100 Books Like Elizabeth Taylor

While Taylor Swift has not written a song about Isabel Allende or her daughter Paula, it may only be a matter of time.

Taylor is known for having a strong, tight-knit relationship with her mother, Andrea. If anyone can write about the tethers and ties that weave through a mother-daughter relationship with such precise detail and sorrowing pain, it is Isabel Allende.

Paula is a memoir about loss and the story about how Isabel lost her adult daughter to cancer. It is the only book to ever make me sob-cry. Once I picked it up, I couldn’t put it down. I felt Isabel’s pain deep in the depths of my soul in a similar light as when I listen to the song “Soon You’ll Get Better” on her Lover album, which Taylor Swift wrote about her mother’s treatment for cancer.

Who doesn’t love seedy stories about wealth, excess, and defiance of social norms – especially when those norms relate to women?

This book has it all by telling the story of Rebekah Harkness, a woman who went from nothing to Standard Oil heiress, throwing lavish parties and elaborate ballets along the way. Rebekah became Taylor Swift’s muse in the song “The Greatest American Dynasty” on her Folklore album, and Taylor even bought Rebekah’s Holiday House in Rhode Island, which she still owns today.

Once I started this book, the storyline of a misunderstood, dramatic woman being blamed for everything that went wrong around her made it impossible to put down!

I loved this book because it is a story that reclaims the tattered image of a bold and brave woman, Idina Sackville, as re-told by her great-granddaughter, Frances Osborne.

The Bolter tells a complete tale of a determined woman unwilling to be tamed by high-society rules but rather singularly interested in pursuing her own interests in love, passion, and life. Taylor Swift fans believe that her song, “The Bolter” from her album, The Tortured Poets Department, is directly inspired by Idina Sackville.

I read until the end because I was dying to know what became of Idina and how her legacy grew from socialite-gone-wrong to the understudied drive of a determined woman.

Clara Bow is the Taylor Swift of the early 20th century. She was not born into fame but became the most famous silent movie actress known for her role in the movie It Girl among others.

I loved this book because, like Taylor, Clara early on recognized how her own power, determination, and grit could influence both her contractual relationships with the entertainment industry and her career. She was the first movie star to successfully get a “slut clause” removed from her contract with her movie production company.

I read until the end because I wanted to understand what Taylor saw in Clara that drew her to write the song “Clara Bow” on her album The Tortured Poets Department.

At last, a book about Elizabeth Taylor that takes her acting skills seriously, analyses her prodigious output, and is neither sensational nor trivial. I was entranced. Like Sybil Thorndike, Taylor’s career lasted 65 years. Kennedy puts it in context, refreshingly focusing on her professional rather than personal life.

Commenting on Who’s Afraid of Virginia Woolf?, he remarks: ‘At some point we have to reject the idea we’re watching the Burtons air their dirty laundry and embrace the possibility we’re watching them act. Brilliantly’. This readable, thoughtful book examines Taylor’s 56 movies and includes television, theatre, and special appearances such as a play reading in 2007, part of her remarkable fund-raising for AIDS.

Michael Redgrave was a great actor who succeeded both in the classical theatre and as a popular film star. His son Corin, himself an actor, has written a deeply felt, tender, and sympathetic book about his father.

He is perceptive about his father's subtle skill as an actor and the basis of his lifelong socialism. But he struggled to understand his personal life, which was complicated by his bisexuality: although married for fifty years to the actress Rachel Kempson, he indulged in a series of affairs with men.

In later years, his acting career was cruelly cut short when he was struck by Parkinson’s disease. The illness brought the two of them closer, with Corin conveying movingly his love, respect, and admiration for his father.

Though her style has always struck me as danger-close to tabloid and disjointed, nobody ever said those traits couldn't result in coffee-through-nostrils hilarity and knockout via punchline.

Fisher's particular brand of sex, drugs, and rock-n-roll certainly didn't help with her bipolar management. All the same, her unhinged lifestyle did deliver a bevy of dramatic and somewhat instructive anecdotes.  

She captures the chaos with such wit and bite in Postcards from the Edge and Shockaholic, but if you have to choose just one book, go with Wishful Drinking.

This book includes so many of my favorite things: an inn on the coast of Italy, a young innkeeper with outsized dreams, movie stars, an almost-romance, and a chance for rekindled love.

I clung to every page as the story moved back and forth from the 1960s to the present day, from the set of Cleopatra in Rome to Hollywood backlots. This book is like a vacation full of interesting people you want to know better, the kind of vacation you never want to end.

I read this novel just as I was starting to write in earnest, and before I fully understood how hard it is to pull off a feat of complex storytelling as elegantly as Walter does in this novel. It’s a marvel.

Martin Turnbull is somewhat of an expert on Old Hollywood and I found his incredible website in my research for Honey Black.

His website is full of original photos of LA throughout the decades and these were invaluable for me when I was writing certain scenes. I then discovered he had written a series of books based in Hollywood, following three friends who come together to navigate their way through the movie business, starting with The Garden of Allah set in the late 1920s. It’s a fascinating look at the seedier side of Old Hollywood. 

I loved this book for the personal stories behind the political nightmare.

Radical Hollywood is about the people who, by their politics, caught the communist-hunters’ eye. It is a fascinating, detailed, often affectionate account of the Hollywood Left in film-making’s Golden Age—the behind-the-scenes stories of famous films, writers, and actors, and their impact on the most popular entertainment medium of the time.