Here are 100 books that The Winter's Tale fans have personally recommended if you like
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Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Mary Hoffman has said that what she likes best when writing historical fiction is plenty of facts but a great big gap at the centre. That’s how she came to write about Gabriele, her imagined model for Michelangelo’s iconic sculpture.
Renaissance Florence is full of rivalries, intrigues, and conflicts, into which this unworldly youth is plunged, at first manipulated, later learning to find his way and decide where his loyalties lie. With a strong narrative pace and sumptuous detail of fashionable Florentine society, the story creates a believable background to one of the world’s most famous and recognisable masterpieces.
Michelangelo's statue of David is renowned all over the world. Thousands flock to Florence to admire the artistry behind this Renaissance masterpiece, and to admire the beauty of the human form captured in the marble. But the identity of the model for this statue that has been so revered for over five hundred years has been lost ...In this epic story Mary Hoffman uses her persuasive narrative skills to imagine the story of Gabriele, an eighteen-year-old who, by becoming Michelangelo's model, finds himself drawn into a world of spies, politicking, sabotage and murder. Set against the backdrop of Florence, this…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This is a great introduction to the architecture of cathedrals, abbeys, and churches—a friendly guided tour of various periods, styles, and techniques that shows us how buildings and carvings in stone have evolved. New cathedrals in their day represented state-of-the-art magnificence, inspiring awe, and they continue to do so now.
If you wonder how weighty stone can soar heavenwards, take on lacy airiness, and capture light, this book will help you to appreciate the skills, craftsmanship, and often bravery required of masons whose names are usually unknown to us.
Visiting historic buildings is one of Britain's most popular pursuits. But, all too often, visitors are frustrated by existing guidebooks, which assume much prior knowledge of architectural history and terms. This highly illustrated, accessible book presents a completely new look at cathedrals, abbeys and churches through the eyes of a vastly experienced working stone-mason. Thomas Maude uses well-chosen historical and technical information, colourful anecdote and his hands-on knowledge of building structures and technique to convey the excitement which they hold in store. This remarkable and engaging book will help any visitor understand and enjoy the medieval ecclesiastical buildings of Britain…
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
I love Sue Gee’s writing; she is such a keen observer of the natural world and of the complexities and nuances of human relationships. This, set in the years following the First World War, concerns a group of artists who meet at the Slade School of Art, then form enduring relationships.
Painter Walter Cox and wood-engraver Sarah are joined by sculptor Euan, whose carvings explore the deep trauma of warfare and loss; watching him work in stone, Walter knows: ‘This was the real thing...a marriage between man and material which felt entire, complete.’
Sue Gee’s characters are so real that we feel thoroughly immersed in the period and their lives, both in the London art scene and in the Kentish countryside.
In the aftermath of the First World War, the painter Walter Cox cherishes the place of his childhood to keep the pulse of his art alive. Haunted by his work, his young daughter Meredith has her own fight: to quell the power of her inner life.
Deeply affecting, shot through with a shimmering apprehension of the natural world, EARTH AND HEAVEN is about life's fragility, and the power of love and painting to disturb, renew and reveal us to ourselves.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Burntcoat is the name of the home, a converted warehouse, of sculptor Edith Harkness’s home, and also of a Japanese technique she’s mastered in which wood is almost destroyed by fire, then charcoal is scraped off to reveal the beauty of the grain beneath.
The story is set in a pandemic, of a disease more rampant and deadly than the recent COVID-19, and Edith is working on a monumental piece to commemorate those lost. Her character blends defiance and acceptance; her story of intense physical love and searing loss, moving back and forth in time, is told with measured calmness. Although this is a relatively short novel, it feels big and expansive.
An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian).
'Dark and brilliant.' SARAH MOSS 'A masterpiece.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Searing... Sarah Hall's best work yet.' JON McGREGOR
You were the last one here before I closed the door of Burntcoat, before we all shut our doors.
In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days.
Downstairs, the studio is a crucible glowing with memories and desire.…
COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
Even though Adichie’s father did not die from COVID, it happened during the pandemic when the world shut down. To this, I could relate all too well.
I spent the pandemic, and months afterward, grieving my father’s death, and I found comfort reading the stories of other daughters whose dads have died.
A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun.
'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language'
On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria.
In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father.…
I am a long-time ER nurse, aid worker, and writer, and I have long been fascinated by true crime/mysteries; much of that interest honed in the ER, where I was often stumped when patient injuries or recollections of witnesses didn’t quite add up. As amateur detectives, we ER nurses often hounded detectives with our own theories, and in one especially big murder case, we had figured out exactly what had happened and who the real killer was before the detectives did. I am also a voracious reader and love a good mystery/thriller to take me away from real life, except when I am solving real life crimes on Dateline.
I love anything that Lisa Jewell writes, and this is the perfect mystery, albeit a little predictable.
A 15-year-old girl has gone missing and her family is frantic. The characters were so well drawn, I felt as though I knew them. And for me, that is often what keeps me reading.
