Here are 100 books that The Bad Immigrant fans have personally recommended if you like
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I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Nadine Gordimer’s book sucked me into its post-apartheid South Africa setting.
I greatly admired how Gordimer bravely tackles the thorny matter of interracial relationships, chronicling an improbable love affair between an illegal immigrant in South Africa and a privileged white South African. Gordimer navigates the complexity of the relationship with insight and empathy, sidestepping the expediency of simplicity to deal frontally with matters of love, race, and class struggle.
When Julie Summers' car breaks down in a sleazy street, a young Arab garage mechanic comes to her rescue. Out of this meeting develops a friendship that turns to love. But soon, despite his attempts to make the most of Julie's wealthy connections, Abdu is deported from South Africa and Julie insists on going too - but the couple must marry to make the relationship legitimate in the traditional village which is to be their home. Here, whilst Abdu is dedicated to escaping back to the life he has discovered, Julie finds herself slowly drawn in by the charm of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
I was drawn into this novel by the deftness with which Gurnah weaves together a compelling tale of love and betrayal, greed and generosity.
The chief narrator’s arrival on a shore, where he is forced to confront his past, is treated with utmost care. By confronting it with him and in a voice at once gentle and urgent, Gurnah made me see and share in the possibility and power of forgiveness and redemption.
**By the winner of the Nobel Prize in Literature 2021**
LONGLISTED FOR THE BOOKER PRIZE 2002
'One scarcely dares breathe while reading it for fear of breaking the enchantment' The Times _______________
On a late November afternoon Saleh Omar arrives at Gatwick Airport from Zanzibar, a far away island in the Indian Ocean. With him he has a small bag in which lies his most precious possession - a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise; silence his only…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
In this sprawling novel, I greatly appreciated a Uganda reeling under forces that use, abuse, and discard its victims and a nation devastated by political upheaval.
Against this backdrop, I eventually came to see the protagonist’s eventual escape from Uganda not as surrender but as a rational will to survive. Moses Isegawa’s book is so broad in scope that I greatly enjoyed the rollercoaster of seeing a vista of the major issues facing an entire continent.
Like Salman Rushdie's Midnight's Childrenand Gabriel Garcia Marquez's One Hundred Years of Solitude, Moses Isegawa's Abyssinian Chronicles tells a riveting story of twentieth-century Africa that is passionate in vision and breathtaking in scope.
At the center of this unforgettable tale is Mugezi, a young man who manages to make it through the hellish reign of Idi Amin and experiences firsthand the most crushing aspects of Ugandan society: he withstands his distant father's oppression and his mother's cruelty in the name of Catholic zeal, endures the ravages of war, rape, poverty, and AIDS, and yet he is able to keep a…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Mengistu poignantly demonstrates to me the alienation that can and does haunt the migrant over time, providing deep insights into many of the things that make us human.
I found this novel highly accessible and masterly in its panoramic view of an Ethiopian immigrant’s experiences in the US. An immigrant whose life is changed in many ways but remains unchanged in others after many years in the US.
Seventeen years ago, Sepha Stephanos fled the Ethiopian Revolution for a new start in the United States. Now he finds himself running a failing grocery store in a poor African-American section of Washington, D.C., his only companions two fellow African immigrants who share his bitter nostalgia and longing for his home continent. Years ago and worlds away Sepha could never have imagined a life of such isolation. As his environment begins to change, hope comes in the form of a friendship with new neighbors Judith and Naomi, a white woman and her biracial daughter. But when a series of racial…
I am the product of a love triangle—an unusual one, between a French Holocaust survivor, an African student from France’s colonies, and a black GI. My parents came of age during really turbulent times and led big, bold lives. They rarely spoke about their pasts, but once I began digging—in the letters they exchanged, in conversations with my grandmother and aunts, with their childhood friends—I realized that all three had witnessed up close so much of the drama and horrors of the twentieth century and that what they had lived together merited being told. My parents’ love triangle is at the heart of my love of love-triangle stories.
This is so much more than a love triangle story that I hesitate to reduce it to merely that. The novel explores interracial relationships, “blackness” in both an African and an African-American context, and the ways in which those worlds collide, etc., etc. At its broadest, the book describes the story of the Nigerian diaspora writ large. But at its core, this is the story of a love triangle—the sort of story I love most.
(I grew up a bit of a mama’s boy, and in our household, we loved love stories…)
As in Ishiguro and Jones, cited above, and in Garcia Marquez, noted next, the characters here submit to pressures and make difficult choices—as thoughtfully as they can, under the circumstances. And those choices have life-changing consequences that the characters eventually come to regret.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
How easy it was to lie to strangers, to create with strangers the versions of our lives we imagined.
Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria. Self-assured Ifemelu heads for America. But quiet, thoughtful Obinze finds post-9/11 America closed to him, and plunges into a dangerous undocumented life in London.
Fifteen years later, they reunite in a newly democratic Nigeria,…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
At times, immigration policies are so ludicrous that only fiction can tell a credible story of what’s happening.
