Here are 100 books that The Beast's Garden fans have personally recommended if you like
The Beast's Garden.
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Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.
I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?
This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.
It made me want to write stories where beauty and horror dance together in candlelight.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
Wishes are dangerous. They can bring you a night out, a gown, even a pair of slippers. Or something you never should have wished for in the first place.
After the royal wedding, the girl in the glass slippers has everything she ever wanted: an escape from a life of…
I write fairy tales and folklore, dark fantasy and horror. I have an academic background in history and archaeology. I am Australian (yes, lots of scary creatures here!) but inspired by this rich, multicultural country with First Nations tales for over 60,000 years. I am fascinated by how fairy tales, folklore and mythologies can be similar and yet so intriguingly different across time and space, written and oral telling. I love the enduring power of the fairytale and how, with each retelling, it transforms it into a new story, and as people travel, new tales are retold and transformed into a new version for a new place and generation.
I loved this book, which was a horror novel rich in folklore. I was drawn to the unique characters and the combination of horror, occult, and Irish folklore. I really enjoyed the transportation of these folklore traditions across continents, moving from Ireland to Northern Carolina.
I always feel that good horror is the sense of unease that develops throughout the story and lingers long after. It has been several years since reading this book, and the unease still lingers, and the repetitive line throughout ‘And I twist myself around like the twisted ones” casts a spell all of its own.
When Mouse's dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be?
Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there's more-Mouse stumbles across her step-grandfather's journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.
Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors-because sometimes the things that go bump in the night are…
I write fairy tales and folklore, dark fantasy and horror. I have an academic background in history and archaeology. I am Australian (yes, lots of scary creatures here!) but inspired by this rich, multicultural country with First Nations tales for over 60,000 years. I am fascinated by how fairy tales, folklore and mythologies can be similar and yet so intriguingly different across time and space, written and oral telling. I love the enduring power of the fairytale and how, with each retelling, it transforms it into a new story, and as people travel, new tales are retold and transformed into a new version for a new place and generation.
I immediately loved this book for its alternate history, detailed folklore, and dark academic vibes. I connected with the complex characters and a strong female protagonist who was fearless of social expectations. The unique combination of folklore and an archaeology background that I share with the author Heather Fawcett was something I found familiarity with instantly.
I enjoyed the alternate history where dark academia met with the more traditional Gaslamp-style fantasy fiction to create something new. This combination of dark academia, marginalized voices, and alternate history is a style I enjoy delving into the past in new, unusual ways and revealing voices that otherwise remain unheard.
NATIONAL BESTSELLER • A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love in the start of a heartwarming and enchanting new fantasy series.
“A darkly gorgeous fantasy that sparkles with snow and magic.”—Sangu Mandanna, author of The Very Secret Society of Irregular Witches
Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is…
We are all surrounded by darkness. And we are all drawn to the light.
The Orkney Islands north of Scotland are steeped in stories of selkies, seal folk who swim in cold ocean waters and shed their skins to sing and dance on land.
I write fairy tales and folklore, dark fantasy and horror. I have an academic background in history and archaeology. I am Australian (yes, lots of scary creatures here!) but inspired by this rich, multicultural country with First Nations tales for over 60,000 years. I am fascinated by how fairy tales, folklore and mythologies can be similar and yet so intriguingly different across time and space, written and oral telling. I love the enduring power of the fairytale and how, with each retelling, it transforms it into a new story, and as people travel, new tales are retold and transformed into a new version for a new place and generation.
I loved this book. It's set in the dark fantasy world of her Sourdough works. I enjoyed the elements of witchcraft, occult, supernatural folklore, strong queer and female characters.
I did not want this book to end. I formed instant bonds with the female protagonist’s journey of self-awakening and self-belief and the host of characters who are all complex, multifaceted, and unique. Slatter is a fellow Australian gothic fantasy author who writes believable characters in dark fantasy worlds founded in folklore and fairytales.
Set in the same universe as the acclaimed All the Murmuring Bones and The Path of Thorns (one of Oprah Daily's Top 25 Fantasy Novels of 2022), this beautifully told Gothic fairy tale of ghosts, witches, deadly secrets and past sins, will be perfect for fans of Hannah Whitten and Ava Reid.
Ellie Briar is the first non-witch to be born into her family for generations. The Briar family of witches run the town of Silverton, caring for its inhabitants with their skills and magic. In the usual scheme of things, they would be burnt for their sorcery, but the…
I’ve never forgotten the thrill of my first ballet! My grandmother and I went to see The Nutcracker when I was five, and that first ballet experience inspired a lifelong love of dance. As a child, I adored dressing up and twirling around the house with my sisters, and I went on to study dance along with English Literature in college. Years later when my own daughters adored dressing up in pink tutus, I started writing about a determined little mouse who loves to dance, and so Angelina Ballerina was born. Children naturally love music and dance, and I hope the picture books I’ve chosen will inspire you and your family with the magic of dance!
