I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
I like to think I’m pretty good at guessing where a book is going to go—this is not the case with Gideon the Ninth. Every time I thought I had a grip on what was going on and where we were going, it took a turn. Every time I thought I had an idea of how I felt about a character, new lore dropped, and I fell in love (or in hate, or in a complicated love/hate thing that I have yet to figure out).
By the time I finished, I was torn between picking up the second book in the series to learn what happened next or rereading the first just to see how different it would be once I had a better understanding of the book.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Maybe it’s the millennial in me, but I can’t begin to tell you how much I relate to Murderbot. All it wants to do is get through its workday so it can take a break and watch its shows—and yes, maybe my job is slightly less stressful than acting as security for a science expedition that’s pissed off a bloodthirsty super-corporation, but we all have our struggles. Like socializing with our coworkers. Or capitalism. Or man-eating space worms.
Probably my favorite thing about Murderbot is the deadpan humor with which it tells its story, which really comes to life in the audiobook thanks to Kevin R. Free’s narration.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
A human child raised by the fae is an uncommon thing. But Rafi was such a child.
Now grown, half-fae but mortal, he lingers on the edge of human society in Miryoku, a nearby town sharing a border with fae territory. He doesn’t want to join the human world properly;…
I’m a sucker for so many things in this book—strong socio-political worldbuilding, a royal family with actual duties that they carry out onscreen, a gay bodyguard romance, an enemies-to-lovers plot arc, a character being an absolute badass thanks to coping strategies they developed to deal with a debilitating mental illness.
I was particularly impressed with the way the political intrigue and the romance were balanced with and woven into one another.
A sweeping fantasy romance inspired by the Ottoman Empire, A Taste of Gold and Iron by Alexandra Rowland is perfect for fans of A Marvellous Light and The Goblin Emperor.
'A delicious tangle of romance, fealty and dangerous politics' - Tasha Suri, author of The Jasmine Throne
One false coin could topple an empire.
Kadou, the shy prince of Arasht, has no intention of wrestling for imperial control with his sister, the queen. Yet he remains at odds with one of the most powerful ambassadors at court - the father of the queen's new child. Then a hunting party goes…
Confession time: I tend to be picky about mermaid stories because life under the sea is such a dramatic difference from our reality that it’s often hard to really reflect that difference. In this book, you never forget that these people aren’t human, and you never lose their connection to the sea. It’s everywhere, from the way they think about distances to their relationships with the other creatures around them to the way Yetu’s disabilities are handled.
In the same way, the trauma that created their people was always lingering at the forefront of my mind as I read, even when it wasn’t the subject at hand. This is another one where my experience was elevated even further by the audiobook, as narrated by Daveed Diggs.
WINNER OF THE LAMBDA LITERARY LGBTQ SCIENCE FICTION/FANTASY/HORROR AWARD
The water-breathing descendants of African slave women tossed overboard have built their own underwater society-and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group clipping.
Yetu holds the memories for her people-water-dwelling descendants of pregnant African slave women thrown overboard by slave owners-who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one-the historian. This demanding role has been bestowed on…
This is a multicultural epic fantasy with a diverse cast of characters. Sickly fifteen-year-old Prince Psal, the son of warrior-king Nahas, should have been named Crown Prince of all Wheel Clan lands. But his clan disdains the disabled.
When the mysterious self-moving towers that keep humans safe from the Creator's…
To the surprise of nobody who knows me (and my relationship with gender) today, my favorite fairytales were Fantaghiro the Beautiful and Mulan—two stories of women who donned men’s armor and male pronouns in order to go to war. So, it’s no surprise that I’d be a fan of Polly Perks and her regiment.
I had so much fun trying to figure out which of her brothers-in-arms were actually sisters, especially with the way Pratchett deals with those nuances of gender in the midst of classic fantasy races like trolls, vampires, and igor(ina)s. Normally, I’m wary of older writers like Pratchett handling this kind of subject matter, but he handles the subject thoughtfully and sensitively without ever losing his trademark sense of humor.
A new stage adaptation of one of Pratchett's best-selling novels The Monstrous Regiment in question is made up of a vampire (reformed and off the blood, thank you), a troll, Igor (who is only too happy to sew you a new leg if you aren't too particular about previous ownership), a collection of misfits and a young woman discovers that a pair of socks shoved down her pants is a good way to open up doors in a man's army."One of the funniest English authors alive" (Independent)
Long ago, Irora Yureu’s family was given powers over fire by the magical zader who ruled their lands. But times changed, and a bloodstained revolution deposed the zader and branded those with magical gifts as traitors of the new regime. After a hundred years of keeping their abilities secret, Irora’s family is betrayed by a jealous rival. In one fell swoop, the entire family is arrested or killed—only Irora manages to escape, but the manhunt is closing in fast.
With nowhere left to go and no hope of a future, Irora makes a desperate play: ally herself with an aging mob enforcer, track down and liberate one of the last surviving zader, and take revenge against the woman who ruined her life.
Misanthropic psychologist Dr. Grace Park is placed on the Deucalion, a survey ship headed to an icy planet in an unexplored galaxy. Her purpose is to observe the thirteen human crew members aboard the ship—all specialists in their own fields—as they assess the colonization potential of the planet, Eos. But…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
