Books like The Poet as Believer

I was very interested to read Sylvia Gorelick's translation of Mallarmé's The Book. Since I've spent years studying unfinished works and dream projects, this translation of Mallarmé's mysterious masterwork really spoke to me. Gorelick manages to capture not just Mallarmé's words but the haunting sense of an artist struggling with an impossible project—one that consumed him for decades.

What I particularly appreciate is how she makes Mallarmé's complex ideas about poetry and the sacred accessible without simplifying them. Reading her translation helped me better understand why this unfinished work became such a significant influence on modern literature. For anyone interested in how artists grapple with their most ambitious visions, this book is essential reading.

I found White's book deeply resonant with my own biographical work on Genet. While my book Genet: la vie écrite focused on his artistic trajectory, White masterfully illuminates the personal dimensions of this complex figure's life.

What particularly moved me was how White's intimate understanding of both French culture and queer experience complements my analysis of Genet's theatrical works. His biography provides rich psychological insights that deepen and enrich my own research into Genet's creative process.

For anyone who, like me, has spent years studying the intersection of Genet's life and art, White's work is an indispensable companion that reveals new layers of understanding about this enigmatic literary genius.

I found Hollis Alpert's book refreshing because it cuts through all the myths about Fellini and shows us the real person. After watching Fellini's films for years, I was glad to finally read a biography that explains how he developed his unique style.

The book helped me understand his evolution from cartoonist to filmmaker and showed me how his early experiences influenced his later work. While other biographers sometimes get caught up in Fellini's larger-than-life personality, Alpert stays focused on helping us understand the director's creative process. This is a straightforward, honest look at one of cinema's most interesting figures.

I was interested by Stanley Kubrick's book because it shows just how deeply Kubrick researched and planned his films. As someone who studies unfinished film projects, I was fascinated to see all the detailed work that went into this movie that was never made—from the costume designs to the battle plans to Kubrick's handwritten notes.

The book lets us peek into Kubrick's creative process through the thousands of photos, documents and research materials he gathered. What makes this book special is that it doesn't just tell us about the film that could have been—it helps us understand how Kubrick's mind worked when developing his projects. This is a rare look at the early stages of what might have been his greatest film.

Immanuel Kant is one of the most important figures in the history of philosophy – specifically regarding metaphysics – because he discovered the internal logic and organization for all of philosophical metaphysics. The book with which Kant accomplished that monumental feat is extremely difficult to read and understand. Therefore, Kant wrote an easier-to-read version, and that is the book that I am recommending: Philosophy of Material Nature. This book is highly affordable and readable.

The book that the Philosophy of Material Nature paraphrases is, of course, the Critique of Pure Reason. What all of these works show us is that philosophical metaphysics naturally divides into theological metaphysics, cosmological metaphysics, and psychological metaphysics. Kant’s achievement is standardly characterized as the articulation of philosophical metaphysics as a science. The general term for such a science is “transcendental philosophy.” Thus, the rest of the books in this recommendation list relate… show more.

In this book, one of the great philosophers of the first half of the 20th century sketches his take on two central philosophical tasks -- explaining what kinds of things exist in reality, and how they are related, and delineating what we can know and how we know it. In so doing, Russell illustrates the new method of logical and linguistic analysis he used in The Philosophy of Logical Atomism (1918), to lay the foundations of an epistemological and metaphysical system rivaling the great systems of the past. A key transitional figure linking the history of the subject to contemporary concerns, he raised logic and language to central subjects of philosophical study in their own right, without losing sight of their relevance for more traditional philosophical quests.

I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.”

With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!)

Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent… show more.

Moore’s book seems exemplary to me because it offers a broad historical picture of alternatives in modern philosophy, based on the simple idea that metaphysics is ‘the most general attempt to make sense of things’. 

This connects philosophy to everyday experience, which relies precisely on how we make sense of things.

I like the fact that the book allows one to ask questions about the sense knowledge makes of the world, given that much of the sense we make actually comes through active participation in the world, for example in listening to or playing music, or, indeed, in doing philosophy in relation to a real world problem.

Mary Midgley was in her nineties when she wrote this book, yet it’s alive with ideas and energy – and the insistence that philosophy should be “for” something in the most urgent, practical sense; that it should help us explore such questions as to how to live and to do good. Midgley was both highly scientifically literate and fiercely opposed to the claim that science will ever answer every question. We humans, she believed, are brilliant animals who need to understand our biological heritage as richly as possible if we’re to grapple fruitfully with our planetary future. I can think of few more urgent themes for the present century.

I had read another of Glenn Kleier’s books, The Knowledge of Good & Evil, which is a Dante-like trip into Hell – so, I was very excited when he released The Prophet of Queens, a book that plays in practically all of my ballparks: quantum physics, time anomalies, autocratic religious practices, and the sheer, almost lustful need to pursue a goal even though the consequences may shatter reality.

With the clever use of fairly mundane, workaday characters, Glenn Kleier throws open the doors to possibility and the repercussions of raging ambition.

I love this book – and, as with his others, is well-written.