As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.
Jay Kristoff’s Empire of the Vampire is a Gothic feast that absolutely drips with bloody, spooky atmospherics: crumbling castles, sadistic vampire aristocrats, and battles over gore-soaked snow.
It could be said that this book itself is vampiric, for it consumes aspects of many of my favorite stories and blends them all into its own cursed bloodstream: the frame narrative of The Name of the Wind or Interview With The Vampire, the epic action of the Castlevania anime, characters reminiscent of The Witcher, Vampire: The Masquerade’s concept of different vampire bloodlines having different powers, and moments that bring to mind everything from Salem’s Lot to The Last Of Us.
Empire is derivative, but I can’t not love a book that blends the best elements from so many of my favorite works into one beautifully executed package. The result is an epic Gothic adventure with the mix-tape quality of a Quentin Tarantino movie.
'This book is bloody brilliant' V.E. Schwab
'A ripping read' Joe Abercrombie
The SUNDAY TIMES and NEW YORK TIMES bestseller from the award-winning author of the Nevernight Chronicle
It has been twenty-seven long years since the last sunrise.
Ever since, vampires have waged war against humanity building their eternal empire even as they tear down our own. Gabriel de Leon, half man, half monster, and last remaining silversaint - a sworn brother of the holy Silver Order dedicated to defending the realm from the creatures of the night - is all that stands between the world and its end.
Werewolf James Bond killing Nazis in World War II. I’ll say it again: Werewolf James Bond killing Nazis in World War II. What more do you need to know?
Robert R. McCammon’s 1989 horror-adventure imagines the classic Gothic monster of the werewolf as a spy traversing a crumbling Nazi-occupied Europe. The book has an incredible sense of scale and incorporates both stomach-churning body horror and blistering action sequences, including a set piece on a train filled with deadly Saw-style traps and a shootout inside a Parisian opera house.
The Wolf’s Hour is ridiculous, and I love it for that. I love that it isn’t afraid to delve into the cheesier elements of the Gothic genre, without letting that detract from the real-world horrors of what the Nazis did. I’ve always felt that many of the best Gothic stories have some form of monster vs. man, with man being revealed as the true evil, and the monster being sympathetic.
The Wolf’s Hour exemplifies this by contrasting its conflicted werewolf protagonist against the all-too-real villainy of his Nazi enemies.
Master spy, Nazi hunter—and werewolf on the prowl—in occupied Paris: A classic of dark fantasy from a Bram Stoker Award—winning author.
Allied Intelligence has been warned: A Nazi strategy designed to thwart the D-Day invasion is underway. A Russian émigré turned operative for the British Secret Service, Michael Gallatin has been brought out of retirement as a personal courier. His mission: Parachute into Nazi-occupied France, search out the informant under close watch by the Gestapo, and recover the vital information necessary to subvert the mysterious Nazi plan called Iron Fist.
Fearlessly devoted to the challenge, Gallatin is the one agent…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
This is an American Gothic road novel that takes us across not just multiple state lines, but also multiple generations.
We see the entire life of main protagonist Vic McQueen, and how the trauma of her abuse-ridden childhood causes her to become an abusive parent herself—only to find herself racing across America to save her son from an innocence-sucking vampire.
NOS4A2 may lack bats and crumbling castles, but the villainous Charlie Manx is a perfectly creepy supernatural monster, and the book’s focus on psychological trauma feels right in line with the Gothic tradition. I loved NOS4A2 from the moment I started reading it, and it has stuck with me ever since. Not only is the book a thrilling, spooky, action-packed ride; it’s also full of characters I genuinely cared about.
Hot take, but I think I like Joe Hill’s books even more than his dad’s.
An old Silver Wraith with a frightening history. A story about one serial killer and his lingering, unfinished business.
Anyone could be next.
We're going to Christmasland ...
NOS4R2 is an old-fashioned horror novel in the best sense. Claustrophobic, gripping and terrifying, this is a story that will have you on the edge of the seat while you read, and leaving the lights on while you sleep. With the horrific tale of Charles Manx and his Silver Wraith, Joe Hill has established himself as the premiere horror and supernatural thriller writer of his generation.
This book is horrifying, weird as shit, and absolutely beautiful, from China Mieville’s stunning prose to the grotesque splendor of his imagery.
Mieville’s follow-up to Perdido Street Station is a Melvillian Gothic that takes its characters on a sprawling, twisted naval journey that incorporates such horrors as giant mosquito monsters, a symbiotic pair of dictators known as the Lovers, and a Frankensteinian punishment system where bio-thaumaturgists graft foreign limbs or organs onto their victims’ bodies.
The Scar blew my mind when I first read it in college, and made me rethink what a novel could be. Its creativity and depth feel endless, with layers of philosophical and thematic depth. It’s the kind of book that makes you feel like you could read it a hundred times, and still find fresh meaning.
The Scar’s final act also perfectly captures the feeling that you’re beholding something beyond your capacity to fathom—and there’s something especially scary about that, I think.
A human cargo bound for servitude in exile... A pirate city hauled across the oceans... A hidden miracle about be revealed... This is the story of a prisoner's journey. The search for the island of a forgotten people, for the most astonishing beast in the seas, and ultimately for a fabled place - a massive wound in reality, a source of unthinkable power and danger.From the author of Perdido Street Station, another colossal fantasy of incredible diversity and spellbinding imagination, which was acclaimed in The Times Literary Supplement as: 'An astonishing novel, guaranteed to astound and enthral the most jaded…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
For me, Hyperion epitomizes the Gothic space opera.
It may not sound like it on the surface, with the book often being described as a sci-fi spin on the Canterbury Tales, but the devil’s in the details, and Hyperion has many details indeed, with each character’s story bringing us deeper into both their personal darkness and the darkness of the larger world: the labyrinthine Time Tombs; the Cruciform parasite that turns immortality into a curse; and of course, the eldritch godlike entity known as The Shrike.
As an easily-bored reader, I was floored by how easily Hyperion held my attention, as each of the characters’ stories not only made me care about them more, but also contributed to the adventure they shared...especially when it all came to a head in the sequel, Fall of Hyperion.
Spanning multiple worlds, time periods, and philosophical ideas, Hyperion has everything I want in a grand epic sci-fi adventure, and all the darkness, mystery, and depth I want from a Gothic.
Twenty-year-old Maraina Blackwood has always struggled to adhere to the restrictions of Victorian society, denying the courage and desire that burn within her soul. But when demons and vampires take over Europe in a bloody revolt, Maraina survives by becoming a succubus: a demon of lust, and an embodiment of everything her parents told her not to be.
Now, to free England from its immortal new masters, Maraina must take advantage of her new form to seduce and kill Salem Sotirios, a cruel incubus lord who commands unimaginable power. Soon, Maraina finds herself battling not only Salem’s monstrous forces, but also her desire to succumb to the exquisite corruption he offers...and overcoming him will mean confronting the repression she's internalized all her life.