I adored listening to fairytales as a child, and the Twelve Dancing Princesses was a favorite of mine, loved by my children too. Parents will appreciate this child-friendly retelling of the Grimm’s classic fairytale, along with beautiful and colorful illustrations that will beguile young dancers. There’s lots of magic and mystery in the story of the princesses who mysteriously wear out their dancing slippers every night, and the humble cobbler who saves them. Budding ballerinas will have fun dressing up and dancing like the enchanted princesses!
A beautiful, modernized version of the Grimms fairy tale 'The Twelve Dancing Princesses.' In this story, twelve princesses find that their shoes are worn out every morning-and they are totally exhausted! A handsome suitor discovers that they are enchanted, and each night, in their sleep, they are going to a magical world to dance in a ball. By helping to break the spell, he earns the love of the youngest princess. The story ends with a beautiful wedding ball.
As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go!
These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.
Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog."
I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!
A phenomenal bestselling author meets the most magical stories ever told, now in a beautiful clothbound classics edition
In this stunningly designed book of classic fairy tales, award-winning author Philip Pullman has chosen his fifty favourite stories from the Brothers Grimm and presents them in a 'clear as water' retelling, in his unique and brilliant voice. These new versions show the adventures at their most lucid and engaging yet. Pullman's Grimm Tales of wicked wives, brave children and villainous kings will have you reading, reading aloud and rereading them for many years to come.
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
An incredible feat of literary criticism, Marina Warner takes fairytales very seriously and as such leads us on an incredible journey through storytelling from the Queen of Sheba to Charles Perrault to the Brothers Grimm. This is the essential nonfiction title if you’re interested in fairytales, and it has shaped my reading of them ever since.
In this landmark study of the history and meaning of fairy tales, the celebrated cultural critic Marina Warner looks at storytelling in art and legend-from the prophesying enchantress who lures men to a false paradise, to jolly Mother Goose with her masqueraders in the real world. Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?
My favorite books as a child were the ones where kids went off on wild, impossible adventures alone, figuring things out, learning important lessons, and finding they were more capable than they thought. Wisdom, truth, insight, inspiration… those are the treasures found in these fantastical places. I’ve written (and told) stories all my life, but it wasn’t until I was in my fifties that my goal of publishing a book was realized. And now I have four more coming out (Lord willing!) within the next year and a half. It’s never too late. Unless you’re dead, then you blew it. So don’t stop trying, whatever your goals are.
Not the new, watered-down versions, mind you. The original, dark ones that you read now and think, “Who in their right mind would let a kid read this?”
These stories were insane, and I couldn’t get enough of them. And the thing about these stories is that they’re real. There are monsters living among us (we read about them in the news). There’s a reason to be cautious and aware of our surroundings. Life isn’t all sunshine and lollipops, and I think it’s not a bad idea to let kids know that bad things happen, but that children can be stronger than they think. After all, Hansel and Gretel sent the witch into the oven instead of themselves.
The Brothers Grimm: The Complete Fairy Tales is a collection of more than 200 tales by Jacob and Wilhelm Grimm.
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The Brothers Grimm, Jacob Ludwig Karl Grimm (1785–1863) and Wilhelm Carl Grimm (1786–1859), were Hessian academics, philologists, cultural researchers, lexicographers and authors who together collected and published folklore during the 19th century. They were among the first and best-known collectors of German and European folk tales.
Among the most popular tales: "Cinderella" ("Aschenputtel"), "The Frog Prince" ("Der Froschkönig"), "The Goose-Girl" ("Die Gänsemagd"), "Hansel and Gretel" ("Hänsel und Gretel"), "Rapunzel", "Little Red Riding Hood" ("Rotkäppchen"), "The Wolf and…
I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
This book in collection of fairy tale stories is filled as a treasure trove with lessons, rhymes, and songs to dance about my heart, whether in a light-hearted fantasy fair beat or in a requiem drama of heart strings pulled where my very tears seem to harmonize the general melody in tone the book sings to in its many narratives.
However, there are a few pieces much too dark for my taste, such as “The Juniper Tree” and “The Fitcher’s Bird,” and though those are dead to me, the others that speak their many themes of joy and sorrow more than make up for it.
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'The wolf thought to himself, "What a tender young creature! what a nice plump mouthful - she will be better to eat than the old woman. I must act craftily, so as to catch both."'
This collection of much-loved folk tales features such familiar characters as daring Little Red Riding Hood, crafty Rumpelstiltskin and the ill-fated infants Hansel and Gretel. They are as magical and fascinating today as when they were first told, despite - or because of - the underlying darkness at their heart.
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
A hauntingly beautiful anthology of five twisted fairytales that, to me, felt like stepping into a pastoral Twilight Zone and stayed in my mind for days after the final page. Carroll’s artwork is eerie and subtle, and the limited color palette turns scenes of the mundane into a visual nightmare.
The stories are well-paced and spooky, and in my opinion, best read during a dark summer thunderstorm.
