Here are 100 books that Believe in People fans have personally recommended if you like
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A good part of my life has been devoted to trying to think and write creatively about politics, history, media, and democracy. Under the pseudonym Erica Blair, my first writings were about the meaning and significance of civil society. In early 1989, in London, I founded the world’s first Centre for the Study of Democracy (CSD); more recently, I designed and launched the experimental Democracy Lighthouse platform. My books have been published in more than three dozen languages, and I’ve also contributed interviews and articles to global platforms such as The New York Times, Al Jazeera, South China Morning Post, The Guardian, Letras Libres, and the Times Literary Supplement.
Commonly interpreted as the finest account of the ‘gigantic criminality’ of the Nazi and Stalinist totalitarian regimes, Arendt’s book has for me a more immediately visceral significance. It has profound things to say about what she called a "terribly cruel" contradiction lurking within the modern democratic commitment to equality.
She pointed out that although democracy demands that we recognize others as our equals, certain groups, especially for reasons of their past sufferings, are prone to misuse and abuse their democratic freedoms. They do so by violently asserting their rights to live as a "sovereign people" at the expense of others whom they treat as "superfluous."
Would Arendt have been surprised by the way a "democratic" state born of the ashes of genocide is nowadays behaving? Would she have condoned its military efforts to destroy "in whole or in part" (Genocide Convention Article 2c) a "superfluous" people known as Palestinians? Almost…
Hannah Arendt's definitive work on totalitarianism—an essential component of any study of twentieth-century political history.
The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In The Ministry of Truth, I wanted to bring together two longstanding interests: dystopian fiction and the history of totalitarianism. Nineteen Eighty-Four is of course a landmark work in both categories. In trying to explain how and why Orwell came to write his masterpiece, and its subsequent influence on fiction and political thought, I read a huge range of books that wrestled with the horrors of Nazism and Stalinism and asked how they were able to hold sway, physically and mentally, over tens of millions of people. Many of them are gripping and valuable but these five in particular make for great companions to 1984.
The identity of “Murray Constantine” wasn’t uncovered until the 1980s, long after Burdekin’s death, but only a woman could have created such a persuasive patriarchal dystopia, half a century before The Handmaid’s Tale. Burdekin’s futuristic Nazi empire, a brutally misogynist quasi-religion, is dying slowly from within and an English airman named Alfred has been given explosive proof that Hitler was not in fact a Thor-like deity. Though the plot fizzles out, the ideas are extraordinarily ahead of their time.
Published in 1937, twelve years before Orwell's 1984, Swastika Night projects a totally male-controlled fascist world that has eliminated women as we know them. Women are breeders, kept as cattle, while men in this post-Hitlerian world are embittered automatons, fearful of all feelings, having abolished all history, education, creativity, books, and art. The plot centers on a “misfit” who asks, “How could this have happened?”
In The Ministry of Truth, I wanted to bring together two longstanding interests: dystopian fiction and the history of totalitarianism. Nineteen Eighty-Four is of course a landmark work in both categories. In trying to explain how and why Orwell came to write his masterpiece, and its subsequent influence on fiction and political thought, I read a huge range of books that wrestled with the horrors of Nazism and Stalinism and asked how they were able to hold sway, physically and mentally, over tens of millions of people. Many of them are gripping and valuable but these five in particular make for great companions to 1984.
As The Guardian’s Moscow correspondent, Muggeridge exposed Stalin’s man-made famine in 1933; in the 1940s, he became one of Orwell’s closest friends. In between the two, he conducted this caustic post mortem on a catastrophic decade. Some of it still feels timely, like his observation that a cultural obsession with information perversely incentivises the manipulation and fabrication of data. All of it is deliciously quotable: he compares the human rights activists who whitewashed Stalinism to “vegetarians undertaking a pious pilgrimage to a slaughterhouse because it displayed a notice recommending nut-cutlets.”
In covering the turbulent 1930s, Muggeridge starts by surveying the events that filled the decade and gave it a special character and closes with a description of the outbreak of World War II. 10 cassettes.