In Luiselli’s novel, modern asylum policies in the United States get the storytelling they deserve through the lens of one New York family struggling with the ordinary challenges of life only to learn, bit by bit, just how close their lives are to the migrants attempting to navigate the extraordinary demands of immigration policies along the US-Mexican border.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post
In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I spent a decade researching my own dramatic family story in Southern Italy – a story of murder and passion – so I took a deep dive to learn about a hidden culture my relatives left behind when they came here to America in steerage. As a fellow at the New York Public Library, I literally read hundreds of books, articles, and papers over those ten years to try and educate myself about the world I was entering for my own search. These are the books that touched me the most deeply – and continue to – not just with their own intense research but with their emotion and gorgeous prose.
I loved the generational sweep of this novel, its gorgeously written history of Calabria, and its character and relationship studies. Though it is fiction and borders on magical realism, Grames spent time in her ancestral village to give the setting and background a wonderful sense of authenticity.
I loved Stella, who overcame bad luck over the decades, and her intense relationship with her sister, Tina. As a woman who wondered about the back story of her own Italian grandmother and old aunts, I was captivated by the descriptions, the attention to language and detail, and this heartbreaking tale of crushing patriarchy.
'You don't read this book, you live it' Erin Kelly
'Holds the reader under a spell from start to finish' O, the Oprah Magazine
'If you're going through Elena Ferrante withdrawals, this is the book for you' Harper's Bazaar
If Stella Fortuna means 'lucky star,' then life must have a funny sense of humour.
Everybody in the Fortuna family knows the story of how the beautiful, fiercely independent Stella, who refused to learn to cook and who swore she would never marry, has escaped death time and time again.
From her childhood in Italy, to her adulthood in America, death…
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
Flower, Grand, First is a collection of poems about Santa Ana, California and Jalisco, Mexico. The title comes from three streets in Santa Ana, where my husband’s family has lived for more than one hundred years. Hernandez’s poems are about place and displacement and examine what it feels like to be an outsider trying to make sense of life in a strange land, always searching for home. In the wonderful poem “My Father Shows Me Catalina” Hernandez writes: “Smile so you both know it’s okay that you are different. But once-in-a-while, the division is so clean it’ll cut into you.”
Gustavo Hernandez’s debut poetry collection, Flower Grand First, moves through the complex roads of immigration, sexuality, and loss. These poems are points plotted on maps both physical and emotional—the rural landscapes of Jalisco, the glimmering plains of memory, the busy cities of California, and the circular paths of grief. Hernandez’s stunning elegies float along a timeline spanning three decades, honoring family, recording a personal history, and revealing a vulnerable but resilient voice preoccupied with time, place, and what is left behind out of necessity.
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
California stories are frequently immigrant stories, and there are many to choose from.
I loved Elaine Castillo’s debut novel about three generations of Filipinos who settle in the Bay Area and fight their way to a place for themselves. The characters are vibrant and alive, querulous, sexy, ambitious, dreamy. They never completely overcome the shadow of the past in the Philippines or the conflicts of the present in the United States, but despite sadness and tragedy, the book ends with love.
Moderation, the 'passionate and tender love story' (Kaliane Bradley), is out July 2025 - available to pre-order now ______________________
Longlisted for the Aspen Literary Prize, 2019 Longlisted for the Center for Fiction First Novel Prize, 2018 Longlisted for Elle's Big Book Award, 2018
A giant debut novel about the redemptive, restorative power of love; about trust and fear; hair and makeup; food and sex; it's about belonging and...not belonging. It's a soulful literary saga set in the early nineties of San Francisco; a coming-of-age about leaving home and, sometimes, the necessity of turning back.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a language scientist and a writer, but most of all, a person who is smitten with language in all its forms. No doubt my fascination was shaped by my early itinerant life as a child immigrant between Czechoslovakia to Canada, with exposure to numerous languages along the way. I earned a PhD in linguistics and taught linguistics and psychology at Brown University and later, the University of Calgary, but I now spend most of my time writing for non-academic readers, integrating my scientific understanding of language with a love for its aesthetic possibilities.
This is one of the most innovative and intriguing memoirs I have read. Its structure is inspired by the visual image of the line that runs through the Punjab region, partitioning Pakistan from India. The book is separated into halves: one half relates the stories of the author’s parents, who were born on opposite sides of the line, and the other presents the author’s own experiences and observations as a second-generation immigrant. Nothing about the design of the book indicates which half should be read first—a hint that the reader will be invited to consider the resonances running in both directions across the generations.
The theme of fragmentation and division is, paradoxically, the glue that binds the various elements of the book together. The author explores the arbitrary lines, imposed by historical and cultural forces, that divide people from each other and that split their selves into parts. The portrait…
WINNER OF THE 2020 GOVERNOR GENERAL'S LITERARY AWARD FOR NONFICTION
“Wondrously and elegantly written in language that astonishes and moves the reader…This is an important book: an emotional and intellectual tour de force.” —Jane Urquhart
An experimental memoir about Partition, immigration, and generational storytelling, This Red Line Goes Straight to Your Heart weaves together the poetry of memory with the science of embodied trauma, using the imagined voices of the past and the vital authority of the present.
We begin with a man off balance: one in one thousand, the only child in town whose polio leads to partial paralysis.…
