Here are 39 books that Happiness Is an Imaginary Line in the Sand fans have personally recommended if you like
Happiness Is an Imaginary Line in the Sand.
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For most of my life, stillness eluded me. I struggled to be present in any moment, to experience joy or comfort, let alone peace. It took me a virtual lifetime to understand that this exterior version of me, with its incessant mental chatter and negative bias, could no longer control me. I reached a breaking point. Divorced after a lifetime partnership, played out of my most recent company, kids all grown up—utterly alone and without meaningful purpose, the hard inner journey began. I spent years focused on my own journey of self and spiritual development. The payoff is I am now not only more present to life but able to help others on their journeys.
I guess when you’re ready to listen, the message comes through and doesn’t sound like just another guru’s gobbledygook. Tolle, similar to Ram Dass, underscores the necessity of becoming fully aware of the present moment, seeing beyond the incessant chatter of the mind, and experiencing the profound peace and stillness that lie within.
Both suggest that this awakening leads to a life of greater clarity, inner peace, and genuine connection. It was so meaningful to me at a crucial time in my life.
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'A wake-up call for the entire planet. A New Earth helps us to stop creating our own suffering and obsessing over the past and what the future might be and to put ourselves in the now' OPRAH WINFREY
'My No. 1 guru will always be Eckhart Tolle' CHRIS EVANS
THE BOOK THAT INSPIRED THE CHART-TOPPING PODCAST OPRAH & ECKHART TOLLE: A NEW EARTH _________
Are you ready to change your life?
In Eckhart Tolle's ground-breaking book, he gives you the spiritual framework to: - Understand yourself…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I wasn’t always a joyful person. But today I’m freaking sunshine, and full-out committed to being an effective member of the team that’s elevating the level of love and joy in the world! My positions on that team have included writing dozens of mega-selling books (my own, and as a ghostwriter), founding my online Joy School at LisaMcCourt.com, hosting my Do Joy! podcast, and collaborating on projects with many other popular teachers of consciousness and joyful living. My books have sold over 9 million copies, earned 7 publishing industry awards, and garnered over 9,000 glowing Amazon reviews. Joy is my jam. I know a joyful book when I read one!
One of the secrets of my wildly successful joy trainings is an elevation of self-love. I say “secret” because self-love is a tired, cliched topic.
For some, it implies a self-indulgent pursuit for weaker-willed people than we like to admit ourselves to be. Others, who know they don’t have it, deep down believe they aren’t worthy of it anyway. It’s heartbreaking because self-love is the key to everything we believe we want. And it’s not about bubble baths or buying the shoes.
It’s about how we talk to ourselves all day long, day after day, with that voice in our heads. Spending time with Scott Stabile via the insightful musings in this precious book will create a shift in your relationship with that voice. And that shift will upturn everything.
From the author of the acclaimed Big Love, a funny, profound, and inspired collection of short prose on the transformational power of self-acceptance
Overwhelmed by a heartbreaking series of personal tragedies that defined his early life, Scott Stabile seemed destined for hardship and misfortune. Instead, he found the transformative power of love and the courage to walk away, which he detailed in his beloved collection of essays Big Love: The Power of Living with a Wide-Open Heart.
In Enough as You Are, Stabile delivers more of these liberating truths with a heart-expanding collection of poetry and short prose rooted in…
I wasn’t always a joyful person. But today I’m freaking sunshine, and full-out committed to being an effective member of the team that’s elevating the level of love and joy in the world! My positions on that team have included writing dozens of mega-selling books (my own, and as a ghostwriter), founding my online Joy School at LisaMcCourt.com, hosting my Do Joy! podcast, and collaborating on projects with many other popular teachers of consciousness and joyful living. My books have sold over 9 million copies, earned 7 publishing industry awards, and garnered over 9,000 glowing Amazon reviews. Joy is my jam. I know a joyful book when I read one!
My books and trainings are all about joy, but that doesn’t mean I don’t geek out on the science behind it all.
