100 Books Like The Life Divine

I respect this book because it challenges the common-sense distinction between action and inaction. Part of the epic Hindu poem Mahabharata is a cunning text. On its spiritual surface, it preaches overcoming suffering, casting away ego, practicing detachment, and unifying oneself with the divine. Yet these tenets simultaneously boost Krishna’s rhetoric to convince Arjuna to slaughter his own family.

This is a thinly veiled attack on the Buddhist ideal of doing nothing on the grounds that every inaction involves action and vice versa. Its real insight, for me, is that we should sometimes actively do nothing. My favorite instance of the Gītā’s widespread influence is a contemporary Bengali no-loitering sign that reads: ‘If you have nothing to do, please do not do it here.'

I don’t like rankings — I think we count and rank to our collective detriment – but if I had to make a list of the most important books I’ve ever read, this would probably be on top of the list. What is it about? It’s about finding your true self. On the one hand, the task couldn’t be simpler: You are what you are, so there’s hardly a Hardy Boys mystery to crack here. On the other, we cloud our own understanding with so much illusion that few of us have the capacity to see the truth about ourselves. Maharaj can be a bit prickly, but he’s more love than anything else. If you try this book and you can’t connect to it, put it down and return to it later. That’s what I did – the first time, it was impenetrable; the second time, it penetrated to the… show more.

Baba Muktananda is surely the most entertaining – dare I say, “cool” — of all the great gurus. This book, a collection of Satsang, or Q&A sessions, with the Siddha Yoga Guru, is a very easy-going, unpretentious discussion of the most important things about finding yourself. As the title promises, you are not a finite being; you are infinite. It’s very convincing.

I don’t think that I am different from the majority when I say that for most of my life, the idea of “discipline” wasn’t that attractive to me. I wanted freedom. But in this book, as well as all her other books, the Siddha meditation master Gurumayi Chidvilasnanada convinced me that the means to a perfect existence must come through discipline. You cannot find yourself if you do not first sort yourself out. The goal isn’t recklessness; it’s improvisation within defined constraints. That’s where the magic happens. Gurumayi is one of the clearest thinkers and writers that I have ever come across. More importantly, everything she writes is infused with love.

This book is actually an illustrated online serial, currently 64 episodes in (and on pause at the moment, but I have it on good authority that it will resume). One of my favorite episodes deals with a mysterious young woman preparing a mysterious—magical?—breakfast of zucchini and eggs…but it’s full of spoilers, so you should probably just start the story from the beginning.

I love Twice: The Serial because it's an amazing contemporary fantasy story, well told and beautifully illustrated—a great example of the kind of fantasy I love, which is the "slow build" type...we're in the real world and then mysterious things happen around the edges...and then right in the middle.

I love the dreamy art and timeless wisdom in this unique book. It reminds me that I'm in an eternal state of oneness with the universe right here and right now. This book is soothing and beautiful and speaks to the deepest longings of the soul!

This selection of essays focuses on the important concept of “downward causation” (a designation first employed by Donald T. Campbell), that is, the idea that, in addition to the “upward” causal influence of parts on wholes, which is the focus of stereotypical (bottom-up) reductionist views, wholes also exercise top-down emergent causal influences on their parts.

This has been a vital recurring issue and an identifying principle in most theories of emergence. Campbell and Mark H. Bickhard provide the culminating chapter in this book.

Mary Midgley was in her nineties when she wrote this book, yet it’s alive with ideas and energy – and the insistence that philosophy should be “for” something in the most urgent, practical sense; that it should help us explore such questions as to how to live and to do good. Midgley was both highly scientifically literate and fiercely opposed to the claim that science will ever answer every question. We humans, she believed, are brilliant animals who need to understand our biological heritage as richly as possible if we’re to grapple fruitfully with our planetary future. I can think of few more urgent themes for the present century.

First published in 1956 Dion Fortune recalls her heroine Vivian le Fay, first introduced in The Sea Priestess fifteen years earlier.

In Moon Magic she is conjured as Lilith le Fay, mysterious and alluring. Interestingly, considering Dion Fortune died before finishing the book, its completion was brought about by an acolyte ‘channeling the author’ after her death. 

Her play on the dynamic of the male and female polarity allows the story to evolve on different levels, as an interesting, if dated view of a society in need of a spiritual revelation, and a treatise on genuine esoteric practices. Fortune’s clipped prose style gives the reader's imagination free rein, allowing her to influence our understanding of certain concepts and provide an entertaining tale to boot.

Pippin’s book impresses me because it makes clear how the modern German philosophy of Kant, Hegel and others, may fail to get to grips with deeper questions concerning why things matter at all.

Western philosophy is concerned with reconciling thinking and reality, but this neglects the fact that meaningfulness is not fully grasped by what can be rationally known and explained. Our sense of things mattering precedes whatever we may come to know about them: think of how music can grip us in ways which we can never fully explain. This issue leads Pippin to a hugely enlightening account of the difficult (and problematic) work of Martin Heidegger that I find the most plausible interpretation of his work.

This book shows how one can question the very status of philosophy in the modern era, and think about alternative ways of making sense of things.