Here are 65 books that The Shadow of the Torturer fans have personally recommended if you like
The Shadow of the Torturer.
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I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.
I love the cunning, wit, and charm of the one-and-only Vlad Taltos. Though he’s an assassin, he’s never cruel or wicked; he merely does what he needs to appease the “mafia-feeling” organization he works for. He’s almost more a swashbuckling rogue than a killer.
In his interactions with his familiar, Loiosh, you see his more nuanced side, the morality beneath the magic and swordplay. And few fantasy worlds I’ve ever visited have been as rich and colorful as those created in the Vlad Taltos series.
The first three fantastical adventures of assassin Vlad Taltos—now in one volume.
A welcome addition to any fantasy fan's library, The Book of Jhereg follows the antics of the wise-cracking Vlad Taltos and his dragon-like companion through their first three adventures—Jhereg, Yendi, and Teckla.
There are many ways for a young man with quick wits and a quick sword to advance in the world. Vlad Taltos chose the route of assassin. From his rookie days to his selfless feats of heroism, the dauntless Vlad will hold readers spellbound—and The Book of Jhereg will take its place among the classic compilations…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
Confession time: I tend to be picky about mermaid stories because life under the sea is such a dramatic difference from our reality that it’s often hard to really reflect that difference. In this book, you never forget that these people aren’t human, and you never lose their connection to the sea. It’s everywhere, from the way they think about distances to their relationships with the other creatures around them to the way Yetu’s disabilities are handled.
In the same way, the trauma that created their people was always lingering at the forefront of my mind as I read, even when it wasn’t the subject at hand. This is another one where my experience was elevated even further by the audiobook, as narrated by Daveed Diggs.
WINNER OF THE LAMBDA LITERARY LGBTQ SCIENCE FICTION/FANTASY/HORROR AWARD
The water-breathing descendants of African slave women tossed overboard have built their own underwater society-and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group clipping.
Yetu holds the memories for her people-water-dwelling descendants of pregnant African slave women thrown overboard by slave owners-who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one-the historian. This demanding role has been bestowed on…
I’m a Canadian science fiction writer who writes very, very slowly. I’m interested in experimental fiction and books that are unique, both thematically and stylistically. I’d like to think my books fall into this category, or at least that’s what I aspire to. I used to read science fiction exclusively, and the five books I’ve listed here were all read during those formative years; they were fundamental stepping-stones for me, as a writer, and each of them left a profound mark on my idea of how good, or effective, novels can be.
Attanasio can run hot and cold, but when he’s hot he’s on fire! This book may have the most ambitious plot of any novel I’ve ever read and is almost impossible to describe. It spans galaxies, has a truly bizarre vibe, and yet rings true, with a love story thrown in.
Seven billion years from now, long after the Sun has died and human life has become extinct, alien beings reconstruct homo sapiens from our fossilized DNA drifting as debris in deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind's re-animator, and the zōtl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.
The resurrected children of Earth are told: "You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way." Yet,…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.
This book is horrifying, weird as shit, and absolutely beautiful, from China Mieville’s stunning prose to the grotesque splendor of his imagery.
Mieville’s follow-up to Perdido Street Station is a Melvillian Gothic that takes its characters on a sprawling, twisted naval journey that incorporates such horrors as giant mosquito monsters, a symbiotic pair of dictators known as the Lovers, and a Frankensteinian punishment system where bio-thaumaturgists graft foreign limbs or organs onto their victims’ bodies.
The Scar blew my mind when I first read it in college, and made me rethink what a novel could be. Its creativity and depth feel endless, with layers of philosophical and thematic depth. It’s the kind of book that makes you feel like you could read it a hundred times, and still find fresh meaning.
The Scar’s final act also perfectly captures the feeling that you’re beholding something beyond your capacity to fathom—and…
A human cargo bound for servitude in exile... A pirate city hauled across the oceans... A hidden miracle about be revealed... This is the story of a prisoner's journey. The search for the island of a forgotten people, for the most astonishing beast in the seas, and ultimately for a fabled place - a massive wound in reality, a source of unthinkable power and danger.From the author of Perdido Street Station, another colossal fantasy of incredible diversity and spellbinding imagination, which was acclaimed in The Times Literary Supplement as: 'An astonishing novel, guaranteed to astound and enthral the most jaded…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.
A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.
Time and perspective seem fluxive, inconstant, and looping.
This is beautiful, destabilized world building. Dhalgrenanswers no questions yet evokes a time, place, and milieu that shifts as you read.
I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.
Nebula Award Finalist: Reality unravels in a Midwestern town in this sci-fi epic by the acclaimed author of Babel-17. Includes a foreword by William Gibson.
A young half–Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona—only something is wrong there . . . In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound.
