100 Books Like Up in the Clouds, Gentlemen Please

I’ll never forget finding this biography at a secondhand bookstore just off the Kurfurstendamm in Berlin a few years ago. I took it to a small café near the zoo and read it–cover to cover–that very same day!

There is little doubt Samuel Goldwyn was Hollywood’s last tycoon. In this outstanding book, Berg beautifully tells the rags-to-riches tale of a poor Jewish glovemaker who became the most important producer in American cinema. Many great stars make appearances, including Charlie Chaplin and Mary Pickford. A meticulously researched and compelling tome.

I adored Fred Astaire so much that during a trip to Los Angeles, I made a special little pilgrimage to the RKO studios on the corner of Melrose Ave and Gower Street to see where he shot those famous 1930s movies, Top Hat, Follow the Fleet, and Flying Down to Rio.

From his debut in vaudeville as a kid to his remarkable career as the star of many of the most popular Hollywood musicals ever captured on celluloid, Fred tells his own compelling story.

Whilst I’ve been researching the life of Kenneth More, the talented Ronald Culver keeps popping up. I first came across him when writing one of my own books, as he played alongside David Tomlinson in a fifties war comedy.

During that period, I managed to watch most of his films–and he was not only a fine character actor, but also a gifted author. This is his own story. 

Recently, during a visit to Filmstaden studios near Stockholm (yes, where Ingrid and Ingmar Bergman worked) I was given a copy of this book. It is, without a doubt, the definitive biography of Hitchcock, with a thrilling opening on his life in Britain and formative years. 

No biography of Richard Burton succeeds like these diaries in giving us a sense of what it meant to be a truly global star, a consummate actor, a father, and a lover. We glimpse, too, the pressures on a man whose often troubled private life was presumed to be public property.

Burton’s surviving, voluminous diaries were meticulously edited by the historian Chris Williams, providing just the right amount of background and explanatory material to enlighten yet not bombard readers. From the early 1939-40 diary of the schoolboy Richard Jenkins, to the detailed diaries of the 1960s in particular, we can also discern the actor’s literary ambitions. I treasure these personal diaries: rich, revealing, and infinitely fascinating.

The creator of Rebecca and Frenchman’s Creek first made her reputation as a writer with this brutally frank biography of her father.

Gerald du Maurier was one of the last actor-managers in the British theatre and the founder of a new naturalistic school of acting. In this compelling portrait, his daughter describes in detail his successful West End acting career and his years as manager of Wyndham’s theatre in London.

Her book contains some wonderful comic passages, but is most remarkable for its deep psychological insights into her father’s character. A needy man who hated to be alone, he was shocked by Daphne’s early desire to lead an independent life and turned against her. She lays out fairly his mass of contradictions, her writing already showing the talent that foreshadowed her later international fame as a novelist. 

Michael Redgrave was a great actor who succeeded both in the classical theatre and as a popular film star. His son Corin, himself an actor, has written a deeply felt, tender, and sympathetic book about his father.

He is perceptive about his father's subtle skill as an actor and the basis of his lifelong socialism. But he struggled to understand his personal life, which was complicated by his bisexuality: although married for fifty years to the actress Rachel Kempson, he indulged in a series of affairs with men.

In later years, his acting career was cruelly cut short when he was struck by Parkinson’s disease. The illness brought the two of them closer, with Corin conveying movingly his love, respect, and admiration for his father.

I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.  

I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.

The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.

In 1940 London, Maggie Hope, a brilliant mind who graduated top of her class, is recruited by Number 10 Downing Street to be…a typist. Of course. She’s a woman. She’s also a crackerjack code breaker. I think you know where this is going. The character is wonderful, the writing strong, the story tight. A highlight for me was when Maggie –a young, virginal, cerebral type—pulls off a daring motorcycle jump with a man on the back because she has to. I don’t know, I think there’s a life lesson somewhere in there.