Here are 100 books that Authority and Freedom fans have personally recommended if you like
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I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.
I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.
Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
My life is divided between before reading this book and after. Nothing has changed the way that I understand the world or altered how I experience art and reality like this book.
Eksteins is a historian with the gifts of an artist. He intertwines World War I with Njinsky’s inelegant movements and Stravinsky’s discordant sounds and somehow creates an interpretation, an understanding of the past that can only come through artful means. I’ve had to buy three copies of this book because I wore out the first two. I expect I’ll soon be needing a fourth copy.
Named "One of the 100 best books ever published in Canada" (Literary Review of Canada), Rites of Spring is a brilliant and captivating work of cultural history from the internationally acclaimed scholar and writer Modris Eksteins.
A rare and remarkable cultural history of World War I that unearths the roots of modernism.
Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I, from the premiere of Stravinsky's ballet The Rite of Spring in 1913 to the death of Hitler in 1945.
Recognizing that “[t]he Great War was the psychological turning point . .…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
This is a book, but it was also a fabulous TV series. I first read the book when I was trying to make a living as a freelance writer. I couldn’t afford to buy it, so I went to a different bookstore every day and read it through. (I have since bought myself a copy.)
Hughes traces the art of the 20th century following movements like Cubism and Dadaism. I found this book so engrossing because Hughes really takes on the idea that this art was made by people who thought it could change the world, that it could shape the world. Even if we’re not so sure of the function of art in our own time, it is exhilarating to read about the art that was created with such fervour.
This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.
Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.
The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Honestly, I love anything that was written by John Berger. And though many of us turn to his Ways of Seeing to better understand art, I found this collection of essays about art to be even more expansive, even more thought-provoking.
Berger always wrote from a certain political perspective, but he was never dogmatic. He was not an ideologue. Above all, this book (and all his books) offer little glimpses of the unexplainable effect of art, of the way that the artist must wrestle with the art and that nothing is ever definitive. Whenever I feel like the world is in a bad place, I go back to Berger to understand the ways in which meaning and seeking meaning through art make living worthwhile.
John Berger writes: 'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about - Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is…
Michael Patrick Lynch is Board of Trustees Distinguished Professor of Philosophy and Provost Professor of the Humanities at the University of Connecticut. His books have been translated into a dozen languages and include On Truth in Politics: Why Democracy Demands It, The Internet of Us, True to Life (Editor’s Choice, The New York Times Sunday Book Review), and Know-it-All Society (winner of the 2019 George Orwell Award). Lynch’s work has been profiled in The New Yorker, The New York Times, Nature, The Guardian, The Washington Post, and many other publications worldwide; his 2017 TED talk has been viewed nearly 2 million times. He lives in CT with his family and one very philosophical dog.
This book helped crystallize something I’ve long suspected: that democracy’s strength—its openness—is also its greatest vulnerability. Gershberg and Illing don’t just chart the rise of populist rhetoric or disinformation; they go deeper, showing how the evolution of media itself has upended the cultural foundations of democratic life.
Their argument that “media ecology is the master political science” felt especially resonant. It’s not just what we know—it’s how we come to know it, and how that process can be gamed. If you want to understand why democratic institutions feel so unstable today, this is one of the sharpest diagnoses I’ve read.
A thought-provoking history of communications that challenges ideas about freedom of speech and democracy.
At the heart of democracy lies a contradiction that cannot be resolved, one that has affected free societies since their advent: Though freedom of speech and media has always been a necessary condition of democracy, that very freedom is also its greatest threat. When new forms of communications arrive, they often bolster the practices of democratic politics. But the more accessible the media of a society, the more susceptible that society is to demagoguery, distraction, and spectacle. Tracing the history of media disruption and the various…
I am a teacher, a mom, a bubbe, and a writer. I taught elementary school and college courses, directed a daycare, and owned a children’s bookstore, but my favorite job is scribbling words on paper. I have two grown children and four wonderful granddaughters who love to listen as I read to them. Many of my ideas come from my experiences with my granddaughters and from their questions. Our family and friends are a mix of religions and cultures, and most of my books reflect the importance of diversity, acceptance, and knowledge.
Even though this book is really for adults, I am recommending it to parents because I love to have meaningful conversations with my kids and grandkids.
This book helps me answer their hard questions on race, God, sex, punishment, gender, and truth. The author, Scott Hershovitz, also suggests ways I can keep our conversations flowing with questions like: What do you think? Why do you think so? Can you think of any reasons you might be wrong?
'Witty and learned ... Hershovitz intertwines parenting and philosophy, recounting his spirited arguments with his kids about infinity, morality, and the existence of God' Jordan Ellenberg, author of Shape
A funny, wise guide to the art of thinking, and why the smallest people have the answers to the biggest questions
'Anyone can do philosophy, every kid does...'
Some of the best philosophers in the world can be found in the most unlikely places: in preschools and playgrounds. They gather to debate questions about metaphysics and morality, even though they've never heard the words, and can't tie their shoelaces. As Scott…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
This book is a classic, and I wish I had read it even earlier than I did.
