Here are 86 books that The Wheel Spins fans have personally recommended if you like
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Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
This is one of those special books that made me think, “Oh my…I want to write like this.” The blend of old-world atmosphere, 1950s glamor, and gorgeously descriptive, suspenseful writing is magical. Linda Martin, a young Englishwoman with a secret of her own to guard, takes the post of governess to the small heir of a French chateau—a fairytale setting, but disturbing tensions run beneath its surface, and before long Linda finds herself caught up in a desperate attempt to foil a dangerous plot.
A tense thrillerabout an English girl who becomes governess to a young French heir to great estates in Savoy. Having deceived her employers about her ability to speak French, she discovers that they are trying to kill her young charge.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
I enjoy all varieties of Ellis Peters’ mysteries, but I favor this one because it’s the most similar thing I’ve found to Mary Stewart’s signature style of engrossing suspense combined with a richly evoked foreign setting. Among a group of English students on holiday in the mountains of Czechoslovakia is one girl with a secret, ulterior motive for being there: to investigate her stepfather’s recent suspicious death in a mountain-climbing accident. Peters is so good at getting inside the heads of youthful characters and exploring their emotions and inner conflicts as they navigate the perilous process of unraveling a crime, and this book is no exception.
In the mountains of Czechoslovakia, a possible murder has Dominic Felse suspicious of everyone—including his friend, the dead man’s beautiful stepdaughter.
Theodosia Barber had been planning to spend her summer vacation in Europe in any case, so what could be simpler than persuading her travel companions to make a minor detour to the scene of the crime?
Bewitched by Theodosia’s beautiful brown eyes and blissfully unaware of her real motives, Dominic Felse cannot refuse her plea for a change of plan. And he’s certainly not prepared for their innocent touring holiday to become a murder investigation, with Theodosia in grave…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Laura March is serving as temporary guardian of a little refugee girl who may be the next heir to a fortune when a man claiming to be the child’s father turns up at her door—and when shortly afterward he turns up dead, Laura is both a suspect and a target for the real killer in this atmospheric whodunit. The fun of this one lies in its wintry 1950s Chicago setting: the foggy streets, high-rise apartment buildings, corner phone booths and drugstores, and department stores decorated for Christmas.
From one of the most prolific authors of the Golden Age of mystery: “A nice example of [Eberhart’s] powers . . . Intelligently complicated” (The New Yorker). When Conrad Stanley dies, Laura is the only heir not concerned with her slice of his estate. Orphaned at a young age, she was Stanley’s ward, and cannot celebrate the death of the only father she ever knew. The executors of Stanley’s will find that he had a Polish relative, Conrad Stanislowski, who is due part of the inheritance. A search for Stanislowski produces only his daughter: eight-year-old Jonny, who comes to Chicago…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Whitney is one of the best-known American writers of romantic suspense, and her debut novel in the genre leans more strongly into the mystery side of the equation, kicking off with the narrator discovering her jilting ex-fiancee's body in the elaborate display window of the department store where she works. The plot may be a tad melodramatic but the vintage 1940s glamor is fun as she hunts clues and flees danger amid the lavish evening gowns and jewelry, the echoing elevators and corridors of the store.
A Chicago department store is the scene of gruesome crime in this mystery by a New York Times–bestselling Edgar Award winner.
Linell Wynn, copywriter for Chicago department store Cunningham’s, knows how to put a clever spin on everything. But she’s at a loss for words when, after closing time, she finds a corpse in a window display. There he is, as cold and lifeless as a mannequin, his skull pulverized with a golf club: valued store manager Michael “Monty” Montgomery. And while red might be the color for the new spring season, Linell never expected to see quite so much…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A careful, meticulous, and thoughtful analysis of the ways in which the opening up of the world for English audiences left its mark on the work of the most celebrated author of the period.
Gillies shows how Shakespeare thought about the key areas of the world, in passing as well as when writing directly about specific regions, notably, southern Europe, the Americas, the Mediterranean, France, Italy, and elsewhere.
In this engaging book, John Gillies explores Shakespeare's geographic imagination, and discovers an intimate relationship between Renaissance geography and theatre, arising from their shared dependence on the opposing impulses of taboo-laden closure and hubristic expansiveness. Dr Gillies shows that Shakespeare's images of the exotic, the 'barbarous, outlandish or strange', are grounded in concrete historical fact: to be marginalised was not just a matter of social status, but of belonging, quite literally, to the margins of contemporary maps. Through an examination of the icons and emblems of contemporary cartography, Dr Gillies challenges the map-makers' overt intentions, and the attitudes and assumptions…
As a postdoctoral researcher, I'm fascinated by the notions of cultural belonging to Europe and European nation-states, as they have evolved throughout history in relation to what the holders of these notions call their "others". I know of few cases in the field of identity and memory politics that are as controversial, as curious, as fragile, and yet as fascinating as the idea of a Europe, a social and political construct that emerges from past events but is shaped for political purposes. Debates about a common European history and memory are intertwined with those about the geographical and cultural definitions of Europe, and my book list often includes the most recent examples of these interactions.
How have the regions of the continent been imagined and constructed in relation to a European framework? Bringing together contemporary experts such as Stefan Berger, Bo Strath, Stefan Troebst, and Alex-Drace Francis, the editors aim to explore the political, cultural, and intellectual contexts of European regions at the meso level.
They examine conceptualisations in relation to counter-concepts or clusters of concepts (e.g. Western Europe vs. Southern or Southeastern Europe) and relate them to debates on coexistence and the construction of the 'self' versus the 'other'.
