Here are 100 books that Things They Lost fans have personally recommended if you like
Things They Lost.
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I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)
I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
NOW A MAJOR TV SERIES
GUARDIAN 100 BEST BOOKS OF THE 21st CENTURY
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SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2015
43 INTERNATIONAL RIGHTS DEALS
Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I am in love with Lesley’s writing, and everyone should be. Period. I will recommend this book a thousand times. The first time I read it, I was left feeling hopeful–hopeful that stories are soft, intentional, deliberate, magical things that can shift people and places enough to make a difference or change minds. With each story in this collection, Lesley peels away the layers (sometimes softly, sometimes jarring) of lives, relationships, and women.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE LEONARD PRIZE
SHORTLISTED FOR THE ASPEN WORDS LITERARY PRIZE
A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home.
In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I’ve read this book at least twice. The specificity of Sefi Atta's language makes me feel like I can reach into the pages and sit next to the characters as their lives unfold.
Her writing is very immersive, drawing you in and making everything in that world real and imaginable, painful yet livable. In this book, she explores the complexities of womanhood, even with certain privileges and regardless of status.
Everything Good Will Come introduces an important new voice in contemporary fiction. With insight and a lyrical wisdom, Nigerian-born Sefi Atta has written a powerful and eloquent story set in her African homeland. It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Enitan’s brother, allow her friendship with the new girl next door, the brash and beautiful…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
The thing I love most about this book is how Lola weaves the story expertly in a way that you sympathize with each woman.
I loved the women in this book. Each one has its eccentricities, and each woman defines and redefines her autonomy. Only fantastic storytelling can center a patriarch and have the women crowning the day.
The Secret Lives of Baba Segi's Wives is a scandalous, engrossing tale of sexual politics and family strife in modern-day Nigeria. Lola Shoneyin's bestselling novel bursts on to the stage in a vivid adaptat ion by Caine Award-winning playwright Rotimi Babatunde. "Men are like yam, you cut them how you like." Baba Segi has three wives, seven children, and a mansion filled with riches. But now he has his eyes on Bolanle, a young university graduate wise to life's misfortunes. When Bolanle responds to Baba Segi's advances, she unwittingly uncovers a secret which threatens to rock his patriarchal household to…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book brings together a diverse cast of writers from Africa and the diaspora to explore spirits, ancestors, and folklore in eerie ghost stories from Africa.
It spotlights new, contemporary, and award-winning writers in their study of ancestral fear or veneration, and retellings or new craftings of gothic horror.
Following the hugely successful Black Sci-Fi Short Stories and Asian Ghost Short Stories, comes this deluxe edition of new African writing and tales rooted in ancient culture. This collection explores the deep-seated supernatural element in African storytelling - whether reaching back to the spirits, ancestors and ogres of folklore or the vibrantly modern ghosts of today's African horror. New and contemporary stories complement poignant folktales such as 'The Story of Takane' from Lesotho and 'The Disobedient Daughter Who Married a Skull' from Nigeria.
With a foreword by award-winning Nigerian-British writer Nuzo Onoh, an introduction by Prof. Divine Che Neba,…
Although I’m a cat lover, I’ve spent my career studying the evolution of lizards. As my career progressed, it never occurred to me to investigate cats. They’re too hard to study (ever tried following one?), plus, I thought there was no interesting cat research being done. Then I learned I was completely wrong—cat scientists are conducting great work using cutting-edge techniques. So I decided to teach a freshman class on the science of cats, hoping to lure in cat-loving students and then teach them how scientists study nature, using cats as the vehicle. The class was a success, but something unexpected happened: I became hooked on cat science myself!
This charming book is a bit different from my other selections. Couffer, an Academy Award-nominated cinematographer and director, provides delightful details of the lives of the cats living on the remote island of Lamu off the coast of Kenya.
With a sharp naturalist’s eye and a delightful voice, Couffer engagingly describes the escapades of several rival colonies of cats as they seek to eke out a living among the fisherpeople and town inhabitants. As well as enjoying the book so much that I could barely put it down, I found it thought-provoking as an example of how the earliest cats may have started associating with humans and began their journey to domestication…or at least as domesticated as cats have become.
Situated off the east coast of Africa, the L amu archipelago is home to a species of feral cat, possibly descended from the domestic cats of Egypt. Jack Couffer''s il lustrated study documents the lives and relationships of the se special cats. '
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I'm a historian of science who specializes in modern China. My professional life revolves around teaching history at the University of Massachusetts Amherst and writing for academic audiences. But my not-so-secret dream has always been to write for children. I've been a regular visitor to the Eric Carle Museum of Picture Book Art, where I've gorged on illustrated books for children. Encouraged by a chance meeting with a publisher’s representative attending an event at the Carle, I decided to distill my academic book, Red Revolution, Green Revolution: Scientific Farming in Socialist China, into a children’s story. I’m proud that my fans now include elementary-school students. (And at least one professional historian admitted he read the kids’ version first!)
