Here are 100 books that Gerald: A Portrait fans have personally recommended if you like
Gerald: A Portrait.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.
I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth.
The writer and poet Blake Morrison had a lifelong struggle to come to terms with his overbearing father.
Arthur Morrison, a Yorkshire doctor, was a smooth talker, a small-time cheat, who took pleasure in outwitting the authorities, living out his motto "I may not be right but I’m never wrong."
He was forever invading his children’s space, a habit which his son found painfully hard to resist, leading him to take up writing to escape this domineering influence. But when his father contracted cancer and lay dying, he was overwhelmed with grief and guilt.
It’s a moving, angry, and sometimes harrowing account of a dysfunctional relationship, which yet manages to be funny, and is written with poetic and humane grace.
The critically-acclaimed memoir and the basis for the 2007 motion picture, directed by Anand Tucker and starring Colin Firth and Jim Broadbent
And when did you last see your father? Was it last weekend or last Christmas? Was it before or after he exhaled his last breath? And was it him really, or was it a version of him, shaped by your own expectations and disappointments?
Blake Morrison's subject is universal: the life and death of a parent, a father at once beloved and exasperating, charming and infuriating, domineering and terribly vulnerable. In reading about Dr. Arthur Morrison, we come…
When former police detective Michael McLaren is given an old photograph and newspaper article, an inquiry begins that seems straight forward enough: a deadly accident fifteen years ago in a millpond. But when it’s apparent that other deaths in the area are not only similar in their method but also…
As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.
I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth.
This extraordinarily candid memoir is about the complex relationship between the author and his businessman father, both of whom had a secret life.
A self-confessed gay man, young Joe spent much of his life searching for his Ideal Friend in the twilight of homosexual London, but never admitted as much to his father. And only after the latter’s death did his son discover that for many years he had maintained a mistress and their three daughters in a house in Barnes.
The author unravels this complicated tale with impressive honesty and compassion, charting his own feelings of inadequacy, waste, and loss, and lamenting the fact that both he and his father remained ignorant of each other’s hearts and minds.
NYRB CLASSICS: An adult son and acclaimed author offers a heartfelt gay memoir about uncovering his late father's secrets.
“A cross between Dickens's David Copperfield, Rousseau's Confessions, and the new pornography.” —Donald Windham, novelist and memoirist
When his father died, J. R. Ackerley was shocked to discover that he had led a secret life. And after Ackerley himself died, he left a surprise of his own—this coolly considered, unsparingly honest account of his quest to find out the whole truth about the man who had always eluded him in life.
But Ackerley's pursuit of his father is also an exploration…
As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.
I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth.
Michael Redgrave was a great actor who succeeded both in the classical theatre and as a popular film star. His son Corin, himself an actor, has written a deeply felt, tender, and sympathetic book about his father.
He is perceptive about his father's subtle skill as an actor and the basis of his lifelong socialism. But he struggled to understand his personal life, which was complicated by his bisexuality: although married for fifty years to the actress Rachel Kempson, he indulged in a series of affairs with men.
In later years, his acting career was cruelly cut short when he was struck by Parkinson’s disease. The illness brought the two of them closer, with Corin conveying movingly his love, respect, and admiration for his father.
Michael Redgrave was a great actor in an age of great acting. His contemporaries were Edith Evans and Laurence Olivier, Peggy Ashcroft and John Gielgud, Alec Guinness and Ralph Richardson. He shared seasons with them at the Old Vic, Stratford and the National Theatre. More than all his contemporaries except Olivier and Guinness he succeeded both in the classical theatre and as a popular leading actor, starring in such films as "The Lady Vanishes", "The Way To The Stars" and "The Browning Version". Corin Redgrave has written about a complicated life, using his actor's knowledge of his father's work and…
If you’re intrigued by the psychology of relationships this is the novel for you.
Described as a modern-day Rebecca, this is a story of a bereaved man’s obsession with his deceased married lover, Michelle. Determined to find out all he can about Michelle’s life when she wasn’t with him,…
As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.
