100 Books Like The Richard Burton Diaries

I find this a compelling biography of a 20th-century theatrical legend who was also a compassionate, progressive woman. I’m deeply impressed by Sybil Thorndike’s skill and stamina. Her performances covered a staggering 65 years, encompassing more than 300 parts.

She magnetized those who saw her on stage, from London’s West End and the mining valleys of South Wales to war-torn Europe, America, and Australia. Bernard Shaw wrote ‘Saint Joan’ for this actress who took Shakespeare and Euripides to the people. Jonathan Croall’s biography is thoroughly researched, yet he wears his scholarship lightly in this eminently readable book.

I was fascinated by this tale of a Welsh clergyman’s daughter who, remarkably, became a Strongwoman in late Victorian London. And, even more amazing is the fact that it’s based on a true story! The plucky and talented Miriam Kate Williams becomes known as Vulcana and joins a troupe of performers.

Told like a five-act play with intermissions, we follow her fortunes, her loves, the pull and dangers of the city, motherhood, and much else. I loved this breathless, exhilarating, and highly original novel that exposes an aspect of performing on stage that receives little attention today.

At last, a book about Elizabeth Taylor that takes her acting skills seriously, analyses her prodigious output, and is neither sensational nor trivial. I was entranced. Like Sybil Thorndike, Taylor’s career lasted 65 years. Kennedy puts it in context, refreshingly focusing on her professional rather than personal life.

Commenting on Who’s Afraid of Virginia Woolf?, he remarks: ‘At some point we have to reject the idea we’re watching the Burtons air their dirty laundry and embrace the possibility we’re watching them act. Brilliantly’. This readable, thoughtful book examines Taylor’s 56 movies and includes television, theatre, and special appearances such as a play reading in 2007, part of her remarkable fund-raising for AIDS.

These 21 pen-portraits of Shakespearian characters were designed for actors, but they are invaluable for all. This is the book I turn to before I watch any play by Shakespeare. It is the product of the author’s experiences as a lifelong inspirational teacher in Wales, lecturer to New York drama students, and consummate performer of sparkling lecture-recitals across the United States.

Published in 1970, these carefully selected characters (7 from the Histories and 7 apiece from the Comedies and Tragedies) leap from the page to amuse, shock, frighten, and enchant. Philip Burton was a firm believer in Shakespeare’s wizardry, and in these brilliant sketches, he imparts more than a little magic of his own.

Mills was the last of the generation of great British actors from the 1940s who personified the stiff-upper-lip gent.

In this autobiography, he tells the story of his part in, In Which We Serve, Ice Cold in Alex, Scott of the Antarctic, and his Oscar-winning performance in Ryan's Daughter. He was a true icon of British cinema. Great stuff.

The creator of Rebecca and Frenchman’s Creek first made her reputation as a writer with this brutally frank biography of her father.

Gerald du Maurier was one of the last actor-managers in the British theatre and the founder of a new naturalistic school of acting. In this compelling portrait, his daughter describes in detail his successful West End acting career and his years as manager of Wyndham’s theatre in London.

Her book contains some wonderful comic passages, but is most remarkable for its deep psychological insights into her father’s character. A needy man who hated to be alone, he was shocked by Daphne’s early desire to lead an independent life and turned against her. She lays out fairly his mass of contradictions, her writing already showing the talent that foreshadowed her later international fame as a novelist. 

Michael Redgrave was a great actor who succeeded both in the classical theatre and as a popular film star. His son Corin, himself an actor, has written a deeply felt, tender, and sympathetic book about his father.

He is perceptive about his father's subtle skill as an actor and the basis of his lifelong socialism. But he struggled to understand his personal life, which was complicated by his bisexuality: although married for fifty years to the actress Rachel Kempson, he indulged in a series of affairs with men.

In later years, his acting career was cruelly cut short when he was struck by Parkinson’s disease. The illness brought the two of them closer, with Corin conveying movingly his love, respect, and admiration for his father.

I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.  

Time and again, history repeats itself.

Just as Clara Bow, Idina Sackville, and Rebekah Harkness lived wildly glamour lives in the public eye continually shamed for any behavior not fitting for a young woman’s reputation, this book gave me a unique perspective into the bold, brave strength of Elizabeth Taylor – whose parents were from Kansas of all places (although from a time before the Kansas City Chiefs reign). I could not put this book down because the continual shifts in Liz Taylor’s personal and professional life were jarring, inspiring, and mesmerizing.

I started this book to understand better what Taylor Swift saw in Elizabeth Taylor, using her for inspiration in a song titled “Elizabeth Taylor” on The Life of a Showgirl album. I stayed because I needed to know how it ended.

In 1940 London, Maggie Hope, a brilliant mind who graduated top of her class, is recruited by Number 10 Downing Street to be…a typist. Of course. She’s a woman. She’s also a crackerjack code breaker. I think you know where this is going. The character is wonderful, the writing strong, the story tight. A highlight for me was when Maggie –a young, virginal, cerebral type—pulls off a daring motorcycle jump with a man on the back because she has to. I don’t know, I think there’s a life lesson somewhere in there.