Here are 100 books that Star Surgeon fans have personally recommended if you like
Star Surgeon.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
From dancing on a crane in a meteor shower, to earning a history degree at the top program in my country; bathing under a waterfall to cradling the dying as a physician—I’ve always straddled the line between adventure and hunger for the truth beyond. Some books are the same way: they pull you in with fun and plot, and colors, and they leave you with bigger thoughts and questions about the Universe at large. All genres have this capacity for surprise and depth, but space opera’s best—here’s a list of reads with that special metaphysical power.
I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.”
With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!)
Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent…
FINALIST FOR HUGO AWARD FOR BEST NOVEL 2019 FINALIST FOR LOCUS AWARD FOR BEST SCIENCE FICTION NOVEL 2019
IN SPACE EVERYONE CAN HEAR YOU SING
A century ago, intelligent space-faring life was nearly destroyed during the Sentience Wars. To bring the shattered worlds together in the spirit of peace, unity and understanding, the Metagalactic Grand Prix was created. Part concert, part contest, all extravaganza, species far and wide gather to compete in feats of song, dance and/or whatever facsimile of these can be performed by various creatures who may or may not possess, in the traditional sense, feet, mouths, larynxes…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
At five years old, I heard my great-grandmother, a God-fearing Pentecostal wife of an evangelist, give her personal testimony of seeing a UFO when she was a child. This event brought together two very different realities for me: the Christian worldview and the existence of ETs. Since that time, I had many supernatural encounters, some demonic, others divine, and others undefined. I am a retired Chief Master Sergeant with two associates, a Bachelor, and two Master’s degrees. To reconcile my faith with the paranormal, I put my academic proclivities to task by writing fourteen books of varying genres, which I define as a unique blend of Paranormal Sci-fi/Fantasy Christianity.
When I first discovered this book’s existence, I knew I had to read it.
C.S. Lewis ventured into the same territory I stumbled into, and I found few Christians that I could confide in back in the 1990s, about the ideas and concepts that swarmed in my brain.
Everyone has heard about The Chronicles of Narnia, The Screw Tape Letters, and The Great Divorce, all of which are theological classics. CS Lewis is a literary giant and a must-read for Christians.
But to learn that he wrote about outer space as the heavens, and his understanding that the word for “heaven” in Scripture is a plural word, bearing its origin from Genesis 1:14, was astonishing to me. He gets it!
The first novel in C.S. Lewis's classic sci-fi trilogy which tells the adventure of Dr Ransom who is kidnapped and transported to Mars
In the first novel of C.S. Lewis's classic science fiction trilogy, Dr Ransom, a Cambridge academic, is abducted and taken on a spaceship to the red planet of Malacandra, which he knows as Mars. His captors are plotting to plunder the planet's treasures and plan to offer Ransom as a sacrifice to the creatures who live there. Ransom discovers he has come from the 'silent planet' - Earth - whose tragic story is known throughout the universe...
The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
It’s hard to beat Scalzi for nailing the execution of a high concept.
Redshirts could have so easily been nothing but a gimmick, but Scalzi really gets into the guts of the horror and humor of being a character written for the sole purpose of dying. I picked up the book with a cynical eye, expecting to hate it, but it drew me in.
Scalzi went so much further with the concept, shined a light on every corner of the idea, that he managed to create a deconstruction and reconstruction of the same trope at the same time.
'I can honestly say I can't think of another book that ever made me laugh this much. Ever' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It's a prestige posting, and Andrew is even more delighted when he's assigned to the ship's Xenobiology laboratory. Life couldn't be better ... although there are a few strange things going on:
(1) every Away Mission involves a lethal confrontation with alien forces
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
From dancing on a crane in a meteor shower, to earning a history degree at the top program in my country; bathing under a waterfall to cradling the dying as a physician—I’ve always straddled the line between adventure and hunger for the truth beyond. Some books are the same way: they pull you in with fun and plot, and colors, and they leave you with bigger thoughts and questions about the Universe at large. All genres have this capacity for surprise and depth, but space opera’s best—here’s a list of reads with that special metaphysical power.
Yes, this is a Star Wars book, and on the surface it’s about Luke Skywalker and a reptilian alien invasion. Perhaps the biggest tragedy of Disney’s soulless, still-expanding media monopoly is the complete replacement of creative risk with bland corporate product, and Truce at Bakura hails from, as Obi Wan would put it, “a more civilized age.”
