Here are 76 books that Awakening fans have personally recommended if you like
Awakening.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.
I love the cunning, wit, and charm of the one-and-only Vlad Taltos. Though he’s an assassin, he’s never cruel or wicked; he merely does what he needs to appease the “mafia-feeling” organization he works for. He’s almost more a swashbuckling rogue than a killer.
In his interactions with his familiar, Loiosh, you see his more nuanced side, the morality beneath the magic and swordplay. And few fantasy worlds I’ve ever visited have been as rich and colorful as those created in the Vlad Taltos series.
The first three fantastical adventures of assassin Vlad Taltos—now in one volume.
A welcome addition to any fantasy fan's library, The Book of Jhereg follows the antics of the wise-cracking Vlad Taltos and his dragon-like companion through their first three adventures—Jhereg, Yendi, and Teckla.
There are many ways for a young man with quick wits and a quick sword to advance in the world. Vlad Taltos chose the route of assassin. From his rookie days to his selfless feats of heroism, the dauntless Vlad will hold readers spellbound—and The Book of Jhereg will take its place among the classic compilations…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
Confession time: I tend to be picky about mermaid stories because life under the sea is such a dramatic difference from our reality that it’s often hard to really reflect that difference. In this book, you never forget that these people aren’t human, and you never lose their connection to the sea. It’s everywhere, from the way they think about distances to their relationships with the other creatures around them to the way Yetu’s disabilities are handled.
In the same way, the trauma that created their people was always lingering at the forefront of my mind as I read, even when it wasn’t the subject at hand. This is another one where my experience was elevated even further by the audiobook, as narrated by Daveed Diggs.
WINNER OF THE LAMBDA LITERARY LGBTQ SCIENCE FICTION/FANTASY/HORROR AWARD
The water-breathing descendants of African slave women tossed overboard have built their own underwater society-and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group clipping.
Yetu holds the memories for her people-water-dwelling descendants of pregnant African slave women thrown overboard by slave owners-who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one-the historian. This demanding role has been bestowed on…
As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.
This book is horrifying, weird as shit, and absolutely beautiful, from China Mieville’s stunning prose to the grotesque splendor of his imagery.
Mieville’s follow-up to Perdido Street Station is a Melvillian Gothic that takes its characters on a sprawling, twisted naval journey that incorporates such horrors as giant mosquito monsters, a symbiotic pair of dictators known as the Lovers, and a Frankensteinian punishment system where bio-thaumaturgists graft foreign limbs or organs onto their victims’ bodies.
The Scar blew my mind when I first read it in college, and made me rethink what a novel could be. Its creativity and depth feel endless, with layers of philosophical and thematic depth. It’s the kind of book that makes you feel like you could read it a hundred times, and still find fresh meaning.
The Scar’s final act also perfectly captures the feeling that you’re beholding something beyond your capacity to fathom—and…
A human cargo bound for servitude in exile... A pirate city hauled across the oceans... A hidden miracle about be revealed... This is the story of a prisoner's journey. The search for the island of a forgotten people, for the most astonishing beast in the seas, and ultimately for a fabled place - a massive wound in reality, a source of unthinkable power and danger.From the author of Perdido Street Station, another colossal fantasy of incredible diversity and spellbinding imagination, which was acclaimed in The Times Literary Supplement as: 'An astonishing novel, guaranteed to astound and enthral the most jaded…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
The action in this book begins when Severian, an apprentice in the Torturers’ Guild, gives a convict a weapon to kill herself rather than be tortured.
The reason there’s a Torturers’ Guild is, allegedly, that it beats prison: Better to deliver a punishment and then let the punished person return to their life, the thinking goes, than confine them to a useless existence as a ward of the state. Severian is expelled from the Guild, but not from the profession, and wanders the world plying his trade, at least until the plot can’t spare him.
It’s a constant dissonance, looking through the eyes of a character whose training and purpose is the infliction of pain, who seems so decent and forthright in the story he narrates. (But don’t be fooled.)
In a thoroughly decadent world of the future, Severian the torturer is cast out from the torturer's guild when he falls in love with one of his victims and allows her to die
I always used to want to sleep with a nightlight. Then one night my dad said, “what does it matter, if when you close your eyes it’s dark anyway?” That’s when I realized, he was completely right. I'd been vulnerable to monsters this whole time and since none of them had tried to snack on me yet, then that must mean some were friendly… right? The only way to be sure was to learn more about them. So, I did. Here's a list of some of my favorite middle grade books featuring monsters. Because the only thing better than a book about a monster, is a book about kiddos that they scare or befriend.
Away from the lurking eyes of their parents for the summer, the Lumberjanes finally have a chance to cut loose and truly be themselves.
Of course, they’ll have to figure out “who” that is first. Luckily for them, they have some awesome friends to help them along the way. Unfortunately, or fortunately, depending on how you look at it, the path to discovery is paved with monsters and mystery.
This book does a wonderful job of showing how important the bonds of friendship can be, especially when you are facing the unknown.
Maybe I’ve just watched too much Buffy the Vampire Slayer, but I love stories about girls facing down terrifying monsters and coming out triumphant. These are often the kinds of books I like writing too, whether those monsters are ghosts, serial killers, or amorphous supernatural entities. As a writer of supernatural thrillers for teens, I know how empowering and cathartic it is to watch a character who has been through tough experiences face down her fears and fight for all she’s worth.
