78 Books Like The Piper on the Mountain

This is one of those special books that made me think, “Oh my…I want to write like this.” The blend of old-world atmosphere, 1950s glamor, and gorgeously descriptive, suspenseful writing is magical. Linda Martin, a young Englishwoman with a secret of her own to guard, takes the post of governess to the small heir of a French chateau—a fairytale setting, but disturbing tensions run beneath its surface, and before long Linda finds herself caught up in a desperate attempt to foil a dangerous plot.

Traveling across Europe by train, Iris Carr re-enters her compartment to find that a friendly, talkative spinster who had befriended her has disappeared—and no one else will admit she was ever there at all. Why? The answer must be found before the train reaches its destination, and Ethel Lina White crafts a nail-biting race against time while also delving deep into the motivations of a tight cast of characters—exploring what leads some people to lie, and how an initially isolated and self-centered heroine becomes someone desperate to uncover the truth.

Laura March is serving as temporary guardian of a little refugee girl who may be the next heir to a fortune when a man claiming to be the child’s father turns up at her door—and when shortly afterward he turns up dead, Laura is both a suspect and a target for the real killer in this atmospheric whodunit. The fun of this one lies in its wintry 1950s Chicago setting: the foggy streets, high-rise apartment buildings, corner phone booths and drugstores, and department stores decorated for Christmas.

Whitney is one of the best-known American writers of romantic suspense, and her debut novel in the genre leans more strongly into the mystery side of the equation, kicking off with the narrator discovering her jilting ex-fiancee's body in the elaborate display window of the department store where she works. The plot may be a tad melodramatic but the vintage 1940s glamor is fun as she hunts clues and flees danger amid the lavish evening gowns and jewelry, the echoing elevators and corridors of the store.

Most of us know Martha Gellhorn as a war correspondent and Mrs. Ernest Hemingway, but she was a brilliant novelist as well. A Stricken Field is the story of an American woman in Prague in 1938 as the Nazis move in and hunt down opponents of the regime. If you are looking for models of resistance to brutality (I am), this is your book.

I first read this book exactly 50 years ago, back in 1974, when I was 26. Ever since then, I have reread Jaroslav Hašek's masterpiece every single year, always in February. It is the gloomiest month of the year in Europe when our tonus is at its lowest, and we desperately need something to cheer us up.

The hilarious story of the good soldier is precisely that “injection” of optimism, serenity, élan vital that helps me make it through the last winter months till the arrival of the Spring. Although I already know by heart many passages from Svejk, I still laugh aloud while reading them—reading about the instinctive wisdom of an ordinary, small Czech man trying to comically outsmart the demonic forces of History…

Behind the Glass is an entire book about a building and the family that built it, lost it, and then reclaimed its heritage 60 years later. It is a complex nonfiction book written by an anthropologist, Michael Lambek, a grandchild of the couple that built the house in 1929. It is about the family, their friendship with famous philosophers like Martin Heidegger and Ernst Tuegend, but most of all, about the house.

If you are an avid supporter of cities, like I am, buildings are fascinating - for their history, their design, and, more recently, for their carbon reduction potential. The Villa Tugendhat, the glass house, was (and remains) a modernist masterpiece designed by Miles Van der Rowe in 1928. As an architect, Van der Rowe was incredibly influential in major cities globally - in my home city of Toronto, for example.

This book focuses on the philosophical reasons the… show more.

Set in Czechoslovakia in the 1930s, this story of a newly-married couple overseeing the construction of their dream home is as clean-cut, luminous and full of hints of fragility as the building itself – a modernist cube of glass. The husband is rich, the wife excited by her new role as patron.  Their architect -  a sharply observed portrayal of a tetchy artist who will insist on sticking to his vision regardless of his clients’ doubts – wants to make them a masterpiece, and he does.  But the husband is Jewish.  We are in the 1930s.  Glass walls are not going to keep them safe. 

In lucid, elegant prose Mawer conjures up central European culture in those edgy, febrile years when artistic and intellectual energy were so vital, and politics were so deadly.

Čapek was a kind of Czech Orwell. Best known for his satirical science fiction — RUR gave us the word “robot”; War with the Newts is mindbogglingly inventive — he was also a prolific journalist who decried the rise of totalitarianism while celebrating ordinary lives. This anthology is the perfect introduction to his abundant wit, insight and compassion, with subjects ranging from the dishonesty of political language to the joy of gardening. A courageous anti-fascist, Čapek died of pneumonia in 1939, shortly before the Nazis invaded Czechoslovakia and arrived at his door to arrest him.

These letters of Franz Kafka to his Czech translator Milena are not formally a novel but in its essence the love novel, none of his novels were.  He wrote them 1920-1923, being ill with tuberculosis as he was visiting different sanatoriums in Germany and Czechoslovakia and she was living in Vienna in an unhappy marriage. As they only saw each other shortly three times it forms a love by letters story of burning love transforming itself into misunderstandings and conflict. Their value lies in the genial Kafka’s trying and succeeding in communicating something incommunicable about how it is to be in love accounting totally honestly for his vast complexity of emotions from the utmost passion and longing to the state of fear of being rejected. A great inspiration to me for my novel in writing about Kafka.