I’ve long admired Eldon Taylor’s approach to bridging the gap between spirituality and what is considered hardcore scientific understanding at this current stage of human evolution, and this book addresses a question that underlies all of the work I do.
If more people could release the widespread, ridiculous idea that spiritual concepts (understood and practiced by our far wiser ancestors thousands of years ago) are somehow not as “real” as the other arbitrary, culturally-accepted paradigms they subscribe to, we’d have a far more joyous, compassionate, successful society.
Eldon provides a fact-based bridge for readers to cross in this well-researched book!
A pragmatic case for the rational viability of a spiritual belief in a higher power. [Taylor] makes a compelling case that the scientific worldview--one that sees humans as "meat machines"--is inconsistent with people's experiences of themselves and is not nearly as rationally superior as it is so often presented. This alone makes the author's compact consideration a worthwhile read. A philosophically astute challenge to the rational supremacy of science over its spiritual rivals. Kirkus Reviews
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I wasn’t always a joyful person. But today I’m freaking sunshine, and full-out committed to being an effective member of the team that’s elevating the level of love and joy in the world! My positions on that team have included writing dozens of mega-selling books (my own, and as a ghostwriter), founding my online Joy School at LisaMcCourt.com, hosting my Do Joy! podcast, and collaborating on projects with many other popular teachers of consciousness and joyful living. My books have sold over 9 million copies, earned 7 publishing industry awards, and garnered over 9,000 glowing Amazon reviews. Joy is my jam. I know a joyful book when I read one!
As we explore in my joy trainings, when life sucks, our sweet little hearts want to close in defense. It’s been that way our whole lives.
We learned from experience that an open heart is a vulnerable heart, so it only seems right and natural that we’d want to safeguard this fragile part of us in this way. The problem is it doesn’t work. In walling off our hearts from experiencing pain and mess, we inadvertently block out joy, wonder, and bliss in the process.
In this gorgeous little gem of a book, S.C Lourie shows us what it looks like to bravely wedge open your tender heart, even when circumstances around you would dictate you do otherwise.
We are taught to hate mess, whether it's an untidy bedroom or a chaotic divorce. But mess is important, because, like it or not, it is a big part of our lives and who we are. Things go wrong all the time and life rarely goes to plan. How do we stop that from being a recurring negative point in our lives, though?
Life is messy, the process of cleansing and healing is hard, and the only way is through. But what if the process of 'sorting through' didn't have to feel as draining as it often does? What if…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Honestly, I love anything that was written by John Berger. And though many of us turn to his Ways of Seeing to better understand art, I found this collection of essays about art to be even more expansive, even more thought-provoking.
Berger always wrote from a certain political perspective, but he was never dogmatic. He was not an ideologue. Above all, this book (and all his books) offer little glimpses of the unexplainable effect of art, of the way that the artist must wrestle with the art and that nothing is ever definitive. Whenever I feel like the world is in a bad place, I go back to Berger to understand the ways in which meaning and seeking meaning through art make living worthwhile.
John Berger writes: 'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about - Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
His earlier and best-known book, The Embarrassment of Riches, may offer a more comprehensive synopsis of the culture of the Dutch Republic’s Golden Age, including everything from the fashions, drinking and dice games that paradoxically thrived amid the strictures of Calvinism to the interpretations placed on passing natural events such as comets in the sky or the appearance of a whale on the beach. But Schama here gives us a loving and humane portrait of its greatest artist, doing in words what Rembrandt did in paint for his subjects, presenting his humanity with truth and dignity enlivened by inimitable splashes of colour and brilliant strokes of the pen. Using the paintings themselves as his window, Schama allows us not only to see back in time to this astonishing period, but to view it as those who lived through it must have seen it.
