Books like Stanley Kubrick's Napoleon

I became fascinated by dream projects after a series of remarkable discoveries throughout my career. In 1970, I found Genet's manuscripts for his unfinished work La Mort, which proved crucial to understanding his entire artistic vision. Later, I came across Claudel's incomplete On répète Tête d'Or, which illuminated his lifelong struggle with the relationship between Judaism and Christianity. When I was given early access to Fellini's unfilmed Mastorna screenplay, I saw the same pattern emerging. These encounters led me to a profound realization: often, an artist's unfinished work—the project they struggle with but never complete—holds the key to understanding their entire creative output. This insight has guided my research ever since.

I became fascinated by dream projects after a series of remarkable discoveries throughout my career. In 1970, I found Genet's manuscripts for his unfinished work La Mort, which proved crucial to understanding his entire artistic vision. Later, I came across Claudel's incomplete On répète Tête d'Or, which illuminated his lifelong struggle with the relationship between Judaism and Christianity. When I was given early access to Fellini's unfilmed Mastorna screenplay, I saw the same pattern emerging. These encounters led me to a profound realization: often, an artist's unfinished work—the project they struggle with but never complete—holds the key to understanding their entire creative output. This insight has guided my research ever since.

I became fascinated by dream projects after a series of remarkable discoveries throughout my career. In 1970, I found Genet's manuscripts for his unfinished work La Mort, which proved crucial to understanding his entire artistic vision. Later, I came across Claudel's incomplete On répète Tête d'Or, which illuminated his lifelong struggle with the relationship between Judaism and Christianity. When I was given early access to Fellini's unfilmed Mastorna screenplay, I saw the same pattern emerging. These encounters led me to a profound realization: often, an artist's unfinished work—the project they struggle with but never complete—holds the key to understanding their entire creative output. This insight has guided my research ever since.

I became fascinated by dream projects after a series of remarkable discoveries throughout my career. In 1970, I found Genet's manuscripts for his unfinished work La Mort, which proved crucial to understanding his entire artistic vision. Later, I came across Claudel's incomplete On répète Tête d'Or, which illuminated his lifelong struggle with the relationship between Judaism and Christianity. When I was given early access to Fellini's unfilmed Mastorna screenplay, I saw the same pattern emerging. These encounters led me to a profound realization: often, an artist's unfinished work—the project they struggle with but never complete—holds the key to understanding their entire creative output. This insight has guided my research ever since.

I've been scammed several times. Even getting out of one and then being suckered into another. So after the last time, I just quit buying stuff until I'd gotten how and why I could get flim-flammed to begin with. So people could wise themselves up and get their freedom back. It only took a couple of years of my life, but I was able to use all my experiences of being scammed, so the research technically started many years earlier. I've got several degrees including a doctorate, and have published hundreds of titles from the research I've done in various fields. Even one on how to research.

I’ve been fascinated by Central and Eastern Europe all of my adult life. Many cruises along the Danube and around the Baltic Sea have allowed me to see the stunning best of the region. Since the early 1990s, I’ve taught the history of the Polish-Lithuanian Commonwealth, the Habsburg Monarchy, and the Russian Empire to a generation of students. Professor of Polish-Lithuanian History at University College London since 2013, my next challenge is to promote the history of Poland to allcomers via the Polish History Museum in Warsaw, the wonderful city which is my home.

I’m a historian who has been researching and writing on the French Revolution and the Napoleonic Wars for thirty-five years now. Since the age of ten I have been fascinated by these years, partly through childhood holidays in France, but also because of their sheer drama. British history in the same period has nothing to compare with the storming of the Bastille or Napoleon’s meteoric career. Specializing in this turbulent era has made me particularly interested in how regimes fall, and whether under different circumstances they could have survived.

I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)

I taught about Napoleon for thirty years, having studied history at Cambridge. I’ve been fascinated by the Corsican outsider, who, thanks to the French Revolution, rose to dominate Europe, since I saw a china bust of him in his green Chasseurs uniform on my maternal grandparents’ sideboard. I always loved historical fiction and having retired into a locked-down world, I put my time on the Isle of Skye to good use and set about researching and writing the novel I had always said I would write. Re-reading old favourites and encountering new interpretations was a joy and certainly made compiling this list an enjoyable challenge!

More than 40 years ago, I first started writing a book on great ‘Tory’ leaders throughout history, several of whom were inexorably tied to this Regency period. Having never lost interest in the topic I continued to study the period and its political life and found a way to parlay experience from my career in finance and international business into a biography of the most economically proficient Prime Minister Britain has ever had. Research for that biography as well as for future Industrial Revolution-related books on which I am currently working has resulted in a broad and fruitful list of books on the period's politics.