Tyers investigates indoctrination, challenges concepts of “right to wealth” with a wise eye towards social justice before that’s even a term, and creates the most fascinating self-healing interaction with a parasite I’ve ever read. Unexpected metaphysical depth for sure!
No sooner has Darth Vader's funeral pyre burned to ashes on Endor than the Alliance intercepts a call for help from a far-flung Imperial outpost. Bakura is on the edge of known space and the first to meet the Ssi-ruuk, cold-blooded reptilian invaders who, once allied with the now dead Emperor, are approaching Imperial space with only one goal; total domination. Princess Leia sees the mission as an opportunity to achieve a diplomatic victory for the Alliance. But it assumes even greater importance when a vision of Obi-Wan Kenobi appears to Luke Skywalker with the message that he must go…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Golding was living in Salisbury when he wrote The Lord of the Flies, and his day job as a teacher at a local boys' school left a clear imprint on his dystopic view of young men left to their own hierarchical devices. But the classroom also provided a very literal view of the inspiration for The Spire, a dense and disturbing parable in which rationality and physics crumble under evangelical mania and corporal lust. It is the story of Jocelin, Dean of a medieval cathedral, who, obsessed with a divine “vision in stone,” insists that the spire be raised to impossible heights. There is no happy ending in this cautionary tale of construction hubris, yet I return to it regularly in search of solace.
Succumb to a churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, introduced by Benjamin Myers (narrated by Benedict Cumberbatch as an audiobook).
There were three sorts of people. Those who ran, those who stayed, and those who were built in.
Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and…
I have pursued escapism in all its forms for most of my life. From studying the otherworlds of ancient civilisations, especially in my native Britain, including Arthurian tales and those of the Welsh Mabinogion to the fictional worlds of Tolkien and Lewis’s Narnia. I am lucky enough to live in the Snowdonia Mountains with a wealth of legends and myth-making landscapes on my doorstep. This led to a practical interest in The Western Mystery Tradition and from there an academic curiosity toward occult societies and their founders. I believe there is a distinct link between our spiritual morality and physical mortality that is worth exploring through experience.
First published in 1956 Dion Fortune recalls her heroine Vivian le Fay, first introduced in The Sea Priestess fifteen years earlier.
In Moon Magic she is conjured as Lilith le Fay, mysterious and alluring. Interestingly, considering Dion Fortune died before finishing the book, its completion was brought about by an acolyte ‘channeling the author’ after her death.
Her play on the dynamic of the male and female polarity allows the story to evolve on different levels, as an interesting, if dated view of a society in need of a spiritual revelation, and a treatise on genuine esoteric practices. Fortune’s clipped prose style gives the reader's imagination free rein, allowing her to influence our understanding of certain concepts and provide an entertaining tale to boot.
Almost 15 years after she first appeared in Sea Priestess, Dion Fortune wrote about her heroine Vivien Le Fay again. In Moon Magic Vivien appears as Lilith Le Fay, and uses her knowledge of moontides to construct an astral temple of Hermetic magic. The viewpoint of Lilith Le Fay is purely pagan, and she is a rebel against society, bent upon its alteration. She may, of course, represent my Freudian subconscious... --'from the Introduction 'Dion Fortune's books sell! Sea Priestess has sold 32,000 copies and Moon Magic has 25,000 copies in print. 'First published in 1938 and 1956, neither Sea…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Through both a former career as an engineer and my writing, I have developed a craving (bordering on obsession) for all things scientific, historical, archaeological, metaphysical, and a more than avid interest in quantum physics which I like to introduce into my books and stories. I also have a fondness for the dark and macabre, for the bizarre, the wondrous, and the plain out there. The weirder the concept – the more I like it… get consumed by it.
I had read another of Glenn Kleier’s books, The Knowledge of Good & Evil, which is a Dante-like trip into Hell – so, I was very excited when he released The Prophet of Queens, a book that plays in practically all of my ballparks: quantum physics, time anomalies, autocratic religious practices, and the sheer, almost lustful need to pursue a goal even though the consequences may shatter reality.
With the clever use of fairly mundane, workaday characters, Glenn Kleier throws open the doors to possibility and the repercussions of raging ambition.
I love this book – and, as with his others, is well-written.
The world hasn't heard from a true prophet in 2,000 years. So why now? And why this guy?