This dazzling, unconventional biography shows us why, more than three centuries after his death, Rembrandt continues to exert such a hold on our imagination. Deeply familiar to us through his enigmatic self-portraits, few facts are known about the Leiden miller's son who tasted brief fame before facing financial ruin (he was even forced to sell his beloved wife Saskia's grave). The true biography of Rembrandt, as Simon Schama demonstrates, is to be discovered in his pictures. Interweaving of seventeenth-century Holland, Schama allows us to see Rembrandt in a completely fresh and original way.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Rembrandt is a fascinating journey through Rembrandt’s paintings and also his lesser-known (to the general public) prints. It’s also a chronological roadmap of his works from his early years until his final period. Watching his progression and the mastery in his latest period was a true learning process of how ‘less’ can be ‘far more.’ In the works displayed in the book, Rembrandt shows his skill at wringing every last bit of functionality out of each color in a very limited palette and also the cornucopia of atmospheric density he played with so masterfully to push and pull the viewers’ eye.
I’ve always been fascinated by art, not just the paintings themselves but their historical significance, the personalities behind the canvas, and the seemingly arbitrary value placed on one artist’s work versus another. Writing my latest novel, Hanging the Devil, was a chance to delve into the illicit side of the art world, where forgers and smugglers consort with organized crime. I’ve been an award-winning mystery author for more than a decade—this is my sixth novel—and the great thing about writing crime fiction is the chance to get lost in the research and learn something new, so writing this novel was a great excuse to visit museums, talk to experts, and plan a heist!
Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.
Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.
Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.
One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working…
Art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence.
Europe’s finest masterpieces drew me from Seattle, Washington to the Netherlands, where I earned a master’s degree in art history. During my study, the restitution of artwork that had been looted during WWII was a hot topic, and one that deeply fascinated me. Ultimately, my classes and work for several Dutch cultural institutions inspired me to write my series of art history mysteries.
No list about mysteries involving missing art can exclude Aaron Elkins! He is the author of several art history mystery novels revolving around a museum professional searching for artwork lost during World War II. Old Scores is no exception. This borderline cozy mystery novel is a clever art history mystery about forgeries, the worth and perception of art, and what some will do to 'make it' in the art world.
A notorious French art dealer is murdered in this "thoroughly entertaining" mystery by the Edgar Award-winning author of the Gideon Oliver series (Kirkus Reviews).
It is a headline-making story: the discovery of a previously unknown Rembrandt. Rene Vachey, the iconoclastic art dealer who claims to have uncovered it, wants to make a gift of it to the Seattle Art Museum, but curator Chris Norgren is wary. Vachey is notorious in art circles for perpetrating scandalous shams; not for profit but for the sheer fun of embarrassing the elite and snobbish "experts" of the art establishment. And thanks to the web…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve never felt that fiction was quite enough. Like a dream that someone tells you, it’s arbitrary and slightly meaningless to anyone but the dreamer. Nonfiction is nice, but because what is described did, in fact, actually happen, it can’t happen any other way. And where’s the fun (or art) in that? Autofiction, which tries to blur the line between the two, seems to draw attention to itself, making the author of the story more important than the actual story. So what’s the answer? There is no answer. But every now and then, a book seems not to care about the difference and, therefore, transcends it.
A girl gets a job at the Metropolitan Museum of Art at the Information Desk. The current show is an installation called Rembrandt/Not Rembrandt, and so begins the book that is housed inside a poem but is really the story of how the author negotiates her way around loss, love, lust, and memory.
Along the way, she dissects the paintings in the Met. Also, insects, and creepy co-workers, and she finds something in them that resonates with her. And the President’s son, John-John is also part of the life living in the ideas the author makes so visceral and tangible and felt.
Named a 2024 Pulitzer Prize Finalist and a New York Times Book Review Editors' Choice Pick
“Among the year's highlights . . . groundbreaking, epic . . . Like visitors exiting the Met’s galleries, readers will emerge from Information Desk bedazzled by the transformative horizons of art.” —Washington Post
“An effluvial rush of memory, desire, data, and metaphor . . . It’s bracing to encounter a mind so voracious, so unapologetic in its intelligence.” —New York Review of Books
A book-length poem set in the Metropolitan Museum of Art, from a writer whose work offers “something few poets ever discover:…