Here are 100 books that Dead Man's Hand fans have personally recommended if you like
Dead Man's Hand.
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I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
This short novel is heaps of fun! It’s another take on the Tombstone story, told from Doc Holliday’s point of view with great wry wit. This Doc is an engaging and unexpectedly kind character, with little or no hint of his reputed “mean disposition”. Weird elements include steampunk – with Thomas Edison living in Tombstone and bringing not only electric light but cyborg sex workers – as well as an undead Johnny Ringo, and supernatural justice wielded by the Native American shamans. It’s delightful!
Welcome to a West like you've never seen before, where electric lights shine down on the streets of Tombstone, while horseless stagecoaches carry passengers to and fro, and where death is no obstacle to The Thing That Was Once Johnny Ringo. Think you know the story of the O.K. Corral? Think again, as five-time Hugo winner Mike Resnick takes on his first steampunk western tale, and the West will never be the same.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
This anthology “blends western grit with the magical and mysterious unknown that waits beyond the next horizon” and includes both a great range of stories and some delightful illustrations. “Abishag Mary” by Frances Rowat brings sea-based imagery deep into the landlocked deserts. “Frank and Earnest” by Tonia Brown features some cracking dialogue, not to mention a villain who seems entirely out of place and mostly baffles the two heroes. Other stories venture beyond the Old West, including "Fifteen Seconds" by Scott Hungerford featuring an alien invasion of a different kind in a more recent West. An excellent collection!
The untamed frontier is a challenge, a test of character, a proving ground for the soul. It's a place where pioneers rewrite their future, or end their days…for better or worse. In the spirit of Bret Maverick, Cat Ballou, Kwai Chang Caine, and James West, The Weird Wild West blends western grit with the magical and mysterious unknown that waits beyond the next horizon.
With thrilling stories by Jonathan Maberry, Gail Z. Martin and Larry N. Martin, John G. Hartness, RS Belcher, Diana Pharaoh Francis, Misty Massey, James R. Tuck, Robert E. Waters, David Sherman, Tonia Brown, Liz Colter, Scott…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
These fourteen essays explore the hybrid “weird west” genre, examining a range of texts including some by Native American authors, as well as TV series, films, fiction, roleplaying games, and comic books. It makes for an interesting read – and is thought-provoking in its conclusion that despite weird westerns challenging and destabilizing many of the old cliches, they have yet to “imagine an existence outside of colonial frameworks”. This has given me much food for thought, as it seems to me that frontiers (wherever found) are an intrinsic part of the western genre, and frontiers tend to imply conflict between the inhabitants and the invaders, between the new and the established. Maybe I’m wrong! In any case, this proves that we still have a long way to go before we’re done exploring all the possibilities of this intriguing genre!
2021 Top Ten Finalist for the Locus Awards in Nonfiction
Weird Westerns is an exploration of the hybrid western genre-an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy. Despite frequent declarations of the western's death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms.
The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders…
I’m a long-time writer who recently published my first two books in a genre I’ll call urban fantasy/queer historical romance. I also co-host a history podcast. It’s made me much more interested in how time and place figure into fiction! I also love a good love story, but after devouring a ton of romance novels, I realized I want a good plot to go along with the googly eyes and tender declarations of eternal devotion.
In this book, we get to watch philologist Percival Endicott Whyborne solve a dark mystery from his past and battle an evil cult in the company of Griffin Flaherty, an ex-Pinkerton turned private detective, and it is delightful.
Widdershins, MA feels like a real place, but also somewhere plucked directly from the pages of H. P. Lovecraft. Whyborne and Griffin’s relationship is sweet and tender. Whyborne’s best friend, Christine Putnam, is a spitfire in the best possible way. The early twentieth century is rendered in loving detail. And there’s a ton of dark humor. What’s not to love?
This is book one in a series of eleven, so you’ll have plenty to sink your teeth into.
A reclusive scholar. A private detective. And a book of spells that could destroy the world.Love is dangerous. Ever since the tragic death of the friend he adored, Percival Endicott Whyborne has ruthlessly suppressed any desire for another man. Instead, he spends his days studying dead languages at the museum where he works. So when handsome ex-Pinkerton Griffin Flaherty approaches him to translate a mysterious book, Whyborne wants to finish the job and get rid of the detective as quickly as possible.Griffin left the Pinkertons after the death of his partner. Now in business for himself, he must investigate the…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’m a lifelong fantasy reader, but all too often, I find myself grousing at the characters: “Listen! You could solve all your problems with a really confident lie!” Or: “...by revealing the truth in a public campaign before the villain gets you!” Or: “May I suggest a well-placed arrow?” Or: “Is he really the villain? The infrastructure seems pretty sound, and you have no expertise in governance!” Every now and then, I’m delighted to find characters as pragmatic as I am (or as I would be if I were a fantasy hero). These are my favorites.
