Here are 100 books that Authority and Freedom fans have personally recommended if you like
Authority and Freedom.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.
I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.
Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
My life is divided between before reading this book and after. Nothing has changed the way that I understand the world or altered how I experience art and reality like this book.
Eksteins is a historian with the gifts of an artist. He intertwines World War I with Njinsky’s inelegant movements and Stravinsky’s discordant sounds and somehow creates an interpretation, an understanding of the past that can only come through artful means. I’ve had to buy three copies of this book because I wore out the first two. I expect I’ll soon be needing a fourth copy.
Named "One of the 100 best books ever published in Canada" (Literary Review of Canada), Rites of Spring is a brilliant and captivating work of cultural history from the internationally acclaimed scholar and writer Modris Eksteins.
A rare and remarkable cultural history of World War I that unearths the roots of modernism.
Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I, from the premiere of Stravinsky's ballet The Rite of Spring in 1913 to the death of Hitler in 1945.
Recognizing that “[t]he Great War was the psychological turning point . .…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
This is a book, but it was also a fabulous TV series. I first read the book when I was trying to make a living as a freelance writer. I couldn’t afford to buy it, so I went to a different bookstore every day and read it through. (I have since bought myself a copy.)
Hughes traces the art of the 20th century following movements like Cubism and Dadaism. I found this book so engrossing because Hughes really takes on the idea that this art was made by people who thought it could change the world, that it could shape the world. Even if we’re not so sure of the function of art in our own time, it is exhilarating to read about the art that was created with such fervour.
This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.
Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.
The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Honestly, I love anything that was written by John Berger. And though many of us turn to his Ways of Seeing to better understand art, I found this collection of essays about art to be even more expansive, even more thought-provoking.
Berger always wrote from a certain political perspective, but he was never dogmatic. He was not an ideologue. Above all, this book (and all his books) offer little glimpses of the unexplainable effect of art, of the way that the artist must wrestle with the art and that nothing is ever definitive. Whenever I feel like the world is in a bad place, I go back to Berger to understand the ways in which meaning and seeking meaning through art make living worthwhile.
John Berger writes: 'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about - Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is…
Michael Patrick Lynch is Board of Trustees Distinguished Professor of Philosophy and Provost Professor of the Humanities at the University of Connecticut. His books have been translated into a dozen languages and include On Truth in Politics: Why Democracy Demands It, The Internet of Us, True to Life (Editor’s Choice, The New York Times Sunday Book Review), and Know-it-All Society (winner of the 2019 George Orwell Award). Lynch’s work has been profiled in The New Yorker, The New York Times, Nature, The Guardian, The Washington Post, and many other publications worldwide; his 2017 TED talk has been viewed nearly 2 million times. He lives in CT with his family and one very philosophical dog.
This book helped crystallize something I’ve long suspected: that democracy’s strength—its openness—is also its greatest vulnerability. Gershberg and Illing don’t just chart the rise of populist rhetoric or disinformation; they go deeper, showing how the evolution of media itself has upended the cultural foundations of democratic life.
Their argument that “media ecology is the master political science” felt especially resonant. It’s not just what we know—it’s how we come to know it, and how that process can be gamed. If you want to understand why democratic institutions feel so unstable today, this is one of the sharpest diagnoses I’ve read.
A thought-provoking history of communications that challenges ideas about freedom of speech and democracy.
At the heart of democracy lies a contradiction that cannot be resolved, one that has affected free societies since their advent: Though freedom of speech and media has always been a necessary condition of democracy, that very freedom is also its greatest threat. When new forms of communications arrive, they often bolster the practices of democratic politics. But the more accessible the media of a society, the more susceptible that society is to demagoguery, distraction, and spectacle. Tracing the history of media disruption and the various…
F. Scott Fitzgerald claimed, “there are no second acts in American lives.” But I am on my third. I started out in the theatre, then became a lawyer, and then a political philosopher. What drove each move is that I was always outraged by injustice and wanted to find a better way to fight against it. For me, reading, writing, and teaching political philosophy turned out to be that way. The books on this list provide important lessons on how certain economic policies can cause injustice while others can cure it. Each has been around for a long time, but they are as relevant today as when they were first written.
How can a society as rich as ours leave so many people behind?
Published in 1958, this book opened my eyes to the importance of economic justice—I first read it in the late 1970s when I was nineteen.
But it is still mind-blowing today, for neither the wrongheadedness of prevailing economic policy nor the solutions that are available for us to do better have changed.
John Kenneth Galbraith's international bestseller The Affluent Society is a witty, graceful and devastating attack on some of our most cherished economic myths.
As relevant today as when it was first published over forty years ago, this newly updated edition of Galbraith's classic text on the 'economics of abundance', lays bare the hazards of individual and social complacency about economic inequality.
Why worship work and productivity if many of the goods we produce are superfluous - artificial 'needs' created by high-pressure advertising? Why begrudge expenditure on vital public works while ignoring waste and extravagance in the private sector of the…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I am Associate Professor of Philosophy at the State University of New York at Brockport. I have been teaching and writing philosophy for over 20 years. I have published articles in professional journals on a wide range of subjects, from epistemology to philosophy of religion and political philosophy. I think that philosophy, at its best, is a good conversation, in which people give reasons for their views, and listen to others give reasons for theirs. That’s the best way for human beings to think about philosophical questions. That’s why I love philosophical dialogues—they do philosophy in a way that embodies what philosophy is, at its very best.
