Books like The Twisted Ones — picked by fans

When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.

I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?

This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.

It made me want to write stories where beauty and horror dance together in candlelight.

This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.

I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”

This rollicking set of whip-smart short stories through a supernatural Wild West is guaranteed to engage readers, with tales ranging from uncannily magical cards to steampunk bordellos to undead outlaws.

Delivering chaotic gunslinger fun from start to finish, Dead Man's Hand explores the intersecting worlds of the living and undead in many delightful and unforeseen ways. As a supernatural storyteller myself, I couldn't stop turning the pages to see what new fantastical creature or magical spell the authors would envision next.

It was my faithful companion through many late nights crafting my own novel, inspiring me with its spirited inventiveness of mysterious beings and magical mayhem. 

In this book, we get to watch philologist Percival Endicott Whyborne solve a dark mystery from his past and battle an evil cult in the company of Griffin Flaherty, an ex-Pinkerton turned private detective, and it is delightful.

Widdershins, MA feels like a real place, but also somewhere plucked directly from the pages of H. P. Lovecraft. Whyborne and Griffin’s relationship is sweet and tender. Whyborne’s best friend, Christine Putnam, is a spitfire in the best possible way. The early twentieth century is rendered in loving detail. And there’s a ton of dark humor. What’s not to love?

This is book one in a series of eleven, so you’ll have plenty to sink your teeth into.

I’m not much of a re-reader, yet after I finished the five books in this series, I turned straight back to page one and started over, cackling all the while.

Although Johannes Cabal would be far from charming if you met him, following his adventures is a delight due to Jonathan Howard’s delicious, dry wit. Whether it’s coming out on top in a deal with the Devil, solving a murder on an airship, or surviving a time loop in a Lovecraftian universe, I have confidence that Cabal’s clever mind–and giant revolver–will see him triumph with black humor and grumpiness intact. (The only thing that may be his undoing is his annoyingly charming vampire brother.)

These are some of the funniest fantasies around, and it’s a crying shame how little-known they are.

I immediately loved this book for its alternate history, detailed folklore, and dark academic vibes. I connected with the complex characters and a strong female protagonist who was fearless of social expectations. The unique combination of folklore and an archaeology background that I share with the author Heather Fawcett was something I found familiarity with instantly.

I enjoyed the alternate history where dark academia met with the more traditional Gaslamp-style fantasy fiction to create something new. This combination of dark academia, marginalized voices, and alternate history is a style I enjoy delving into the past in new, unusual ways and revealing voices that otherwise remain unheard.  

I’ll admit, I watched the movie first. Gasp.

But slightly disappointed as I was, I ran off to find the book—the book is ALWAYS better. And it was. The creep factor of the set-up was so much better in the book, learning the rules but not fully understanding the situation—building that feeling of dread settling in because you know it’s going to get worse before it gets better. That was this book for me.

I love to be asking questions, and turning pages looking for answers. I loved how the creatures remained so mysterious. I wish I had read the book before seeing the movie.

Let’s start off with: if my old friends called me up for a hike into the Scandinavian wilderness, I’d tell them to have fun and send pictures. Thankfully, I am not a horror story protagonist.

In horror, I love a creepy forest setting. What could be watching you? How dangerous is it? I felt like I was in the forest, lost, alone with friends I may no longer trust. And then, when things got weird, we had to escape a monster too.

Was it a bit of a departure? Yes. Was I here for it? Also yes. It felt like the telling of an old campfire story that eased you in quietly, then bashed you over the head.

I loved this book. It's set in the dark fantasy world of her Sourdough works. I enjoyed the elements of witchcraft, occult, supernatural folklore, strong queer and female characters.

I did not want this book to end. I formed instant bonds with the female protagonist’s journey of self-awakening and self-belief and the host of characters who are all complex, multifaceted, and unique. Slatter is a fellow Australian gothic fantasy author who writes believable characters in dark fantasy worlds founded in folklore and fairytales. 

I adored this book. I loved its clever fairy tale reimagining of Beauty and Beast set in 1940s Germany under the Third Reich. I enjoyed the transformation of this classic fairy tale into a historical novel that was rich in detail and unique characters and revealed much of the hidden voices of resistance within Germany during this time.

Forsyth is a fellow Australian fairytale, fantasy, and historical author who writes fantasy, history, fairy tale, and myth retellings reimagined into new settings that I find inspiring and the power of the fairy tale to be retold and made new and to endure.