I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth.
Forty years after his father’s death, and now in his mid-seventies, the celebrated playwright and novelist Michael Frayn decided to write about his childhood before it vanished from his memory.
This quest into his past proved to become a powerful portrait of his father, a sales rep for an asbestos firm, and their constantly awkward relationship. He recalls with wry humour his father’s idiosyncratic behaviour – his reckless driving, his absurd penny-pinching, his ridiculous hopes for his unathletic son’s sporting abilities.
He paints a wickedly funny picture of suburban life in postwar London – a life shattered by his mother’s sudden death, an event which amazingly was never mentioned thereafter. For the author, it becomes a journey of self-discovery, during which he realises, despite his father’s many flaws, how much he has inherited from him.
'An unknown place.' This was what Michael Frayn's children called the shadowy landscape of the past from which their family had emerged. Shortlisted for the Costa Book Awards, My Father's Fortune sets out to rediscover that lost land before all trace of it finally disappears beyond recall. As Frayn tries to see it through the eyes of his parents and the others who shaped his life, he comes to realise how little he ever knew or understood about them.
This is above all the story of his father, the quick-witted boy from a poor and struggling family, who overcame disadvantages…
I’ve always had a passion for cinema, especially gritty British
productions of the 1940s and 50s. The voices of Kathleen Harrison,
Robert Beatty, Kenneth More, Dirk Bogarde, Jack Warner, and Susan Shaw
can be heard nightly radiating from my TV. I’m also a huge fan of radio,
in particular classic BBC shows. As a biographer, I’m known for shining
a light on personalities of yesteryear – those we might recognize by
name and face but know little about. My recent books include
biographies on Erich Honecker (OK, he wasn’t a movie star), Jack Hawkins,
and David Tomlinson (they were).
Mills was the last of the generation of great British actors from the 1940s who personified the stiff-upper-lip gent.
In this autobiography, he tells the story of his part in, In Which We Serve, Ice Cold in Alex, Scott of the Antarctic, and his Oscar-winning performance in Ryan's Daughter. He was a true icon of British cinema. Great stuff.
Sir John Mills is one of Britain's best-known, and best-loved, actors. This autobiography charts his life from the early beginnings in music hall song-and-dance routines, to the days of Cavalcade and Jill Darling to the film epics, "In Which We Serve", "Ice Cold in Alex", "Scott of the Antarctic" and his Oscar-winning performance in "Ryan's Daughter". A new chapter brings the book fully up-to-date, revealing the drama, farce and tragedy - not to mention some spectacular falls - which have been a part of a life that is as varied as it is successful.
I apparently announced, at the age of five, that I would write books and grow roses when I grew up. I’m no gardener, but I’ve remained true to my other ambition. After producing books on women’s history, I became a biographical historian, especially attracted to the lives of people dedicated to drama. This requires exploring what lies behind the stage. We have to understand our subjects’ dreams and determination, use of dissimulation, the harsh realities of making a living, and, in the case of actors, doing so by becoming somebody else. Unravelling these layers is our challenging task. But how rewarding it can be!
No biography of Richard Burton succeeds like these diaries in giving us a sense of what it meant to be a truly global star, a consummate actor, a father, and a lover. We glimpse, too, the pressures on a man whose often troubled private life was presumed to be public property.
Burton’s surviving, voluminous diaries were meticulously edited by the historian Chris Williams, providing just the right amount of background and explanatory material to enlighten yet not bombard readers. From the early 1939-40 diary of the schoolboy Richard Jenkins, to the detailed diaries of the 1960s in particular, we can also discern the actor’s literary ambitions. I treasure these personal diaries: rich, revealing, and infinitely fascinating.
The irresistible, candid diaries of Richard Burton, published in their entirety "Just great fun, and written out of an engaging, often comical bewilderment: How did a poor Welshman become not only a star, but a player on the world stage that was Elizabeth Taylor's fame?"-Hilton Als, NewYorker.com "Of real interest is that Burton was almost as good a writer as an actor, read as many as three books a day, haunted bookstores in every city he set foot in, bought countless books on every conceivable subject and evaluated them rather shrewdly. . . . Apt writing abounds."-John Simon, New York…
Award-winning writer Laurence Klavan's newest collection of stories features twenty darkly comic and largely speculative tales.
