Books like The Last Legends of Earth — picked by fans

As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.

Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊

I’m a Canadian science fiction writer who writes very, very slowly. I’m interested in experimental fiction and books that are unique, both thematically and stylistically. I’d like to think my books fall into this category, or at least that’s what I aspire to. I used to read science fiction exclusively, and the five books I’ve listed here were all read during those formative years; they were fundamental stepping-stones for me, as a writer, and each of them left a profound mark on my idea of how good, or effective, novels can be.

Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.

As intense as the Cold War was, I have always found myself looking toward the future. Nuclear annihilation was a real possibility in my youth. Even so, I have always been curious about the next threat beyond our current crisis would be. Beyond nuclear, biological, and chemical threats, I see that we now face possible dangers from rogue AI and climate change. If that’s not enough, let’s remember that conventional weapons are getting more powerful with the passing of each decade. That’s why the storyteller in me loves this stuff so much.

The past is a powerful thing. It’s what we turn to when confronted with the question “how did we get here?” When I began my journey as an author in earnest, that was the question I was facing, and it was the one I wanted my characters to explore. But one book wasn’t enough to satisfy me, and I went searching for other titles that scratched that same itch of examining and confronting our pasts to work out our future. For me, these books were the ones that struck that cord the hardest.

I am a retired, Scottish, NHS consultant forensic psychiatrist, who worked with mentally disordered offenders in prisons, hospitals, and in the community. I am passionate about raising awareness, destigmatisation of mental illness, and introducing the human beings behind the sensationalist newspaper headlines. They are all someone's son or daughter, who didn't ask to get ill. Occasionally mental illness makes good people do bad things. It was my job to find, treat and rehabilitate them. I believe entertaining medical memoirs can engage readers and inform thinking by challenging attitudes and assumptions.

I’ve always been fascinated by history, by the way that the past informs the present, how it makes us who we are. And I’ve found myself drawn, as a reader and as a writer, towards those stories that incorporate some element of magic into the past. I’ve written two magical historical novels. And my third book, which I hope to be finished with soon, is a fabulist tale set in the future, which I like to say is history that hasn’t happened yet. 

One might read for many reasons, but one of the main reasons for me is to connect and relate to the character. Female voices are very underheard, and I feel incredibly passionate about changing that and creating and reading stories where the female protagonists have strong voices and are not afraid to be heard. I think it’s important that we continue to create female characters that are raw and real and that portray subjects and feelings that need to be heard more.

I’m a retired English prof with a lifelong interest in history. My father fostered my fascination with Civil War battlefields, and growing up in Florida, I studied the Seminole wars in school and later at FSU. While teaching at the University of Idaho (nearly 50 years), I pursued my interest in the Indian wars of the mid-19th century and developed a curiosity about tribes in the inland Northwest, notably the Coeur d’Alene, Spokane, and Nez Perce. My critical biography of Blackfeet novelist James Welch occasioned reading and research on the Plains tribes. I recommend his nonfiction book, Killing Custer: The Battle of Little Bighorn and the Fate the Plains Indians.