This book grabs your attention right from the start. Four people are on a train, and one of them believes in witches. That’s crazy, right? (The witches part, not the train part.) But can you prove that he is wrong? One character trusts science, and only science. Another is a relativist, who believes that each person’s opinion is “true for them.” And then there is the annoying young philosopher, who is just as irritating as she is logical. This is a great book about truth, knowledge, fallibility, and tolerance. Timothy Williamson is one of the best philosophers alive today, and yet this book is accessible and engaging for anyone who wants to think about fundamental questions. The characters are compelling, and the writing is witty and fun.
Four people with radically different outlooks on the world meet on a train and start talking about what they believe. Their conversation varies from cool logical reasoning to heated personal confrontation. Each starts off convinced that he or she is right, but then doubts creep in.
In a tradition going back to Plato, Timothy Williamson uses a fictional conversation to explore questions about truth and falsity, and knowledge and belief. Is truth always relative to a point of view? Is every opinion fallible? Such ideas have been used to combat dogmatism and intolerance, but are they compatible with taking each…
I'm a specialist of ancient Egyptian social history, who against the better judgment of (practically all) her colleagues uses the ancient past to make the present understandable. If we don’t fetishize the ancient Egyptians as separate and magical, they have something to teach us, whispering to us from the past through papyri, temples, and archaeological sites. After all, Egyptian history is 3000 years plus in its time span, an astounding data set of a people using same approximate language, government system, religion, and culture. Some of us look hungrily to replicate that kind of lasting and divine power. I am obsessed with power—how it works, why we are helpless to it, and who gets exploited by it. The ancient Egyptian kings effectively packaged their power not only as necessary, but as moral and good, ancient marketing that continues to work on our minds.
I am recommending this volume because it shocked me with its ability to nestle humans into the world as an integral part of the natural world, not separate from it, not rulers over it, but clever animals that need the Earth more than the Earth needs us. It helps me to undercut the manufactured power of the divinely ordained rulers from ancient Egypt.
New insights into the microbiome, epigenetics, and cognition are radically challenging our very idea of what it means to be 'human', while an explosion of neo-materialist thinking in the humanities has fostered a renewed appreciation of the formative powers of a dynamic material environment. The Matter of History brings these scientific and humanistic ideas together to develop a bold, new post-anthropocentric understanding of the past, one that reveals how powerful organisms and things help to create humans in all their dimensions, biological, social, and cultural. Timothy J. LeCain combines cutting-edge theory and detailed empirical analysis to explain the extraordinary late-nineteenth…
For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
This book is packed with fascinating, dramatic, and sometimes bizarre tales of swimming lore from history and literature. Sprawson is also fascinated with the swimming world’s legacy to Hollywood in the thirties and forties, exploring the careers of “aquamusical” star Esther Williams and Olympic swimmer Johnny Weissmuller, who starred in a dozen Tarzan movies. Sprawson’s reputation as a literary writer about swimming is second only to that of Roger Deakins. What gives the book a strange fascination for many people is the fact that after the publication of Haunts of the Black Masseur, Sprawson never wrote another one.
In a masterful work of cultural history, Charles Sprawson, himself an obsessional swimmer and fluent diver, explores the meaning that different cultures have attached to water, and the search for the springs of classical antiquity.
In nineteenth-century England bathing was thought to be an instrument of social and moral reform, while in Germany and America swimming came to signify escape. For the Japanese the swimmer became an expression of samurai pride and nationalism. Sprawson gives is fascinating glimpses of the great swimming heroes: Byron leaping dramatically into the surf at Shelley’s beach funeral; Rupert Brooke swimming naked with Virginia…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I am a teacher, a mom, a bubbe, and a writer. I taught elementary school and college courses, directed a daycare, and owned a children’s bookstore, but my favorite job is scribbling words on paper. I have two grown children and four wonderful granddaughters who love to listen as I read to them. Many of my ideas come from my experiences with my granddaughters and from their questions. Our family and friends are a mix of religions and cultures, and most of my books reflect the importance of diversity, acceptance, and knowledge.
Even though this book is really for adults, I am recommending it to parents because I love to have meaningful conversations with my kids and grandkids.
This book helps me answer their hard questions on race, God, sex, punishment, gender, and truth. The author, Scott Hershovitz, also suggests ways I can keep our conversations flowing with questions like: What do you think? Why do you think so? Can you think of any reasons you might be wrong?
'Witty and learned ... Hershovitz intertwines parenting and philosophy, recounting his spirited arguments with his kids about infinity, morality, and the existence of God' Jordan Ellenberg, author of Shape
A funny, wise guide to the art of thinking, and why the smallest people have the answers to the biggest questions
'Anyone can do philosophy, every kid does...'
Some of the best philosophers in the world can be found in the most unlikely places: in preschools and playgrounds. They gather to debate questions about metaphysics and morality, even though they've never heard the words, and can't tie their shoelaces. As Scott…
