Here are 100 books that The Secret Lives of Baba Segi's Wives fans have personally recommended if you like
The Secret Lives of Baba Segi's Wives.
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I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)
I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
NOW A MAJOR TV SERIES
GUARDIAN 100 BEST BOOKS OF THE 21st CENTURY
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SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2015
43 INTERNATIONAL RIGHTS DEALS
Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I am in love with Lesley’s writing, and everyone should be. Period. I will recommend this book a thousand times. The first time I read it, I was left feeling hopeful–hopeful that stories are soft, intentional, deliberate, magical things that can shift people and places enough to make a difference or change minds. With each story in this collection, Lesley peels away the layers (sometimes softly, sometimes jarring) of lives, relationships, and women.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE LEONARD PRIZE
SHORTLISTED FOR THE ASPEN WORDS LITERARY PRIZE
A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home.
In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I’ve read this book at least twice. The specificity of Sefi Atta's language makes me feel like I can reach into the pages and sit next to the characters as their lives unfold.
Her writing is very immersive, drawing you in and making everything in that world real and imaginable, painful yet livable. In this book, she explores the complexities of womanhood, even with certain privileges and regardless of status.
Everything Good Will Come introduces an important new voice in contemporary fiction. With insight and a lyrical wisdom, Nigerian-born Sefi Atta has written a powerful and eloquent story set in her African homeland. It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Enitan’s brother, allow her friendship with the new girl next door, the brash and beautiful…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
If minds were gardens, Okwiri Odour’s would be lush and strange, monochromatic, and with a tinge of color. I loved the absolute tenderness with which she wrote her characters.
I loved that the strangeness of things in this book made me both chuckle and question the possibility of worlds.
'Magical, beguiling... Carries echoes of Toni Morrison's Beloved' Guardian
A Vulture 'Book We Can't Wait to Read in 2022'
They had not lost anyone that year, or the ones they had lost were not worth remembering...
Set in the fictional Kenyan town of Mapeli, Things They Lost tells the story of four generations of women, each haunted by the mysterious curse that hangs over the Brown family. At the heart of the novel is Ayosa Ataraxis Brown, twelve years old and the loneliest girl in the world.
Okwiri Oduor's stunningly original debut novel sings…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
I left this book for last because it is, perhaps, the heaviest and most gut-wrenching. In this book, Emezi crafts an exceptional paranormal story showing the true-life difficulties (that is the life-threatening and openly hostile discrimination) faced by LGBT+ people in Nigeria. A fact that’s sadly true in many other African countries too. This book has so many layers, every scene dripping with nuance and a clear tenderness for the subject matter. It would have been easy for this story to remain steeped in tragedy, but Emezi manages to elevate their characters and narrative above that, providing an ultimately heartwarming story that leaves the reader with a sense of wonder and hope while never dismissing the severity of the reality so many LGBT+ people face on the African continent.
'Astonishing.' Stylist 'Electrifying.' O: The Oprah Magazine 'Brilliant and heartbreaking.' Marie Claire 'Propulsive and resonant.' Esquire
They burned down the market on the day Vivek Oji died.
One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father, and the heart-wrenching tale of one family's struggle to understand…
I never wanted to be the person who says, “Why me?” when bad things happen. Nor did I want to fall into the common traps of feeling like I must have done something to deserve it, or that I must endure it with gritted teeth. So I sought out the books and guidance that make up the counterculture of the self-help world. Finally, rather than being told to “Pick myself up” again and again, these books and authors gave me what I needed most in times of challenge and difficulty: rest, solace, and return. Only from that space could I fully re-engage with my work in this world.
As a mother myself, this book deepened my intentionality about what kinds of lessons I gather and pass on down the family lineage.
How can I contribute to the continuation of growing consciousness, love, and compassion through the ancient method of telling stories, versus the more Western, modern way: the laying down of rules?
Reading this book is like sitting at the feet of a wise elder, contemplating the past, current state, and future of humanity.
Tackling some of the world’s most profound questions through the intimate lens of fatherhood, Bayo Akomolafe embarks on a journey of discovery as he maps the contours of the spaces between himself and his three-year-old daughter, Alethea. In a narrative that manages to be both intricate and unguarded, he discovers that something as commonplace as becoming a father is a cosmic event of unprecedented proportions. Using this realization as a touchstone, he is led to consider the strangeness of his own soul, contemplate the myths and rituals of modernity, ask questions about food and justice, ponder what it means to…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Writing about a Nigerian family’s migration from Nigeria to the US, I appreciated Atta’s ability to masterly cover a wide range of issues without losing focus.
