Here are 100 books that Your Shadow Half Remains fans have personally recommended if you like
Your Shadow Half Remains.
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I’m a human being who struggles with feeling human. When I was 17, I got my brain pretty shaken up after a traumatic event, causing a swathe of memory loss and mental health problems. How do you regain a sense of yourself when chunks of your childhood memories, your skills, and your sense of self have disappeared? Here are some books that grapple with that question, and others.
I believe this book is one of the classic staples of surreal fiction. Its disjointed, spiraling narrative and sprawling non-linear plot lines challenge the definition of what a ‘book’ is. It uses everything from footnotes to text alignment to color schemes to make the act of reading itself increasingly difficult, which matches the house’s influence on the narrators’ memories and interests.
Reading it for me was like learning Latin or watching Casablanca–it gave context to decades of experimental media inspired by it, from TV shows to DOOM game mods. Love it or hate it, it’s a solid tool for any inhuman’s toolkit.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
I could not predict this book. I love how dark and disturbing it was. It led me down a path of psychological vertigo. By the end, I had exhausted all possible predictions and guessed wrong.
The shock of the twist wrung me out dry. I’m a big fan of books that can take you on a turbulent journey and then deposit you onto uneven ground, leaving you to question your own reality. Was it all real, or was it a part of some awful, waking dream?
NOW A NETFLIX ORIGINAL FILM DIRECTED BY CHARLIE KAUFMAN AN NPR BEST BOOK OF THE YEAR 2016
“I’m Thinking of Ending Things is one of the best debut novels I’ve ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages” (Scott Heim, award-winning author of Mysterious Skin and We Disappear).
I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.
Jake once said, “Sometimes a thought is closer to truth, to reality, than an…
At age thirteen, sprawled on our shag-carpeted living room floor, I watched Poltergeist’s scariest scenes reflected in the glass doors of an old-school encyclopedia case. The blur made the film less scary—and aftewards, I noticed two smaller books leaned against Volumes 15-16: Italy to Lord. Reading Bach’s Jonathan Livingston Seagull and Baldwin’s The Fire Next Time back-to-back that night rattled me harder than seeing Carol Anne sucked into the netherworld. I woke up with my worldview rearranged, and I hope you’ll find these books every bit as pleasantly unsettling.
Sometimes I want to sink into the Sunken Place, and this collection of scary stories by authors ranging from sci-fi icon NK Jemisin to writer-illustrator Ezra Clayton Daniels does the trick.
Here’s the thing about short story collections: you’ll love at least one, right? Especially when the book’s edited by someone like quirky genius Jordan Peele, of Get Out, Us, Nope, and Key & Peele fame.
Without giving any spoilers, I’ll say this book’s got cops, creeps, and cousins, human and (utterly) inhuman monsters.
Jordan Peele, the visionary writer and director of Get Out, Us and Nope, curates this anthology of brand new stories of Black horror, exploring not only the terrors of the supernatural but also the chilling reality of injustice that haunts our world.
'A glorious showcase of Black American horror' - Guardian
Featuring an introduction by Jordan Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a masterclass in horror, and - like his spine-chilling films - its stories prey on everything we think we know about our world, and…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I've been writing spooky stories for the better half of my life. Reading
and writing horror has always been a strangely therapeutic endeavor.
It's a way to process the things that keep me up at night and force them
into a somewhat manageable form. After all, tangible words on the page
are less worrisome than swirling thoughts in the mind. And a surprising
number of people seem to agree. As absurd as that may sound, many of us
troubled souls find comfort in the horror genre.
"There is a despair that goes deeper than existence; it runs to the
marrow of consciousness, to the seat of the soul."
In this brief but brilliant masterpiece, the afterlife is a
(nearly) infinite library. That doesn't sound so bad, right? Just wait.
With each page turn, I found myself sinking deeper and deeper into a
state of existential dread. Immersive, heartbreaking, and profound, I
would've been happy to stay in this hell a good while longer.
An ordinary family man, geologist, and Mormon, Soren Johansson has always believed he’ll be reunited with his loved ones after death in an eternal hereafter. Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life.
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book is a meditation on the ways in which violence has come to shape everyday life in the modern age, from the international political stage to scenes of our own daily routines.
Particularly poignant and thought-provoking are Žižek’s considerations of how inactivity, passivity, and reluctance to engage may ultimately be the most violent courses of action to adopt.
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
The Brides of Dracula are a classic overlooked group. Most adaptations treat them like a sexy slideshow of danger, not allowed to do anything other than lust and hunger. They’re a flattened idea of feminine desire, put on Dracula’s leash.