Scotty Butterfield is a recluse. A college dropout clinging to a dead-end job and a rundown sublet in New York City, spending his nights lost in videogames. When suddenly he begins to receive emails from someone calling himself a "Messenger of the Lord," warning of imminent death and destruction in the city. An obvious scam.
Yet the predictions bear out.
Horrified, Scotty fears he's caught up in some terrorist plot, only to realize the disasters are impossible for any human to foresee…
I boast a two-decade-long career in the software industry. Over the years, I have diligently honed my programming skills across a multitude of languages, including JavaScript, C++, Java, Ruby, and Clojure. Throughout my career, I have taken on various management roles, from Team Leader to VP of Engineering. No matter the role, the thing I have enjoyed the most is to make complex topics easy to understand.
Naming and Necessity had a profound impact on my understanding of the importance of using proper names in programming (for functions, variables, etc.). I was fascinated by Kripke’s exploration of the usage of names in our day-to-day language. His arguments challenged my thinking and introduced me to new ways of considering reference and meaning.
The clarity and rigor of his analysis pushed me to refine my reasoning skills. Despite being a challenging read, I found it incredibly rewarding.
'Naming and Necessity' has had a great and increasing influence. It redirected philosophical attention to neglected questions of natural and metaphysical necessity and to the connections between these and theories of naming, and of identity. This seminal work, to which today's thriving essentialist metaphysics largely owes its impetus, is here reissued in a newly corrected form with a new preface by the author. If there is such a thing as essential reading in metaphysics, or in philosophy of language, this is it.
I am a philosophy post-doc at Unesp and a poet who has always felt that politics is not the exclusive business of politicians; that violence is not the exclusive business of warfare or of “vulgar” people, say, drunkards in bars. Violence, I have felt while doing philosophy in the USA, Brazil, Germany, and France, is likewise expressed by well-educated and apparently “peaceful” philosophers who are engaged in implicit politics and practice “subtle” violence. To handle the relation between politics and metaphysics is to do justice to this feeling. The Politics of Metaphysics, I hope, does that. I believe that though more tacitly, the same is done by this list’s books.
Dussel does what Latin American philosophers allegedly should not do. That is what I love about this book.
Whereas Latin American philosophers allegedly should take for granted assumptions from supposedly “enlightened” philosophers who have worked in the Global North, Dussel rejects such assumptions, say, the one that philosophers should never talk about imperialism as if this political issue were philosophically irrelevant.
Whereas Latin American philosophers allegedly should only tackle disputes in metaphysics raised by philosophers from the Global North, Dussel articulates disputes these likes usually ignore, e.g., the dispute on how or under which conditions a liberation could exist.
Whereas Latin American philosophers allegedly should import Northern right-wing policies of depoliticization, Dussel politicizes philosophy in a left-wing vein while opposing the war-driven attitudes of the likes of Henry Kissinger.
Argentinean philosopher, theologian, and historian Enrique Dussel understands the present international order as divided into the culture of the center -- by which he means the ruling elite of Europe, North America, and Russia -- and the peoples of the periphery -- by which he means the populations of Latin America, Africa, and part of Asia, and the oppressed classes (including women and children) throughout the world. In 'Philosophy of Liberation,' he presents a profound analysis of the alienation of peripheral peoples resulting from the imperialism of the center for more than five centuries. Dussel's aim is to demonstrate that…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
Mario Bunge’s study is notable for the variety of its analyses of various diverse phenomena in which emergence is evident: in general systems theory, for example, as well as in language systems, social analysis, theories of holism, social systems, biology, epistemology, and biomedical sciences.
Bunge singles out a sense of “convergence” that highlights the integration of multiple sub-processes. It’s not just the specific relation between distinct parts that is a hallmark of emergence, but the integrated relation among these sub-processes. This book certainly broadened my perspective of the whole subject area.
Two problems continually arise in the sciences and humanities, according to Mario Bunge: parts and wholes and the origin of novelty. In Emergence and Convergence, he works to address these problems, as well as that of systems and their emergent properties, as exemplified by the synthesis of molecules, the creation of ideas, and social inventions.
Along the way, Bunge examines further topical problems, such as the search for the mechanisms underlying observable facts, the limitations of both individualism and holism, the reach of reduction, the abuses of Darwinism, the rational choice-hermeneutics feud, the modularity of the brain vs. the unity…