Here are 100 books that The Death of Vivek Oji fans have personally recommended if you like
The Death of Vivek Oji.
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I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
McLemore’s prose is basically poetry, and this YA novel is a gorgeous combination of magical realism and Latine folklore. It is a modern fairy tale about forbidden romance, poisonous jealousy, family secrets, and the power of truth.
I fell in love with the lush atmosphere, complex characters, and exquisite storytelling. This one stayed with me for a long time after I’d closed the book.
From the author of The Weight of Feathers comes a young adult novel about a girl hiding the truth, a boy with secrets from his past, and four sisters who could ruin them both.
Recipient of a Stonewall Honor and longlisted for the National Book Award, McLemore delivers a second stunning and utterly romantic novel, again tinged with magic.
To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known…
Getting Dressed in the Dark
by
Gabriella D'Italia,
How do you know the truth after the story you most trust disappears?
Self-betrayal, polyamory, adultery, and an unconventional life in a one-room, rural Maine schoolhouse ends in a crisis mirroring the larger, societal polarization and collapse of meaning. Compass shattered, an artist's wisdom guides a course home, revealing a…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.
"Joyously wild stuff. Highly recommended." ―The New York Times
One of the 100 Best Fantasy Books of All Time, according to Time Magazine
A Finalist for the Hugo, Nebula, and World Fantasy Awards for Best Novella
The Black Tides of Heaven is one of a pair of unique, standalone introductions to Neon Yang's Tensorate Series, which Kate Elliott calls "effortlessly fascinating." For more of the story you can read its twin novella The Red Threads of Fortune, available simultaneously.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
I hate Ikea stores. To me, they are hellish landscapes and this book—set in a fictional store modelled after Ikea—just gets me! This novella is a hilarious romp through the multiverse, balancing swashbuckling adventure with quiet yet razor-sharp insight into the ebb and flow of romantic relationships. This story shows that navigating love can be even more complicated than navigating interdimensional wormholes!
Nino Cipri's Finna is a rambunctious, touching story that blends all the horrors the multiverse has to offer with the everyday awfulness of low-wage work. It explores queer relationships and queer feelings, capitalism and accountability, labor and love, all with a bouncing sense of humor and a commitment to the strange.
When an elderly customer at a Swedish big box furniture store ― but not that one ― slips through a portal to another dimension, it’s up to two minimum-wage employees to track her across the multiverse and protect their company’s bottom line. Multi-dimensional…
Getting Dressed in the Dark
by
Gabriella D'Italia,
How do you know the truth after the story you most trust disappears?
Self-betrayal, polyamory, adultery, and an unconventional life in a one-room, rural Maine schoolhouse ends in a crisis mirroring the larger, societal polarization and collapse of meaning. Compass shattered, an artist's wisdom guides a course home, revealing a…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
This, and its sequel, is truly one of the strangest books I’ve ever read. It’s a punk rock road trip following Danielle Cain as she struggles to deal with the grief of losing her best friend while also going up against some truly bizarre characters and creatures in a utopian squatter town called Freedom. I loved the raw and unapologetic attitude of the main protagonist and the diversity of the supporting cast. This book is dark and brooding, fun and poignant in equal measure. It’s a paranormal riot and I loved every minute of it, and the follow up called The Barrow Will Send What It May.
Danielle Cain is a queer punk rock traveller, jaded from a decade on the road. Searching for clues about her best friend's mysterious and sudden suicide, she ventures to the squatter, utopian town of Freedom, Iowa. All is not well in Freedom, however - things went awry after the town's residents summoned a protector spirit to serve as their judge and executioner. Danielle shows up in time to witness the spirit - a blood red, three antlered deer - begin to turn on its summoners. Danielle and her new friends have to act fast if they're going to save the…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
The thing I love most about this book is how Lola weaves the story expertly in a way that you sympathize with each woman.
I loved the women in this book. Each one has its eccentricities, and each woman defines and redefines her autonomy. Only fantastic storytelling can center a patriarch and have the women crowning the day.