Sawkill Girls is so scary that I couldn’t read it before bed. In fact, I wouldn’t even bring it into my bedroom! But it’s also gorgeously written—eerie and atmospheric, with the most immersive worldbuilding. Its monster is terrifying, but the main characters—all girls—are so, so powerful. This is one of my top YA novels of all time.
"Reader, hang on for dear life. Sawkill Girls is a wild, gorgeous, and rich coming-of-age story about complicity, female camaraderie, and power." -Sarah Gailey, author of River of Teeth
"An eerie, atmospheric assertion of female strength." -Mindy McGinnis, author of The Female of the Species
FIVE STARRED REVIEWS
NAMED ONE OF YALSA'S 2019 BEST FICTION FOR YOUNG ADULTS
A BRAM STOKER AWARD NOMINEE
A LAMBDA LITERARY AWARD NOMINEE
From the New York Times bestselling author of Furyborn comes a breathtaking and spine-tingling novel about three teenage girls who face off against an insidious monster that preys upon young women. Perfect…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I am a 68-year-old Emergency Room Physician who deals with life and death and tremendous stress every hour at work. When I read, I want to relax and be entertained I personally like YA fantasy books. I do not want to read adult fictionized stories about the life I live every day. I want to be taken off to a new world. Emersed in it. And made to believe the unbelievable.
I loved this series because it took a person who was struggling in life and brought them into a new and more deadly world where her struggles became more intense and real. She had to grow, trust herself, and learn how and who to trust in this new world. It was filled with Runes magic and though character driven it had a plot that pulled you along.
I’ve loved fantasy and science fiction all my life. At its best, it has a numinous quality rarely seen in other books. I’ve read many of the classic fantasy novels written before fantasy was a genre. The beauty of those old books is that the writers received their inspiration from stories not influenced by The Lord of the Rings, so there’s a refreshing originality to their work. I love modern fantasy as well, especially those demonstrating new, inventive ideas.
The Earth has stopped spinning; magic rules on the night side, science on the light.
Not all of Zelany’s work holds up, but this one, a tale of Jack, a denizen of the dark side, is perhaps his best novel. I love the world Zelazny creates here.
It’s a slender book that drew me through from beginning to end.
In a world half of light, half of darkness, where science and magic strive for dominance, there dwells a magical being who is friendly with neither side. Jack, of the realm of shadows, is a thief who is unjustly punished. So he embarks on a vendetta. He wanders through strange realms, encountering witches, vampires, and, finally, his worst enemy: the Lord of Bats. He consults his friend Morningstar, a great dark angel. He is pursued by a monstrous creature called the Borshin. But to reveal any more would be to spoil some of the mindboggling surprises Jack of Shadows has…
As the oldest of nine kids, I can’t remember a time before I had siblings. When I was younger, I had a habit of writing protagonists who were only children—but as I finished the final book in my Sãoni Cycle trilogy, I discovered that each protagonist was processing a sibling connection! The older I get, the more curious I become about how these bonds shape and transform people, especially as they age. Speculative fiction provides countless contexts to explore notions of family. Perhaps siblings don’t have magic powers in the real world, but we might understand one another better if we did.
This book is a wonder of a collaboration between siblings Sofia Samatar and Del Samatar, and it has haunted me for years.
This collection is a surreal work of autobiography told through Sofia’s short fiction and Del’s illustrations, all featuring different monsters. These monstrous vignettes are interwoven with memories of growing up as multiracial Somali Americans in the 1980s—to me, they highlight the power of speculative fiction at its very best.
This book feels a little bit like reading someone’s journal, and a little bit like when I realize I’m dreaming but can’t wake myself up. The monsters mesmerized and unsettled me; the Graphis gives me shivers and the Collector of Treasures makes me feel ill. It’s a challenging read and one that I will come back to again and again.
Fiction. Art. Hybrid Genre. Relentlessly original and brilliantly hybrid,
Monster Portraits investigates the concept of the monstrous through a mesmerizing combination of words and images. An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday—Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I’ve never felt that fiction was quite enough. Like a dream that someone tells you, it’s arbitrary and slightly meaningless to anyone but the dreamer. Nonfiction is nice, but because what is described did, in fact, actually happen, it can’t happen any other way. And where’s the fun (or art) in that? Autofiction, which tries to blur the line between the two, seems to draw attention to itself, making the author of the story more important than the actual story. So what’s the answer? There is no answer. But every now and then, a book seems not to care about the difference and, therefore, transcends it.
Framed by a scholarly appraisal of an actual archaic text, this novel, in verse, proceeds to tell a story of love, from boyhood to death.
It’s the story, amazingly, of a monster, a mythic creature with wings and red skin, but you forget about the myth when you’re reading. And you forget about poetry. Or you wonder, what’s the difference between poetry and a beautiful narrative of longing, of heartbreak, of hope and friendship and family ties, and when you get to the end of the life of this kid, which, like all our lives, is a story of love, you feel you understand a little more clearly what it is.
In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon.
There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles - a golden young man who leaves Geryon at the peak of infatuation. Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by…