Here are 100 books that Saturday Afternoons at the Old Met fans have personally recommended if you like
Saturday Afternoons at the Old Met.
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Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.
Before the gramophone could do justice to an orchestra, it was able to reproduce the human voice with comparative fidelity. Steane examines the great mass of singing on record and follows the fortunes of modern singers as well as old, in song, opera, and choral singing. This corrected second edition includes a preface and bibliography.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
A remarkable tracing of the evolution of singing throughout the decades. Occasionally Scott is dismissive, (sometimes of the most famous singers) but his remarks are always intriguing and thought-provoking. Through his text, Scott causes one to re-evaluate some of the most famous singers and the reason for their fame.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
Herman Klein wrote for the magazine, Gramophone during the 1920s and his reviews of the then-current 78 r.p.m. recordings are among the best you can read. This book from Amodeus Press contains all his reviews and articles for that magazine and is a fascinating, essential read. This is another book that I have read and re-read over the years, scribbled in the margins, and quoted from in my own writing.
From Klein's comments on early recordings that remain available today, the reader can get a glimpse of what legendary singers such as Patti and Lind sounded like more than a century ago. The essays of Herman Klein that appeared in The Gramophone from 1924 until 1934 are indispensable sources of information on the singers of the Golden Age.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
A struggling actress catches her big break when she's hired onto a reality TV/soap opera show produced by and watched by mythical creatures. They're fascinated with humans and more than willing to accept the soapiest of soap opera plots as reality. Dawn is an entertainment journalist and she mixes humor with insider details that make the set seem authentic. Well, as authentic as a set populated with fawn producers, cameradryads, and security dragons can get.
Although much of the story happens on set, the New York City bits by this Brooklyn-based author feel both authentic and fun to me.
She's just a small town girl, with big mythic dreams.
Starr Weatherby came to New York to become... well, a star. But after ten years and no luck, she's offered a big role - on a show no one has ever heard of. And there's a reason for that. It's a 'reality' show beyond the Veil, human drama, performed for the entertainment of the Fae.
But as Starr shifts from astounded newcomer to rising fan favorite, she learns about the show's dark underbelly - and mysterious disappearance of her predecessor. She'll do whatever it takes to keep her dream job…
From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.
Just as Papa Bear dozes off into hibernation, Little Bear’s mind buzzes with thoughts about honey. A bee guides Little Bear out of his cave in the forest, and into a city. When Papa Bear realizes Little Bear is missing, he immediately searches for his son. Find Papa Bear, Little Bear, beautiful architectural spaces, and quirky characters on each detail-packed spread. The first in a series, also check out: The Bear’s Sea Escape, The Bear’s Surprise, and Little Bear’s Big House.
A seek-and-find picture book about a little bear who awakes from his hibernation early to follow a bee - because where there are bees, there is honey. When the quest leads Little Bear into the big city and then a bustling Opera House, his father follows closely behind and theatrical hijinks ensue, ultimately leading to a harmonious reunion, not to mention an abundance of bees!
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
Lindsay Buroker weaves great characters into her books and novellas. This is the best of space opera with an important “rescue” at the heart of the mystery. No worthy man, guard dog, or even android will be left behind.
The series develops into a romantic series set in outer space. This book stands on its own, with a lovely main character who has enough brains and talent to solve a mystery and enough heart to save those worth saving. It's a fun read and a great introduction to Buroker’s work.
McCall Richter works as a skip tracer, tracking down criminals, con men, and people who stop making payments on their fancy new spaceships.
Her job description says nothing about locating vast quantities of stolen maple syrup, but thanks to her helpful new android employee, she finds herself tramping through a “sugar house” on a frosty moon full of suspicious characters. The only witness to the crime? The junkyard dog next door.
Junkyard is a stand-alone novella set two years before Fractured Stars.
I’ve always thought that the Venn diagram of Space Opera and Military Science Fiction should not be a circle. I thought there should be stories about people living in interstellar civilizations that didn’t involve massive wars across unimaginable distances, resulting in untold misery and suffering. So, I wrote some, starting with Quarter Share. Each of these books shows mostly normal people trying to get by in a galaxy far, far away.
Another orphan struggling. This opening title in Wilker’s Grand Human Empire series introduces a free-lance hauler pilot, Jackson Caruso, and his collection of relatives, enemies, and allies as he tries to keep his ship flying and his skin in one piece.
A fun romp about taking risks, making do, and sometimes making friends.
Jackson ”Jax” Caruso inherited a ship from his parents.
They're dead, they don't need it.
The unification wars happened a while ago, Jax's parent's fought for the losing side. Now he takes the jobs he can get; smuggling, bounty hunting, hauling cargo. If it pays, he'll do it.
When Jax is approached with a job that seems to good too be true, he should have known better, he should have walked.
He didn't.
Now he and a few friends are in it deep; Imperial entanglements are the least of their concerns with organized crime on their tails.
As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.
A delightful introduction to opera, Bravo! Brava! A Night at the Opera teaches elementary school children what opera is by showing how it is made. "Who writes the words?", "Who makes an opera happen? "Who is backstage?"--these questions and more are answered with easy-to-understand explanations and are illustrated with whimsical watercolors by the author. From composer, choreographer, and costume designers to the conductor, lighting and special effects crew, and, of course, the singers, the excitement builds as Anne Siberell explains each person's role in producing an opera. Bravo! Brava! A Night at the Opera reveals details of the most famous…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I’ve always thought that the Venn diagram of Space Opera and Military Science Fiction should not be a circle. I thought there should be stories about people living in interstellar civilizations that didn’t involve massive wars across unimaginable distances, resulting in untold misery and suffering. So, I wrote some, starting with Quarter Share. Each of these books shows mostly normal people trying to get by in a galaxy far, far away.
Skylar Ramirez kicks off this twisty series by introducing the alcoholic Captain Brad Mendoza and his troubled executive officer. Along the way, a crooked path leads the reader deeper into a well-developed universe of money, politics, and betrayal.
Every character plays a role, but some play more than one. While these are technically military people, their mission isn’t supposed to involve flying missiles and drawn-out battles. Mostly, it’s about a bunch of troubled people finding their way back from the brink.
This one has more military than the first three, but it's still a great read.
Brad Mendoza is an idiot. He knows it, and so does everyone else in the star nation of Prometheus. A promising naval career down the drain just because he accidentally killed 504 civilians. So, it's time for him to give up and accept a dead-end command on Persephone, the worst starship in the fleet. Until he meets the beautiful and cunning Jessica Lin, his new executive officer, who harbors a terrible secret of her own. Now, with an enemy warship four times their size bearing down on them, Brad's in a race to save Jessica and his stupid ship.