People deal with aging parents, a world out of kilter, and their own arrested development today and in the near future, as Klavan weaves together threads of humanity and strangeness to dizzying and heartfelt…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor's status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers.
This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing…
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
A celebrated composer squares off against a newspaper editor as old friends become enemies.
Ian McEwan has always woven classical music into his novels; his book Saturday features a neurosurgeon listening to Bach’s Goldberg Variations while he operates. But the Booker Prize-winning Amsterdam features a working musician as a main character.
Some readers view Amsterdam as second-tier McEwan. I don’t necessarily disagree, but I love how vain and prickly Clive Linley can be. McEwan writes wonderful passages about the physical process of composing, often at the piano, for a man who “regarded himself as Vaughan Williams’s heir.”
On a chilly February day two old friends meet in the throng outside a crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence, Clive as Britain's most successful modern composer, Vernon as editor of the quality broadsheet, The Judge. Gorgeous, feisty Molly had had other lovers too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister. In the days that follow Molly's funeral Clive and Vernon will make a pact that will have consequences neither…
I’ve been fascinated with historical fiction, especially the World War II era, ever since I listened to my mother playing her Big Band Records. I’ve also loved mysteries since I picked up my first Nancy Drew book. Once I discovered historical mysteries, I haven’t been able to separate the two. I’ve recently expanded my interest to include the first world war. There are so many great stories that I’m afraid I’ll never get to read them all. It was really hard to narrow down my list to five books and I hope you’ll love the ones I’ve chosen for you.
I adore this entire series, and especially this third book. Maggie Hope, who started out as a typist for Winston Churchill is now a full-blown spy for MI-5 and is sent to Germany.
I love seeing Maggie’s development throughout the series. Even when faced with what seem like insurmountable odds, she doesn’t give up. Maggie is the epitome of a woman working not only in a job that was likely considered “man’s work” but doing it splendidly.
NEW YORK TIMES BESTSELLER • For fans of Jacqueline Winspear, Laurie R. King, and Anne Perry, whip-smart heroine Maggie Hope returns to embark on a clandestine mission behind enemy lines where no one can be trusted, and even the smallest indiscretion can be deadly.
World War II has finally come home to Britain, but it takes more than nightly air raids to rattle intrepid spy and expert code breaker Maggie Hope. After serving as a secret agent to protect Princess Elizabeth at Windsor Castle, Maggie is now an elite member of the Special Operations Executive—a black ops organization designed to…
Writing my eighth novel, The Testament of Jessie Lamb, I had to move the story into the future in order to explore the topics I was trying to understand. I think through writing: sometimes I feel it is only through writing that I really engage with the world. Work on Jessie Lamb entailed a lot of scientific and future research, and after that I read more and more future fiction, with an increasing appetite for the work of writers who are really interested in exploring where we are headed as a species, and how we might try to survive the damage we have inflicted on the earth.
I came across Salt Lick when hunting for novels on the topic of climate breakdown.
I was looking for writers who go beyond the doom and gloom, to find either rays of hope or at the very least a story where life and love might survive. For me, hope was an essential element in Jessie Lamb’s story. And in Salt Lick, Allison does deliver a dogged kind of hope for her strange trio of wandering central characters.
Beyond that, she delivers bewitchingly beautiful prose; her first page is a masterclass in description.
'A compelling fable of decline, a lament for a way of life, and a warning about what society is already becoming. It is a capsule of England and its dystopian present ... as sad and angry as it is memorable' Ronan Hession
'Salt Lick is that rare beast - imaginative, risky storytelling where every sentence is a gift' Heidi James
Britain is awash, the sea creeps into the land, brambles and forest swamp derelict towns. Food production has moved overseas and people are forced to move to the cities for work. The countryside…