The Secret Lives of Baba Segi's Wives is a scandalous, engrossing tale of sexual politics and family strife in modern-day Nigeria. Lola Shoneyin's bestselling novel bursts on to the stage in a vivid adaptat ion by Caine Award-winning playwright Rotimi Babatunde. "Men are like yam, you cut them how you like." Baba Segi has three wives, seven children, and a mansion filled with riches. But now he has his eyes on Bolanle, a young university graduate wise to life's misfortunes. When Bolanle responds to Baba Segi's advances, she unwittingly uncovers a secret which threatens to rock his patriarchal household to…
I never wanted to be the person who says, “Why me?” when bad things happen. Nor did I want to fall into the common traps of feeling like I must have done something to deserve it, or that I must endure it with gritted teeth. So I sought out the books and guidance that make up the counterculture of the self-help world. Finally, rather than being told to “Pick myself up” again and again, these books and authors gave me what I needed most in times of challenge and difficulty: rest, solace, and return. Only from that space could I fully re-engage with my work in this world.
As a mother myself, this book deepened my intentionality about what kinds of lessons I gather and pass on down the family lineage.
How can I contribute to the continuation of growing consciousness, love, and compassion through the ancient method of telling stories, versus the more Western, modern way: the laying down of rules?
Reading this book is like sitting at the feet of a wise elder, contemplating the past, current state, and future of humanity.
Tackling some of the world’s most profound questions through the intimate lens of fatherhood, Bayo Akomolafe embarks on a journey of discovery as he maps the contours of the spaces between himself and his three-year-old daughter, Alethea. In a narrative that manages to be both intricate and unguarded, he discovers that something as commonplace as becoming a father is a cosmic event of unprecedented proportions. Using this realization as a touchstone, he is led to consider the strangeness of his own soul, contemplate the myths and rituals of modernity, ask questions about food and justice, ponder what it means to…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Writing about a Nigerian family’s migration from Nigeria to the US, I appreciated Atta’s ability to masterly cover a wide range of issues without losing focus.
I was totally charmed by the remarkable way in which this novel managed to take me along on a journey that ultimately raises deep appreciation of each character’s point of view in the course of touching on issues such as interracial as well as intra-racial tensions and familial strains exacerbated in a new geographic and cultural environment.
An account of an immigrant family's struggle and the lessons learned about diversity
Writing at the height of her powers, The Bad Immigrant cements Sefi Atta’s place as one of the best storytellers of our time. Through the voice of her first male protagonist, Lukmon, Atta peels away nuanced layers to expose the realities of migration from Nigeria to the USA, such as the strains of adjustment and the stifling pressure to conform without loss of identity.
Covering a wide range of issues, including interracial and intra-racial tensions, and familial strains exacerbated in a new geographic and cultural environment,…
I wrote my first novel in a quest to create a story about a girl who loves girls surviving a violent, repressive world. Reading novels pertinent to the life I’ve lived was both affirming and life-saving. After graduate school, I developed a class at UC Berkeley where I focused on novels written by and about women of color, knowing compelling stories gave the students a chance to live in someone else’s universe. I still believe books can change hearts and minds, and reading them propels me to continue seeking well-told stories by authors—particularly writers of color—who have the courage to put their words on the page.
This compelling and beautifully written story begins in 1968 during the Biafran civil war in Nigeria, creating a unique setting of hardship, hunger, and death afflicting the people living in the area. Ijeoma, the 11-year-old protagonist, is sent away after a life-changing event and lives in a squalid hut when a young girl from another tribe comes to stay. Despite the difficulties surrounding them, the girls fall in love and the intensity of their desire continues as they grow. I enjoyed how Okparanta writes of the naturalness of this first love and how they cared for each other. Though the girls are separated, they reunite, but face religious repression from their community, which uses the Bible against them. The girls move on with their lives and Ijeoma finds another love, but this too, suffers from cultural and religious constraints. According to Okparanta (who lives in NY), Nigeria is a very…
"Okparanta is major new voice not only because of her mesmerizing storytelling, but for her bravery and originality. She is a truth teller and soothsayer... Under the Udala Trees is breathtaking, rich with history and heart" - Tayari Jones
One day in 1968, at the height of the Biafran civil war, Ijeoma's father is killed and her world is transformed forever. Separated from her grief-stricken mother, she meets another young lost girl, Amina, and the two become inseparable. Theirs is a relationship that will shake the foundations of Ijeoma's faith, test her resolve and flood her heart.
