Here are 100 books that David fans have personally recommended if you like
David.
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Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This is a great introduction to the architecture of cathedrals, abbeys, and churches—a friendly guided tour of various periods, styles, and techniques that shows us how buildings and carvings in stone have evolved. New cathedrals in their day represented state-of-the-art magnificence, inspiring awe, and they continue to do so now.
If you wonder how weighty stone can soar heavenwards, take on lacy airiness, and capture light, this book will help you to appreciate the skills, craftsmanship, and often bravery required of masons whose names are usually unknown to us.
Visiting historic buildings is one of Britain's most popular pursuits. But, all too often, visitors are frustrated by existing guidebooks, which assume much prior knowledge of architectural history and terms. This highly illustrated, accessible book presents a completely new look at cathedrals, abbeys and churches through the eyes of a vastly experienced working stone-mason. Thomas Maude uses well-chosen historical and technical information, colourful anecdote and his hands-on knowledge of building structures and technique to convey the excitement which they hold in store. This remarkable and engaging book will help any visitor understand and enjoy the medieval ecclesiastical buildings of Britain…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
I love Sue Gee’s writing; she is such a keen observer of the natural world and of the complexities and nuances of human relationships. This, set in the years following the First World War, concerns a group of artists who meet at the Slade School of Art, then form enduring relationships.
Painter Walter Cox and wood-engraver Sarah are joined by sculptor Euan, whose carvings explore the deep trauma of warfare and loss; watching him work in stone, Walter knows: ‘This was the real thing...a marriage between man and material which felt entire, complete.’
Sue Gee’s characters are so real that we feel thoroughly immersed in the period and their lives, both in the London art scene and in the Kentish countryside.
In the aftermath of the First World War, the painter Walter Cox cherishes the place of his childhood to keep the pulse of his art alive. Haunted by his work, his young daughter Meredith has her own fight: to quell the power of her inner life.
Deeply affecting, shot through with a shimmering apprehension of the natural world, EARTH AND HEAVEN is about life's fragility, and the power of love and painting to disturb, renew and reveal us to ourselves.
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Burntcoat is the name of the home, a converted warehouse, of sculptor Edith Harkness’s home, and also of a Japanese technique she’s mastered in which wood is almost destroyed by fire, then charcoal is scraped off to reveal the beauty of the grain beneath.
The story is set in a pandemic, of a disease more rampant and deadly than the recent COVID-19, and Edith is working on a monumental piece to commemorate those lost. Her character blends defiance and acceptance; her story of intense physical love and searing loss, moving back and forth in time, is told with measured calmness. Although this is a relatively short novel, it feels big and expansive.
An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian).
'Dark and brilliant.' SARAH MOSS 'A masterpiece.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Searing... Sarah Hall's best work yet.' JON McGREGOR
You were the last one here before I closed the door of Burntcoat, before we all shut our doors.
In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days.
Downstairs, the studio is a crucible glowing with memories and desire.…
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This book includes one of the most famous portrayals of a sculpture on stage, and is one of my favorite Shakespeare plays. One of his later works, it combines a story very like the tragedy of Othello with a second half that has an entirely different mood of youth and hope, love, and redemption.
In the play’s final scene (spoiler alert!), a party including King Leontes and his newly-found daughter, Perdita, gathers to admire the work of a celebrity sculptor, Julio Romano. The statue perfectly depicts Leontes’ wronged wife, Hermione, whom he believed dead.
In this glorious moment, Hermione comes back to him in the form of a living statue stepping down from its pedestal. There’s a delightful ballet version of the play, too.
The Winter's Tale, one of Shakespeare's very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, "Were it but told you, should be hooted at / Like an old tale."
It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday.
A "winter's tale" is one told or read on a long winter's night. Paradoxically, this winter's tale is ideally seen rather…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
Every Renaissance fan loves a bit of Leonardo, don’t they? And I was intrigued by the relationship between the older, established artist Leonardo and the hot-headed Michelangelo.
This is a brilliantly written book with lots of glorious details about art and painting. These are two giants of their time, and it was a brave subject to tackle–Storey manages to convey their intellect as well as their art.
Reading about the sheer labour involved in carving a block of stone into something human was really awe-inspiring, and Stephanie Storey does a great job of getting inside the heads of these two men.
In her brilliant debut, Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters, creating a stunning art history thriller. From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.
Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all…
I am an art historian from Rome and a professor at the University of Virginia, where I also served as associate dean for the arts and humanities and chair of the art department. Ever since as an undergraduate I heard a lecture from a professor on how important science was for Renaissance artists, I have been fascinated with this topic. I look at scientific images, such as maps and diagrams, as works of art, and interpret famous paintings, such as Leonardo da Vinci’s Mona Lisa, as scientific experiments. Among my books are The Marvel of Maps: Art, Cartography and Politics in the Renaissance, The Shadow Drawing. How Science Taught Leonardo How to Paint, and the digital publication Leonardo da Vinci and His Treatise on Painting.
Most art in the Renaissance was commissioned by specific patrons and this book superbly illustrates the complex interaction among patron, artist, and society by focusing on the greatest patron of art and architecture in fifteenth-century Florence. Cosimo de’ Medici was the most powerful figure in the city’s political and economic life, a fabulously wealthy banker, a devout Christian, but he had also an impeccable nose for great art. With the help of about 200 images, the book examines the religious, personal, and dynastic motivations behind Cosimo’s artistic patronage, both his direct commissions for the Medici palaces, villas, and chapels as well as his active involvement in the works officially commissioned by the republic. What you’ll get out of this book is a profound understanding of how art was commissioned, created, and viewed in Renaissance Florence.