I was totally charmed by the remarkable way in which this novel managed to take me along on a journey that ultimately raises deep appreciation of each character’s point of view in the course of touching on issues such as interracial as well as intra-racial tensions and familial strains exacerbated in a new geographic and cultural environment.
An account of an immigrant family's struggle and the lessons learned about diversity
Writing at the height of her powers, The Bad Immigrant cements Sefi Atta’s place as one of the best storytellers of our time. Through the voice of her first male protagonist, Lukmon, Atta peels away nuanced layers to expose the realities of migration from Nigeria to the USA, such as the strains of adjustment and the stifling pressure to conform without loss of identity.
Covering a wide range of issues, including interracial and intra-racial tensions, and familial strains exacerbated in a new geographic and cultural environment,…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
English enslavers called Ancona Robin Robin John and Little Ephraim Robin John “princes” because they were literate English-speaking members of one of two ruling African slave-trading families in present-day southeastern Nigeria.
The lives of the Johns illuminate the surprisingly complex relationships among the participants in the transatlantic slave trade, when African suppliers of enslaved Africans often had as much economic and political power as their European customers.
The English allies of the rival family captured the two men during a trade war between the families in 1767.
They were taken to the Caribbean and North America, with several escapes and recaptures, before being brought to England, where they successfully sued for their freedom. They returned to the family business in Africa.
In 1767, two "princes" of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors-and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience.
Randy J. Sparks made the remarkable discovery of the princes' correspondence and has managed to reconstruct their adventures from it. They were transported from the coast…
I was born in Africa and have been infatuated with its history and cultures all my life. Of the 48 countries sharing the African mainland, I have spent time in all but four. True, a few only for a laughably brief stay (I wandered across the Cameroon-Equatorial Guinea border once by mistake, not knowing I had crossed; there was no sign of a border post or any guards. I stayed only for the rest of the day, never leaving the beach, before wading back to Cameroon.) But others I have lived in for years, and have travelled extensively to famous and obscure regions alike, especially in the Sahel.
This is far more than a colonial era whodunit, a recounting of yet another colonial atrocity – though it is that in spades. Yes, in 1897 the British occupation army reacted to the killing of a a few colonial officials by razing an empire to the ground, careless of its causes and its effects. So much, so commonplace. But what an empire! The Benin artworks the army looted, subsequently dispersed to museums around the globe, were and still are a revelation to those whose notions of African art were to that point limited to masks and fetishes. A mere catalogue of the pieces would be enough to explain why Picasso, among other artists, was captivated by the art of Africa, but Philips has done more than that – he puts the looted artifacts into their context and into their culture. There is nothing didactic or preachy about this book, but…
'Compelling...humane, reasonable, and ultimately optimistic.' Evening Standard
'[A] valuable guide to a complex narrative.' The Times
In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa's greatest works of art.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m tired of playing by the rules of a game I’m not allowed to win. I’m tired of being bound to a standard of being in the world that we know isn’t working but are too scared to confront head-on. I’m tired of being told to beat around the bush when pruning it, uprooting it, or burning it altogether would serve it better. I reject the tenet of white supremacy that claims a constant right to comfort. Brave and honest discourse matters. Our commitment to each other and to the future of every single creature on this earth matters. Bring on the badasses who love passionately, laugh loudly, and live bravely.
When the world ends, who will you turn to? For me, I’d turn to someone like Kainene in this book. Kainene isn’t beautiful, doesn’t play by the ridiculous rules of the feminine mystique, and is righteously bitter about a lot of things in her life. She’s also a guileless straight shooter people can count on, to tell the truth in any situation. That truth is never sugar-coated; it’s exactly what the characters in her life need to hear.
I love the bravery of her choice to keep her innermost thoughts private. I admire how steadfast she holds on to her commitment to what she believes will be a better future.
Winner of the Orange Broadband Prize for Fiction 2007, this is a heartbreaking, exquisitely written literary masterpiece
This highly anticipated novel from Chimamanda Ngozi Adichie is set in Nigeria during the 1960s, at the time of a vicious civil war in which a million people died and thousands were massacred in cold blood.
The three main characters in the novel are swept up in the violence during these turbulent years. One is a young boy from a poor village who is employed at a university lecturer's house. The…
