100 Books Like The Shape of a Pocket

Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.

I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.

My life is divided between before reading this book and after. Nothing has changed the way that I understand the world or altered how I experience art and reality like this book.

Eksteins is a historian with the gifts of an artist. He intertwines World War I with Njinsky’s inelegant movements and Stravinsky’s discordant sounds and somehow creates an interpretation, an understanding of the past that can only come through artful means. I’ve had to buy three copies of this book because I wore out the first two. I expect I’ll soon be needing a fourth copy.

This is a book, but it was also a fabulous TV series. I first read the book when I was trying to make a living as a freelance writer. I couldn’t afford to buy it, so I went to a different bookstore every day and read it through. (I have since bought myself a copy.)

Hughes traces the art of the 20th century following movements like Cubism and Dadaism. I found this book so engrossing because Hughes really takes on the idea that this art was made by people who thought it could change the world, that it could shape the world. Even if we’re not so sure of the function of art in our own time, it is exhilarating to read about the art that was created with such fervour. 

This is a book that is really written for our times, when artists are being told (and many believe) that their role is to champion social or political causes or to further certain ideologies. Perl argues that art is much bigger than its moment.

I found this so interesting because he is not claiming that art is for art’s sake, which would make it seem irrelevant. He is arguing for the absolute importance of art and for the artist to be free from the kinds of social obligations we want to put on them. I found this book intellectually liberating, original, and exciting.

His earlier and best-known book, The Embarrassment of Riches, may offer a more comprehensive synopsis of the culture of the Dutch Republic’s Golden Age, including everything from the fashions, drinking and dice games that paradoxically thrived amid the strictures of Calvinism to the interpretations placed on passing natural events such as comets in the sky or the appearance of a whale on the beach. But Schama here gives us a loving and humane portrait of its greatest artist, doing in words what Rembrandt did in paint for his subjects, presenting his humanity with truth and dignity enlivened by inimitable splashes of colour and brilliant strokes of the pen. Using the paintings themselves as his window, Schama allows us not only to see back in time to this astonishing period, but to view it as those who lived through it must have seen it.

Rembrandt is a fascinating journey through Rembrandt’s paintings and also his lesser-known (to the general public) prints. It’s also a chronological roadmap of his works from his early years until his final period.  Watching his progression and the mastery in his latest period was a true learning process of how ‘less’ can be ‘far more.’ In the works displayed in the book, Rembrandt shows his skill at wringing every last bit of functionality out of each color in a very limited palette and also the cornucopia of atmospheric density he played with so masterfully to push and pull the viewers’ eye.  

Two of my favorite things in the world combine to make this one of my favorite books of all time.

The first is reading something that inspires that sacred moment of recognition; a glimpse into the vulnerable heart of an author sharing a slice of humanness that makes me nod my head in recognition of that bit of humanness within me as well. The second is wildly skillful word-weaving mastery for conveying such insights.

This collection of tender, poignant essays zings right into my heart and fills me with compassion and admiration for us beleaguered, hopeful inhabitants of Earth. A brilliant, honest, and ultimately optimistic observation of the human condition.

Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.

Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.

Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.

One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working… show more.

No list about mysteries involving missing art can exclude Aaron Elkins! He is the author of several art history mystery novels revolving around a museum professional searching for artwork lost during World War II. Old Scores is no exception. This borderline cozy mystery novel is a clever art history mystery about forgeries, the worth and perception of art, and what some will do to 'make it' in the art world. 

A girl gets a job at the Metropolitan Museum of Art at the Information Desk. The current show is an installation called Rembrandt/Not Rembrandt, and so begins the book that is housed inside a poem but is really the story of how the author negotiates her way around loss, love, lust, and memory.

Along the way, she dissects the paintings in the Met. Also, insects, and creepy co-workers, and she finds something in them that resonates with her. And the President’s son, John-John is also part of the life living in the ideas the author makes so visceral and tangible and felt.