So begins Dhalgren, Samuel R. Delany’s masterwork, which in 1975 opened a new door for what science fiction could mean.…
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
From the strange title to the premise of a futuristic television star who suddenly no one remembers, this book, is the essence of why PKD remains one of my favorite authors: futurism, psychology, and existential angst distilled into a mind-bending cocktail whose characters somehow still feel perfectly grounded and believable.
Jason Taverner has a glittering TV career, millions of fans, great wealth and something close to eternal youth. He is one of a handful of brilliant, beautiful people, the product of top-secret government experiments forty years earlier. But suddenly, all records of him vanish. He becomes a man with no identity, in a police state where everyone us closely monitored. Can he ever be rich and famous again? Or was that life just an illusion?
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a Canadian science fiction writer who writes very, very slowly. I’m interested in experimental fiction and books that are unique, both thematically and stylistically. I’d like to think my books fall into this category, or at least that’s what I aspire to. I used to read science fiction exclusively, and the five books I’ve listed here were all read during those formative years; they were fundamental stepping-stones for me, as a writer, and each of them left a profound mark on my idea of how good, or effective, novels can be.
Hand’s sentences are always beautiful, and this novel, her first, is dense with new ideas and original imagery. She evokes a bizarre future in a post-apocalyptic city where twins go on a hallucinogenic quest. Reads like a somewhat disturbing mythology. Gods and talking animals, autistic prophets, feral children, and death is personified. Unforgettable.
The “sensuous and evocative” debut of the Nebula Award–winning author of Waking the Moon: A dystopian journey through a world unburdened by moral taboos (Library Journal). Set in the surreal, post-apocalyptic City of Trees, Winterlong centers on Wendy Wanders, a girl who can tap into the dreams and emotions of the people around her, and her long-lost twin brother, Raphael, a seductive, sacred courtesan to the City’s decadent elite. During their voyage, they encounter man-made and godlike monstrosities—both hideous and gorgeous—in their effort to stop an ancient power from consuming all. Blending science fiction and fantasy, Winterlong is a dark…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
Monstress is an awful lot of things: An epic fantasy that confronts the horrors of modern war; a work of fusion that marries Western and Eastern aesthetics and the epic scale of George R. R. Martin with the cosmic and body horror of Junji Ito; an incredible trove of beautiful visual art; a stage for women of all kinds, young and old, beautiful and monstrous, weak and powerful, with and without shark heads; and a story about a girl coming to grips with a dark family legacy and what it means for her place in a bloody, painful world.
More than anything else, it’s about what happens when people use each other. For my money, the best epic fantasy currently being published in any form.
2018 Eisner Award winner, Best
Writer 2018 Eisner Award winner, Best
Painter/Multimedia Artist 2018 Eisner
Award winner, Best Continuing Series 2018
Eisner Award winner, Best Publication for
Teens 2018 Eisner Award winner, Best Cover
Artist 2018 Harvey Award winner, Book of
the Year 2018 Hugo Award winner, Best
Graphic Story 2018 British Fantasy Award
winner, Best Comic/Graphic Novel 2018,
2016, 2015 Entertainment Weekly's The Best Comic Books of the
Year 2018, Newsweek's Best Comic
Books of the Year 2018, The Washington
Post's 10 Best Graphic Novels of the
Year 2018, Barnes & Noble's Best Books
of the Year 2018, YALSA's…
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
When I think of the ultimate, inescapable trap, I think of Harlan Ellison’s I Have No MouthandI Must Scream.
To me, the terror is not only unbearable, it’s unchangeable. Of all these worlds, this may be the one most devoid of hope. With no possibility of relief and no chance of escape. There is, in fact, no place to escape to.
And like every book on this list, I don’t have to reread I have No Mouth and I Must Scream, because it’s always with me. In the best and most terrifying way.
A Harrowing dystopian short story by Harlan Ellison, I Have No Mouth & I Must Scream, is set in a post-apocalyptic world where a sentient supercomputer, AM, has destroyed humanity except for five people it keeps alive to torture for the rest of their lives. As AM manipulates the characters' deepest fears and desires, they are held captive in an underground complex and subjected to interminable psychological and physical torture. The narrative is told by one of the captives, Ted, and deals with themes of despair, dehumanization, and the terrifying effects of technological power going unchecked. The story by Ellison…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
Harvard historian of science professor Lemov’s account of the history of behavioral science includes a chapter analyzing the work of three of the central figures in MKUltra, the CIA’s decade-long program of classified research into “mind control.”
Excellent on the scientific context out of which that research arose.
Deeply researched, World as Laboratory tells a secret history that’s not really a secret. The fruits of human engineering are all around us: advertising, polls, focus groups, the ubiquitous habit of “spin” practiced by marketers and politicians. What Rebecca Lemov cleverly traces for the first time is how the absurd, the practical, and the dangerous experiments of the human engineers of the first half of the twentieth century left their laboratories to become our day-to-day reality.