S.T. Gibson breathes them to life (or undeath) by imagining what their long existence is like, constantly under a temperamental abuser’s thumb. Yes, they are angry and hungry, and they yearn, but it’s a deeply human yearning for more than companionship. You root for them to be the ones to plunge knives into the count’s heart.
S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta.
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think this little book is invaluable for its portrayal of power, not as power over others or as power to do something but as power with other people.
It took me a long time to appreciate this insight, and I still think there is a lot to disagree with and dislike about Arendt’s work in general, but I am indebted to her argument that human power is rooted in solidarity.
Political theorist, philosopher, and feminist thinker Hannah Arendt's On Violence is an analysis of the nature, causes, and significance of violence in the second half of the twentieth century. The public revulsion against violence and nonviolent philosophies continues to diminish in the twenty-first century. In this classic and still all too resonant work, Hannah Arendt puts her theories about violence into historical perspective, examining the relationships between war and politics, violence and power. Questioning the nature of violent behavior, she reveals the causes of its many manifestations, and ulitmately argues against Mao Zedong's dictum "power grows out of the barrel…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This book revealed a threat new to me and to many readers in a culture where mothers had to hide their daughters in shallow graves in Guerrero, Mexico, adjacent to the drug cartels in order to avoid their abduction. They often masqueraded their daughters as boys or tried to make them ugly by chopping off their hair and blackening their teeth.
I was riveted by the story of Ladydi and her friends as they sought a larger world and future they instinctively knew existed. They supported each other but were constantly at risk and challenged by the dangerous drug culture and misogynistic environment they were born into.
Prayers for the Stolen is filled with vignettes and images that stayed with me, written in Jennifer’s poetic prose—she is also a poet. With imagination, narrative drive, and suspense, it explores the struggle and limited triumph of some of the women and reflects…
'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.'
The Narcos only had to hear there was a pretty girl around and they'd sweep onto our lands in black SUVs and carry the girl off. Not one of the stolen girls had ever come back, except for Paula.
She came back a year after she'd been kidnapped. She held a baby bottle in one hand. She wore seven earrings that climbed the cupped edge of her left ear in a line of blue, yellow and green studs and a…
Jill Leovy, author of Ghettoside, is a journalist and independent researcher who covered the Los Angeles Police Department and homicide for fifteen years, and who is currently working on a book dealing with murder and feud in human history. She has covered hundreds of street homicides and shadowed patrol cops, and she spent several years embedded in homicide detective units. More recently, she has been a Harvard sociology fellow and a featured speaker on Homer and violence at St. John's College, New Mexico. She is a senior fellow at the USC Center on Communication Leadership and Policy.
Here’s a radical idea: let’s think deeply about murder. Let’s imagine that understanding why we fight and kill each other is as lofty an intellectual challenge as any other great, sweeping mystery of human nature or human origins.
Roger C. Gould never came out and said that a higher vision of murder was his purpose, but his book Collision of Wills achieves nothing less. It set a new bar for theorizing on human violence, and is a great, complex, and surprising tour de force about petty street violence.
If you're interested in lawlessness, Collision of Wills is indispensable, right up there with Donald Black's Behavior of Law. On a personal level, I'm grateful to this Harvard sociologist simply because he took the topic of petty street violence so seriously. Gould related rampant argument violence to the problem of unstable status in the criminal underworld.
Minor debts, derisive remarks, a fight over a parking space, butting in line-these are the little things that nevertheless account for much of the violence in human society. But why? Roger V. Gould considers this intriguing question in Collision of Wills. He argues that human conflict is more likely to occur in symmetrical relationships-among friends or social equals-than in hierarchical ones, wherein the difference of social rank between the two individuals is already established.
This, he maintains, is because violence most often occurs when someone wants to achieve superiority or dominance over someone else, even if there is no substantive…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
We must remember that 1919 also saw unprecedented widespread bloodshed in attacks on Black communities. This wave of violence is remembered as the Red Summer not because it coincided with the Red Scare, but because the worst of it occurred in and around that summer. Krugler gives us the national saga but helpfully zooms in to some of the major clashes to help us understand why and how they occurred – and most of all – how Blacks fought back through self-defense, the Black press, and the courts.
1919, The Year of Racial Violence recounts African Americans' brave stand against a cascade of mob attacks in the United States after World War I. The emerging New Negro identity, which prized unflinching resistance to second-class citizenship, further inspired veterans and their fellow black citizens. In city after city - Washington, DC; Chicago; Charleston; and elsewhere - black men and women took up arms to repel mobs that used lynching, assaults, and other forms of violence to protect white supremacy; yet, authorities blamed blacks for the violence, leading to mass arrests and misleading news coverage. Refusing to yield, African Americans…