One of the most prominent historians of the 20th century, E.H. Carr, delves into the intricacies of exploring the past. He articulates the significance of interpreting personal memories, discusses how historical ideas are constructed, and examines the impact of a historian's personality on the history they write. These complicated ideas are given in a calm tone and a simple way.
A total must-read for people interested in history!
'Not only our most distinguished historian but also one of the most valuable contributors to historical theory' Spectator
In answering the question, 'what is history?', E. H. Carr's acclaimed and influential bestseller shows that the facts of history are simply those which the historian selects for scrutiny. His fluent and hugely wide-ranging account of the nature of history and the role of the historian argues that all history is to some degree subjective, written by individuals who are above all people of their own time.
'Lively and controversial, full of wit and humour, E. H. Carr's What Is History? played…
F. Scott Fitzgerald claimed, “there are no second acts in American lives.” But I am on my third. I started out in the theatre, then became a lawyer, and then a political philosopher. What drove each move is that I was always outraged by injustice and wanted to find a better way to fight against it. For me, reading, writing, and teaching political philosophy turned out to be that way. The books on this list provide important lessons on how certain economic policies can cause injustice while others can cure it. Each has been around for a long time, but they are as relevant today as when they were first written.
How can a society as rich as ours leave so many people behind?
Published in 1958, this book opened my eyes to the importance of economic justice—I first read it in the late 1970s when I was nineteen.
But it is still mind-blowing today, for neither the wrongheadedness of prevailing economic policy nor the solutions that are available for us to do better have changed.
John Kenneth Galbraith's international bestseller The Affluent Society is a witty, graceful and devastating attack on some of our most cherished economic myths.
As relevant today as when it was first published over forty years ago, this newly updated edition of Galbraith's classic text on the 'economics of abundance', lays bare the hazards of individual and social complacency about economic inequality.
Why worship work and productivity if many of the goods we produce are superfluous - artificial 'needs' created by high-pressure advertising? Why begrudge expenditure on vital public works while ignoring waste and extravagance in the private sector of the…
There are so many different ways of thinking and writing about history. I first noticed this while studying at university, when I saw just how different economic history looked from other kinds of history. I later learned that all kinds of historical writing are forms of literature, only they are rarely recognized as such. I am now a university professor and this is my area of expertise: the overlap between the philosophy of history and economics. The books on this list are great examples of unusual or ‘weird’ works on history that challenge some of our deepest assumptions about what history is and how best to think or write about it.
Kermode is a literary critic and this book is a study of apocalyptic narrative throughout the ages. But as Lowith shows, all Western historical thought is apocalyptic. Kermode takes this point further by looking not just at the Bible, but also Roman philosophy, modern English poetry, and more. It might sound like a bit of a detour, only it doesn’t feel that way when he brings it all to a head in an early diagnosis of the postmodern condition. Because we now know the power of stories, he argues, they can only continue to do their work by ‘defying our sense of reality.' Talk about the ultimate cliffhanger!
Frank Kermode is one of our most distinguished and beloved critics of English literature. Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burroughs, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit.…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve spent my life obsessed with utopias, knowing from a young age that the human world is unnecessarily cruel. Utopias aren’t a delusion, nor a destination; they’re navigation tools. As an activist-researcher on climate, new economics, and mental health, I experiment with practical routes to radically better worlds. It’s a prefigurative stroke of luck that the pleasure and connection we long for are vital for creating radical change. I nearly died in 2019, after a suicide attempt tied to the dire state of the world. Rebuilding myself, including learning to walk after losing both of my legs, forced an epistemological and ontological reckoning. Now, I’m more realistically hopeful than ever.
I’ve been a climate activist for 15+ years and suffered major mental breakdowns as a result. This book has been liberatory.
The Three Ecologies practically explains the overlapping relationships between ecology, society, and the human mind and, written as it was in the ‘80s, Guattari’s proposed ‘ecosophy’ was alarmingly prescient, and practical. He simplifies the complexities of technological, social, and ecological devastation into action.
We’re not the isolated beings our culture says we are. Our minds are made up of and drastically impacted by our ecology and our society, and vice versa. Ecosophy is a practice, a different way of being in the world.
Coming to understand myself as physically and mentally embedded in the world gave me a sense of safety and strength. It gave me confidence in my own mind, a mind that had been pathologised for over a decade.
Guattari was a visionary ecologist, an incandescent critic…
Extending the definition of ecology to encompass social relations and human subjectivity as well as environmental concerns, The Three Ecologies argues that the ecological crises that threaten our planet are the direct result of the expansion of a new form of capitalism and that a new ecosophical approach must be found which respects the differences between all living systems. A powerful critique of capitalism and a manifesto for a new way of thinking, the book is also an ideal introduction to the work of one of Europe's most radical thinkers.
This edition includes a chronology of Guattari's life and work,…