I’m not much of a re-reader, yet after I finished the five books in this series, I turned straight back to page one and started over, cackling all the while.
Although Johannes Cabal would be far from charming if you met him, following his adventures is a delight due to Jonathan Howard’s delicious, dry wit. Whether it’s coming out on top in a deal with the Devil, solving a murder on an airship, or surviving a time loop in a Lovecraftian universe, I have confidence that Cabal’s clever mind–and giant revolver–will see him triumph with black humor and grumpiness intact. (The only thing that may be his undoing is his annoyingly charming vampire brother.)
These are some of the funniest fantasies around, and it’s a crying shame how little-known they are.
The page-turning first novel in the charmingly gothic, fiendishly funny Faustian series about a brilliant scientist who makes a deal with the Devil, twice. • "The spot-on work of a talented writer." —The Denver Post
Johannes Cabal sold his soul years ago in order to learn the laws of necromancy. Now he wants it back. Amused and slightly bored, Satan proposes a little wager: Johannes has to persuade one hundred people to sign over their souls or he will be damned forever. This time for real. Accepting the bargain, Jonathan is given one calendar year and a traveling carnival to…
I write fairy tales and folklore, dark fantasy and horror. I have an academic background in history and archaeology. I am Australian (yes, lots of scary creatures here!) but inspired by this rich, multicultural country with First Nations tales for over 60,000 years. I am fascinated by how fairy tales, folklore and mythologies can be similar and yet so intriguingly different across time and space, written and oral telling. I love the enduring power of the fairytale and how, with each retelling, it transforms it into a new story, and as people travel, new tales are retold and transformed into a new version for a new place and generation.
I loved this book, which was a horror novel rich in folklore. I was drawn to the unique characters and the combination of horror, occult, and Irish folklore. I really enjoyed the transportation of these folklore traditions across continents, moving from Ireland to Northern Carolina.
I always feel that good horror is the sense of unease that develops throughout the story and lingers long after. It has been several years since reading this book, and the unease still lingers, and the repetitive line throughout ‘And I twist myself around like the twisted ones” casts a spell all of its own.
When Mouse's dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be?
Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there's more-Mouse stumbles across her step-grandfather's journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.
Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors-because sometimes the things that go bump in the night are…
I was never a fan of superheroes, not even as a child. My heroes had to be credible, human, acceptably flawed yet redeemable by a personal moral code that ultimately defined their actions. The heroes in my favorite books are of this ilk, determined to pursue the right thing, regardless of how life challenges them. It speaks to how I’ve tried to live my life–and still do.
An atypical Western, I loved its unusual, yet believable plot.
A drifter, George Briggs, is hired to bring four women, maddened by the bleakness of the Nebraska plains, east to civilizational care.
Briggs fulfills his contract, guiding them through the threat of Indian attacks and other challenges to safety. A feeling pervaded the story that Briggs had been given one shot at elevating himself above an otherwise unremarkable life and he came through. This is a feature that I love in almost any story–the idea of redemption.
I love to believe that potential exists within me.
The Homesman opens in the 1850s, when early pioneers are doing anything they can to survive dreadful conditions. Women especially struggle with broken hearts and minds as they face bitter hardships: One nineteen-year-old mother loses her three children to diphtheria in three days; another woman left alone for two nights is forced to shoot wolves to protect herself. The situation calls for a "homesman"-a person charged with taking these women, driven mad by the conditions of rural life, to asylums in the East. Not exactly a job people are lining up for, it falls to Mary Bee Cuddy, an ex-teacher…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this book because of its unique plot. After the American Civil War, ex-trooper and sharp shooter Valdez is working as a part-time small town sheriff. He gets on the bad side of a wealthy rancher who has a gang beat him up and leave him for dead out in the desert.
But after this excellent opening, I love what happens next. Valdez is a survivor: he returns to face off against incredible odds, to regain his honor and see that justice prevails.
No writer chronicles the battles of misfits, underdogs and renegades like Elmore Leonard ...
VALDEZ IS COMING is a stunning stale of morality and justice in which a simple, honest man is transformed into a killer - and begins a long journey of revenge against those who scarred his soul for ever.
Elmore Leonard's Western novels stand as some of the most vivid writing of his career. With all of his trademark sharp dialogue and set against a beautifully evoked landscape, this is a classic work that captures the wild and glorious spirit of the American West.