As such, the chapters provide an insightful discussion of the historicity and reflexivity of the spatial terminology of Europe.
It is difficult to speak about Europe today without reference to its constitutive regions-supra-national geographical designations such as "Scandinavia," "Eastern Europe," and "the Balkans." Such formulations are so ubiquitous that they are frequently treated as empirical realities rather than a series of shifting, overlapping, and historically constructed concepts. This volume is the first to provide a synthetic account of these concepts and the historical and intellectual contexts in which they emerged. Bringing together prominent international scholars from across multiple disciplines, it systematically and comprehensively explores how such "meso-regions" have been conceptualized throughout modern European history.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I have been writing books about France and the French for two decades. The adventure began when I moved to Quebec in my early 20s and married a Quebecker. He became my life partner and co-author. I learned his language, immersed myself in Canada’s French-language culture and began writing articles in French. In 1999 we moved to France for three years to study the French. Three books later, we returned to Paris with our daughters to try to demystify French conversation. The result is The Bonjour Effect. I am grateful to the authors on my list for helping me refine my understanding of France, the French and their language.
Don’t be intimated by the academic-sounding title. This book just blew my mind. If you want to even begin understanding the French, you have to know where they came from. As Robb proves in this readable work, there is no better way to do this than by looking at French geography. France is a country that evolved out of surprisingly varied landscapes, ethnic origins, languages, and more. Understanding all the pieces of the puzzle, the great struggles that gathered them into a unified country, will forever change how you see the country.
A narrative of exploration-full of strange landscapes and even stranger inhabitants-that explains the enduring fascination of France. While Gustave Eiffel was changing the skyline of Paris, large parts of France were still terra incognita. Even in the age of railways and newspapers, France was a land of ancient tribal divisions, prehistoric communication networks, and pre-Christian beliefs. French itself was a minority language.
Graham Robb describes that unknown world in arresting narrative detail. He recounts the epic journeys of mapmakers, scientists, soldiers, administrators, and intrepid tourists, of itinerant workers, pilgrims, and herdsmen with their millions of migratory domestic animals. We learn…
I still remember the day I discovered the family atlas (I must have about five; it then lived in my room, and my dad was probably irked, but too kind and encouraging to show it). Since then, I have been mesmerized by maps. How lucky I am to turn an early passion into a focus of research and teaching (I am a Classicist and Historian of Ancient Science). My publications include studies of narrative maps in Greco-Roman literature (they too were mesmerized by maps). You can find maps in the most unexpected places!
In this beautiful book, Maier guides her readers through the parallel development of Rome (imperial city, Holy See, thriving center of art and intellectualism) with the evolution of mapmaking.
I like the clear way that she shows how the changing city helped inform transitions in how and why maps are made. For example, medieval maps of Rome forefront of the city’s five churches, while downplaying other features, and give the cloistered monk (and modern reader) the opportunity to trace an imagined pilgrimage (I spent many childhood hours with the family atlas imagining my own journeys to faraway lands).
Only in the 19th century, when travel for pleasure becomes widespread, do maps of Rome (and elsewhere), advertising their sponsors, become more utilitarian, enabling tourists to find their own ways, and supplying cheap souvenirs.
One of the most visited places in the world, Rome attracts millions of tourists each year to walk its storied streets and see famous sites like the Colosseum, St. Peter's Basilica, and the Trevi Fountain. Yet this ancient city's allure is due as much to its rich, unbroken history as to its extraordinary array of landmarks. Countless incarnations and eras merge in the Roman cityscape. With a history spanning nearly three millennia, no other place can quite match the resilience and reinventions of the aptly nicknamed Eternal City. In this unique and visually engaging book, Jessica Maier considers Rome through…
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
Wide-ranging, high-production values, a good balance of maps and text, and excellent value for money. Includes many different types of map not least those of fantasy worlds.
The British Library's map collection is the national cartographic collection of Britain and numbers around four million maps dating from 15 CE to 2017 CE. These include road maps drawn for 13th century pilgrims and sea charts for 17th-century pirates. They include the first printed map to show the Americas and the last to show English-controlled Calais. They include the world's biggest and smallest atlases. They include maps for kings and queens, popes, ministers, schoolchildren, soldiers, tourists. There are maps which changed the world. As well as comprehensively showcasing the varied and surprising treasures of the British Library's "banquet of…
I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and acontributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.
This is a lapidary introduction to the stories and ideas that prompted Columbus to sail away from Europe into the Atlantic in search of a direct sea route to Asia—and that determined how he interpreted what he came across after making landfall in the Americas. In just 200 pages, Flint nimbly covers all sorts of material: Christian theories of cosmology and eschatology; medieval conceptions of geography; the travel stories of St. Brendan, Sinbad the Sailor, Sir John Mandeville, and Marco Polo; the books that Columbus read, and the notes he made in them to himself; and more. In doing so, she reanimates a fascinating landscape of the imagination.
Rather than focusing on the well-rehearsed facts of Columbus's achievements in the New World, Valerie Flint looks instead at his imaginative mental images, the powerful "fantasies" that gave energy to his endeavors in the Renaissance. With him on his voyages into the unknown, he carried medieval notions gleaned from a Mediterranean tradition of tall tales about the sea, from books he had read, and from the mappae-mundi, splendid schematic maps with fantastic inhabitants. After investigating these sources of Columbus's views, Flint explains how the content of his thinking influenced his reports on his discoveries. Finally, she argues that problems besetting…