Cosimo de' Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This remarkable book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron and of the patron's point of view. Recurrent themes in the commissions-from Fra Angelico's San Marco altarpiece to the Medici Palace-indicate the main interests to which Cosimo's…
This is Detective Chief Superintendent Fran Harman's first case in a series of six books. Months from retirement Kent-based Fran doesn't have a great life - apart from her work. She's menopausal and at the beck and call of her elderly parents, who live in Devon. But instead of lightening…
From Taylor Swift to Lauryn Hill, from Joan Baez to Beyonce, I find that the lyrics, performances, and melodies of women making music inspire my own creativity every day. I am not a musician; I am a writer, editor, and novelist! But I find music to be so accessible, so deeply meaningful, in a way that other art forms, even my own, are not. So naturally, I adore novels about music!
I return to this book in my mind again and again, and quote it all the time! It’s a slim, sexy, romantic, philosophical novel set against the backdrop of a British woman’s eye (and heart)-opening trip to Italy.
At first, young Lucy Honeychurch plays the piano with unbridled passion and lives somewhat timidly. But with a little bit of love, and some beauty, can that change?
When I think of what life is, and how seldom love is answered by love; it is one of the moments for which the world was made.
Lucy Honeychurch travels to Florence, Italy, with her cousin and they were assured they would receive a room with a view of the River Arno, but instead are given a room overlooking a dull courtyard. A one Mr. Emerson and his son George offer their room, which as the desirable view, to the two ladies. From this opening sequence, A Room with a View sets off following young Lucy as she navigates through…
Born into a family with friction between parents, I never thought relationships could get much worse. When my parents divorced, father became estranged, then died by apparent suicide, memoirs by diverse voices opened my world and made me feel less alone. When I went through a sexual and gender identity crisis of my own, they helped me navigate the turmoil in my own life. I spent more than twenty-five years writing professionally for corporate and academic employers before writing biography and memoir became a coping skill.
Preston and Spezi’s memoir helped me learn how to write from inside a murder investigation. I knew I needed to write about my father’s unusual death and my suspicions, but I didn’t have the tools to tackle it. The two journalists describe how they solved an infamous serial killer case only to become suspects themselves. Preston and Spezi drive their story with a momentum I tried to match in telling mine.
The Monster of Florence, which was shortlisted for the prestigious CWA Gold Dagger Award for Non Fiction in 2010, is a true account of brutal serial murder in idyllic Florence. After settling in Italy in 2000, Douglas Preston discovered that the olive grove in front of his family's new home had been the scene of one of the most infamous double-murders in Italian history, committed by a serial killer who had never been found and was known only as the Monster of Florence. Preston, intrigued, met Italian journalist Mario Spezi, who had followed the case since the first murders in…
I spent my first seven years in Spain and Italy, devouring books and Italian food and still speak (or try!) my childhood languages. The Italian language and culture are precious to me—an integral part of my life. Our visits back to Italy, speaking Italian with friends, cooking Italian meals, writing for the Italian Language Foundation's website, and enjoying our community's Italian movie nights maintain my Italian experience. Sadly, I can't be in Italy all the time, but have found some fabulous books that take me right back! Il cuore e italiano—my heart is Italian.
This delightful mystery set in Florence not only intrigues the reader with its clever, twist-filled plot but also with its insights into daily life and culture in Italy. The characters are enjoyable and show many humorous and unique facts of Italian life. Nabb knows her Florence and her Italians, and her ability to describe both make a reader wish to accompany her on her next trip!
Introducing Marshal Salvatore Guarnaccia of the Florentine carabinieri, a Sicilian stationed far from home. He wants to go south for Christmas to spend the holiday with his family, but he is laid up with the 'flu. At this awkward moment, the death of a retired Englishman is reported. A most inconvenient time for a murder case. Who has shot Mr Langley-Smythe in the back? And why has Scotland Yard felt it appropriate to send two detectives, one of whom speaks no Italian, to 'help' the marshal and his colleagues with their investigation? Most importantly for the marshal, ever the Italian,…
Actress Katherine Parr narrates the audiobook of Only Charlotte, speaking as Lenore James and a whole cast of eccentric characters, her voice rich with mystery and menace, ardor and innuendo.
In post-Civil War New Orleans, Lenore suspects her brother, Dr. Gilbert Crew, has been beguiled by the lovely and…
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
Nino Latino is the nephew of Fra Filippo Lippi, one of the greatest Florentine painters. For Nino, every taste brings a heightened connection to the people and places around him. He rises to culinary acclaim but it’s the forbidden hand of a woman that threatens to undo him. Appetite is a book to relish and devour.
Florence, 1466. A lust for life, a passion for power and a taste for adventure...
In Florence, everyone has a passion. With 60,000 souls inside the city, crammed into a cobweb of clattering streets, countless alleys, towers, workshops, tanneries, cloisters, churches and burial grounds, they live their lives in the narrow world between the walls. Nino Latini knows that if you want to survive without losing yourself completely, then you've got to have a passion.
But Nino's greatest gift will be his greatest curse. Nino can taste things that other people cannot. Every flavour, every ingredient comes alive for him…