From the New York Times bestselling author of Invisible Girl and The Truth About Melody Browne comes a “riveting” (PopSugar) and “acutely observed family drama” (People) that delves into the lingering aftermath of a young girl’s disappearance.
Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. Beloved by her parents, friends, and teachers, and half of a teenaged golden couple. Ellie was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.
Success isn’t about money. It’s about character and personal experiences. I accept Viktor Frankl’s conclusion that fulfillment comes from having a purpose, caring for others, and living life with love. From my earliest movie heroes like Lash LaRue, Tom Mix, and Roy Rogers, to John Wayne, Cary Grant, and George Clooney, my favorite heroes have been modest and kind. Book heroes like Donna Leon’s Inspector Guido Brunetti, Louise Penny’s Armand Gamache, and John Le Carre’s George Smiley are modest and kind. This returns us to Lou Gehrig, my authentic, real-life hero. His early influence is clear in my heroic Duff Malone character.
He was the dad everyone wished they had. He was also a lot like my old high school football coach. There is authentic love and warmth when he and Scout are together. And there is honesty and spine when Atticus is in the courtroom, defending those who have been wrongly accused.
This beloved book has inspired generations of readers around the world. It is a morality tale about a rough and imperfect country, written in a way that has inspired idealists to stay the course in our fight for justice. We may be flawed, but we can still be strong.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
What one expects to happen, in the context of a story, is a wholly unacceptable outcome… save one does not feel the story is obligated to resound with consciousness of mortality. Consciousness of mortality is not cruel in and of itself; the one who causes it to resound in the form of a story, however, might be. Cruel, that is.
This, I think, is a very cruel book. But its cruelty is the cruelty of an honest physician met with a diseased patient. His unflinching diagnosis of the disease and the difficult (painful) operations it necessitates… are simply what remaining alive calls for. The alternative, that is, is always the same thing: brief (however apparently eternal) dementia.
From the Winner of the Nobel Prize in Literature. J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
"Compulsively readable... A novel that not only works its spell but makes it impossible for us to lay it aside once we've finished reading it." -The New Yorker
At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy's smallholding. David's visit becomes an…
From when I first got lost in a book—I think it was Herman Wouk’s Winds of War—I discovered I really loved stories which thrust me into their world. From favorites like The Lion, the Witch and the Wardrobe, which I read to my kids, to Peter Benchley’s Jaws, I loved getting lost in the snowy world of Narnia or out in the water in the small boat with Brody. When I read any new author, I notice how well they paint the scene and how skillfully they describe the what and where of their tale. Does the story capture the details, idiosyncrasies, and nuances of this place and time? If it does, I’m in.
I have never been to the untamed lands of Wyoming and Montana but after reading this and other books by C J Box, this region certainly moved to the top of my travel list. This author is so adept at transporting readers into his scenes, I felt the biting cold of the wind off the Bighorn Mountains, experienced the chafing of riding my horse up and down the valleys and mountains, heard bullets sing through the air and tasted the bile in my own throat at seeing an animal mutilated.
This is the first entry in this bestselling mystery/adventure series, now at 25. Even in this first book, I loved that the story involved the whole Pickett family, Game Warden Joe, his wife MaryBeth, and his daughters, Lucy and Sheridan.
Winner of 2009's highly coveted Edgar Award for Best Novel Winner of the Anthony Award for Best First Novel Winner of the Gumshoe Award for Best First Novel Winner of the Barry Award for Best First Novel Winner of the Macavity Award for Best First Novel
There's nothing unusual about the sound of a gunshot in Twelve Sleep. Here in remotest Wyoming, where elk roam the pine forests and cougars prowl the mountains, everyone owns a gun. But when Joe Pickett hears two sharp cracks ring out months before hunting season, it's his job to investigate.
I grew up in a family of readers who valued humor above all else. I’ve always sought out novels that weren’t full of themselves or too serious. For example, I don’t actually like literature for the most part (sacrilege?) As a result, I’ve veered toward upmarket genre books that amuse me. My list reflects what I discovered as I explored this realm. It also led me to write mysteries and thrillers that are infused with my version of humor, which I must admit will never match the authors on my list. These guys are amazing.
Fforde takes literary characters and brings them to life in a mystery format. Inside jokes about them and well-constructed absurd situations kept me amused. I admire the creativity and imagination a book like this requires. The plot is also ingenious, with unexpected twists and turns.
I’d say I never read a book like it, but I’ve read others by him, and he continues to create fun novels with literary and fairy tale characters. I recommend all of them.
Meet Thursday Next, literary detective without equal, fear or boyfriend
Jasper Fforde's beloved New York Times bestselling novel introduces literary detective Thursday Next and her alternate reality of literature-obsessed England-from the author of The Constant Rabbit
Fans of Douglas Adams and P. G. Wodehouse will love visiting Jasper Fforde's Great Britain, circa 1985, when time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously: it's a bibliophile's dream. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic…
