to young women on the importance of chastity yet was involved in a sex scandal that destroyed his career.

Historical true crime is well-represented by the story of golf pro Marion Miley, whose 1941 murder could be the topic for a book of its own.