The story of environmental activist Wangari Maathai has been told many times, including in several children’s books. I chose this book not only for its spectacular scratchboard illustrations of the Kenyan countryside but also because of its thoughtful attention to Maathai’s passion for science and her path-breaking journey as an African woman scientist. Having overcome gender barriers in the pursuit of her education, Maathai went on to become the kind of scientist who stands up against injustice and for the land and its people.
Her mobilization of village women to plant trees all across Kenya, along with her bold political activism for freedom and democracy, won her the Nobel Peace Prize in 2004. This book’s depiction of a scientist who moves between villages and university laboratories, valuing the work of rural people as much as that of city elites, reminded me of the ideal I tried to convey in…
As a young girl in Kenya, Wangari was taught to respect nature. She grew up loving the land, plants, and animals that surrounded her -from the giant mugumo trees her people, the Kikuyu, revered to the tiny tadpoles that swam in the river. Although most Kenyan girls were not educated, Wangari, curious and hardworking, was allowed to go to school. There, her mind sprouted like a seed. She excelled at science and went on to study in the United States. After returning home, Wangari blazed a trail across Kenya, using her knowledge and compassion to promote the rights of her…
I’m a historian of empire, with a particular interest in the British Empire, colonial violence, and the ways in which imperialism is shown and talked about in popular culture. I studied at Oxford University, and having lived in and travelled around much of the Middle East, South Asia and Africa, I am always trying to understand a bit more if I can… but reading is best for that… My first book was The Khyber Pass.
This is the kind of book that all British historians should be trying to write: an honest, factual, detailed account of what British officials actually did in the service of the Empire. There is no scope for imperial nostalgia over this horrifying story of the brutal violence employed by Britain in the 1950s in an effort to hang onto its colony of Kenya in the face of the Mau Mau Rebellion. With concentration camps, collective punishments, and multiple judicial murders, British methods were among the worst. The ideal Christmas present for any Empire supporters among your friends & family.
"A remarkable account of Britain's last stand in Kenya. This is imperial history at its very best."--John Hope Franklin
In "a gripping narrative that is all but impossible to put down" (Joseph C. Miller), Histories of the Hanged exposes the long-hidden colonial crimes of the British in Kenya. This groundbreaking work tells how the brutal war between the colonial government and the insurrectionist Mau Mau between 1952 and 1960 dominated the final bloody decade of imperialism in East Africa. Using extraordinary new evidence, David Anderson puts the colonial government on trial with eyewitness testimony from over 800 court cases and…
EM Forster said, "Only Connect." That has inspired my life and work. The Oxford Times published my Oxtopian castaway series, and those life stories were turned into three books. The castaways, with links to Oxford, were from five continents. One of those castaways was Kenyan-born Nancy Mudenyo Hunt. Nancy founded the Nasio Trust, which has transformed the lives of hundreds of disadvantaged young people in West Kenya and Oxfordshire. With friends, I’m currently fundraising to build the first community library in West Kenya. Nancy asked if we could write a book together, and we did. We wrote a novel inspired by her life.
In the 1970s, Maathai founded the Green Belt Movement, an environmental non-governmental organization focused on tree planting, environmental conservation, and women's rights. She became the first African woman to receive the Nobel Peace Prize for “her contribution to sustainable development, democracy, and peace.”
That sounds straightforward if remarkable, but it doesn’t reflect the courage she needed to achieve it. Her work was often considered both unwelcome and subversive in her own country, where her outspokenness constituted stepping far outside traditional gender roles—a situation Nancy understands all too well, having grown up in West Kenya. Unbowed is Wangari’s story in her own words.
NOBEL PRIZE WINNER • A remarkable memoir of courage, faith, and the power of persistence about one woman's extraodinary journey from her childhood in rural Kenya to the world stage.
“[Maathai’s] story provides uplifting proof of the power of perseverance—and of the power of principled, passionate people to change their countries and inspire the world.” —The Washington Post
In Unbowed, Nobel Prize winner Wangari Maathai recounts her extraordinary life. When Maathai founded the Green Belt Movement in 1977, she began a vital poor people’s environmental movement, focused on the empowerment of women, that soon spread across Africa. Persevering through run-ins…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
As a child, Take Me Home was my most favorite storybook. The way that the creators show the relationship between a father and son, and how they work together to achieve the goal of creating a matatu bus (a public transport bus common throughout Africa) is so palpably endearing. Set in 1970’s Kenya, the story offers a heartfelt slice of life that inspired me to want to go to Kenya and soak up the sights and sounds and be a part of this wonderfully intimate world. Unfortunately, the book is currently out of print, but if you can find a used copy out there it will be so well worth it.