I grew up in Tanzania, where I discovered the importance of learning first-hand from ordinary people about their lives by accompanying my mother, who was an anthropologist, when she carried out participant observation among coastal people. Much later in my own research, I could see how essential it was to interact with people face-to-face and learn about their aspirations, joys, fears, daily struggles, and creative ways of coping with the challenges of an economy in free fall. I learned to look beyond the “economic data” to more fully appreciate the humanity of the people involved. All of these books I selected are by people who learned about the real urban economy in this way.
In this riveting account, Agbiboa dispels the myth that corruption is a culturally accepted norm in Nigeria.
He spent months behind the wheel as a minibus conductor in the informal settlements of Lagos, Nigeria, and experienced first-hand the stark realities of the corrupt interactions between drivers, police, and members of the transport workers union.
Nigerians reject, and simultaneously have little choice, but to participate in the petty corruption that arises from the systematic, violent, and exploitative relationship between the state and union on the one hand, and transport operators and passengers on the other.
Agbiboashows that binary understandings of formality/informality, public/private, and legal/illegal derived from Western thought do not adequately capture the way that petty corruption is embedded in the state and is driven by elite corruption.
This resonated strongly with my research on the informal economy in Tanzania.
Accounts of corruption in Africa and the Global South are generally overly simplistic and macro-oriented, and commonly disconnect everyday (petty) corruption from political (grand) corruption. In contrast to this tendency, They Eat Our Sweat offers a fresh and engaging look at the corruption complex in Africa through a micro analysis of its informal transport sector, where collusion between state and nonstate actors is most rife. Focusing on Lagos, Nigeria's commercial capital and Africa's largest city, Daniel Agbiboa investigates the workaday world of road transport operators as refracted through the extortion racket and violence of transport unions acting in complicity with…
From the moment I first began reading about Nigerian history, I was drawn to the country’s complexity – the mix of religious traditions, ethnic groups, languages, cultures, and intersecting histories. As a graduate student, I delved deeper into the history of Islam in northern Nigeria, first by reading the secondary literature, then by exploring primary documents, and eventually by conducting my own fieldwork. Sadly, as my interest in Nigeria grew, so too did the country’s ongoing tragedies, including the violence perpetrated by Boko Haram. Nevertheless, there is much more to Nigeria than conflict, as is amply demonstrated by the tremendous contributions of Nigerian novelists, musicians, filmmakers, entrepreneurs, and scholars.
Nigeria’s most famous economist and the current Director-General of the World Trade Organization, Okonjo-Iweala is a formidable figure nationally and globally. Her memoir about her time as Finance Minister during the administration of President Olusegun Obasanjo (in office 1999-2007) gives insight into debt relief negotiations and major economic reforms. Those reforms look less transformative in retrospect – at least 40% of Nigerians remain mired in poverty, and Nigeria’s debt has climbed again, including during Okonjo-Iweala’s second stint as Finance Minister – but the memoir remains important for understanding Africa’s largest economy.
A report on development economics in action, by a crucial player in Nigeria's recent reforms.
Corrupt, mismanaged, and seemingly hopeless: that's how the international community viewed Nigeria in the early 2000s. Then Nigeria implemented a sweeping set of economic and political changes and began to reform the unreformable. This book tells the story of how a dedicated and politically committed team of reformers set out to fix a series of broken institutions, and in the process repositioned Nigeria's economy in ways that helped create a more diversified springboard for steadier long-term growth.
The author, Harvard- and MIT-trained economist Ngozi Okonjo-Iweala,…
