Books like Michael Redgrave, My Father — picked by fans

The writer and poet Blake Morrison had a lifelong struggle to come to terms with his overbearing father.

Arthur Morrison, a Yorkshire doctor, was a smooth talker, a small-time cheat, who took pleasure in outwitting the authorities, living out his motto "I may not be right but I’m never wrong."

He was forever invading his children’s space, a habit which his son found painfully hard to resist, leading him to take up writing to escape this domineering influence. But when his father contracted cancer and lay dying, he was overwhelmed with grief and guilt.

It’s a moving, angry, and sometimes harrowing account of a dysfunctional relationship, which yet manages to be funny, and is written with poetic and humane grace. 

This extraordinarily candid memoir is about the complex relationship between the author and his businessman father, both of whom had a secret life.

A self-confessed gay man, young Joe spent much of his life searching for his Ideal Friend in the twilight of homosexual London, but never admitted as much to his father. And only after the latter’s death did his son discover that for many years he had maintained a mistress and their three daughters in a house in Barnes.

The author unravels this complicated tale with impressive honesty and compassion, charting his own feelings of inadequacy, waste, and loss, and lamenting the fact that both he and his father remained ignorant of each other’s hearts and minds.

The creator of Rebecca and Frenchman’s Creek first made her reputation as a writer with this brutally frank biography of her father.

Gerald du Maurier was one of the last actor-managers in the British theatre and the founder of a new naturalistic school of acting. In this compelling portrait, his daughter describes in detail his successful West End acting career and his years as manager of Wyndham’s theatre in London.

Her book contains some wonderful comic passages, but is most remarkable for its deep psychological insights into her father’s character. A needy man who hated to be alone, he was shocked by Daphne’s early desire to lead an independent life and turned against her. She lays out fairly his mass of contradictions, her writing already showing the talent that foreshadowed her later international fame as a novelist. 

Forty years after his father’s death, and now in his mid-seventies, the celebrated playwright and novelist Michael Frayn decided to write about his childhood before it vanished from his memory.

This quest into his past proved to become a powerful portrait of his father, a sales rep for an asbestos firm, and their constantly awkward relationship. He recalls with wry humour his father’s idiosyncratic behaviour – his reckless driving, his absurd penny-pinching, his ridiculous hopes for his unathletic son’s sporting abilities.

He paints a wickedly funny picture of suburban life in postwar London – a life shattered by his mother’s sudden death, an event which amazingly was never mentioned thereafter. For the author, it becomes a journey of self-discovery, during which he realises, despite his father’s many flaws, how much he has inherited from him. 

Time and again, history repeats itself.

Just as Clara Bow, Idina Sackville, and Rebekah Harkness lived wildly glamour lives in the public eye continually shamed for any behavior not fitting for a young woman’s reputation, this book gave me a unique perspective into the bold, brave strength of Elizabeth Taylor – whose parents were from Kansas of all places (although from a time before the Kansas City Chiefs reign). I could not put this book down because the continual shifts in Liz Taylor’s personal and professional life were jarring, inspiring, and mesmerizing.

I started this book to understand better what Taylor Swift saw in Elizabeth Taylor, using her for inspiration in a song titled “Elizabeth Taylor” on The Life of a Showgirl album. I stayed because I needed to know how it ended.

Audrey Hepburn was a little lady with the biggest heart.

I loved this book so much that I’ve reread it several times. I was hooked from the start to the finish, from her childhood in war-torn Europe to her work as a goodwill ambassador with UNICEF. The author perfectly describes Audrey’s grace, style, and compassion.

This is one of the best picture book biographies I’ve read. I wish I had met her. I love this book.

The softest, gentlest voices are heard the loudest.

I found it fascinating that these two very different women faced similar obstacles yet they had the courage and tenacity to help one another overcome them. I think this book perfectly illustrates that anyone–no matter his/her background–has the ability to "make their voices heard" no matter the challenges they face and that’s why I love it.

First of all, Nia Vardalos is just hilarious. She could write an Ikea assembly brochure and it would probably be side-splitting. But in the book, she tells about being a rising star (a great story on its own) who had it all – except a baby. After a grueling battle with infertility, she eventually came around to the idea of adoption, and started to learn more about the fost-adopt process of taking an older child who is unlikely to reunite with their original family. With great heart, she tells the roller-coaster story of bringing a 3-year-old with attachment challenges into her life—and the inevitable universality of motherhood. “Nothing prepared me for the life I would feel for my child. Nothing prepared me for how quickly it happened for me. And here’s what I just figure out now: no one is ever prepared. In a way, we’re all instant moms.” She’s… show more.

Anything to do with Jim Carrey, I’m in. In fact, when teachers would ask me what I wanted to be when I grew up, I’d reply “Be Jim Carrey.” As a longtime fan, I was excited to learn that he would finally be charting his life in an autobiography. As it turns out, the book was mostly wild fiction. What’s so engaging about this book is how he blends real-life occurrences like his body of film work and relationship with Renee Zellweger with completely off-the-wall fantasy like mentor Rodney Dangerfield returning as a Rhino, Kelsey Grammar leading a cult, and Carrey struggling with his career as his entire essence goes virtual. It’s extremely experimental, but the inclusion of celebrities will leave you grinning.     

At last, a book about Elizabeth Taylor that takes her acting skills seriously, analyses her prodigious output, and is neither sensational nor trivial. I was entranced. Like Sybil Thorndike, Taylor’s career lasted 65 years. Kennedy puts it in context, refreshingly focusing on her professional rather than personal life.

Commenting on Who’s Afraid of Virginia Woolf?, he remarks: ‘At some point we have to reject the idea we’re watching the Burtons air their dirty laundry and embrace the possibility we’re watching them act. Brilliantly’. This readable, thoughtful book examines Taylor’s 56 movies and includes television, theatre, and special appearances such as a play reading in 2007, part of her remarkable fund-raising for AIDS.