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’m a writer by profession, but until recently I was never in a book club. My wife was, briefly, and my friend Ben’s wife was (he’s also a writer). One day I said to Ben “why don’t we start a book club?”, and we did. Seven years later, the club is not only going strong, but it has assumed a central place in the lives of the seven of us who make it up. The book is the excuse to get together, to create and deepen friendships, to build a community around ideas. Start a book club. Choose some books. These are a good start. At least in my opinion.
I have always been fascinated with Russia, and love reading any book about Russia and Russians, whether the classic fiction of Dostoyevsky, or the absurdist work of Gary Shteyngart. But for insightful political analysis of Putin’s destruction of Russia’s democracy and society, written with a love for the people and country, and a keen eye toward their humanity, nothing beats this dead-eyed read from the great Masha Gessen. Her analysis of modern Russia under Putin’s grip came out a few years before the invasion of Ukraine, which is sort of a culmination of the ideas and stories here. This book is a portrait of individual tragedies woven together as a collective, where the historical resentments of one man (Putin) doom the future of an entire people. If you want to understand how Russia got here. Or what it might feel like to be a young Russian, caught up in this…
In The Future is History Masha Gessen follows the lives of four Russians, born as the Soviet Union crumbled, at what promised to be the dawn of democracy. Each came of age with unprecedented expectations, some as the children or grandchildren of the very architects of the new Russia, each with newfound aspirations of their own - as entrepreneurs, activists, thinkers and writers, sexual and social beings. Gessen charts their paths not only against the machinations of the regime that would seek to crush them all (censorship, intimidation, violence) but also against the war it waged on understanding itself, ensuring…
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
This masterpiece from one of the giants of mind-blowing SF is best known as a canonical example of alternate history: set in a world where the Axis powers won World War II, and the former U.S.A. is divided between occupying forces of Imperial Japan on the West Coast and Nazi Germany. As such, the conflict in the book is really about the underground resistance forces’ efforts against the occupiers.
Lots of writers have played with similar premises, but I love Dick’s the most because of its narrative daring, from using the I Ching as a device to generate plot to the Borgesian engine of the imaginary novel within the novel on which the story’s ultimate revelations turn.
'Dick's best work, and the most memorable alternative world tale...ever written' SCIENCE FICTION: THE 100 BEST NOVELS
It is 1962 and the Second World War has been over for seventeen years: people have now had a chance to adjust to the new order. But it's not been easy. The Mediterranean has been drained to make farmland, the population of Africa has virtually been wiped out and America has been divided between the Nazis and the Japanese. In the neutral buffer zone that divides the two superpowers lives the man in the high castle, the author of an underground bestseller, a…
I am a cradle Catholic raised in Ireland, Italy, and the UK. I have always had a troubled relationship with the church’s obsession with power and sexuality. As a professional historian at the University of Kent, I decided to investigate the Roman Church's political role during the twentieth century. Unlike my previous work, I have now had to consider a time in which I was partly alive and analyse events I lived through. As a liberal Catholic, I cannot claim complete objectivity, but these books and my own research proved to me that a better and more vibrant church that follows the spirit of the Second Vatican Council is not merely possible but necessary.
Pollard is a masterful storyteller, and I particularly appreciate his ability to transcend his own feelings and prejudices in order to tell an objective tale about Catholicism during the dark age of fascist and communist dictatorships.
My favourite part of the book is the sober assessment of the papacy’s role when surrounded by totalitarianism and total warfare. He has little time for the myth of Hitler’s pope but is fair when it comes to the Vatican's far-from-happy flirtation with the Ustaše fascist regime in Croatia.
The other element I am chiefly impressed with is Pollard's ability to tell a global story, not just an Italian or European one.
The Papacy in the Age of Totalitarianism, 1914-1958 examines the most momentous years in papal history. Popes Benedict XV (1914-1922), Pius XI (1922-1939), and Pius XII (1939-1958) faced the challenges of two world wars and the Cold War, and threats posed by totalitarian dictatorships like Italian Fascism, German National Socialism, and Communism in Russia and China. The wars imposed enormous strains upon the unity of Catholics and the hostility of the totalitarian regimes to Catholicism lead to the Church facing persecution and martyrdom on a scale similar to that experienced under the Roman Empire and following the French Revolution.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
This is a play script, but I have to recommend it as the most adult and provocative exploration of fairytales I’ve ever read. A storyteller in a totalitarian state is interrogated about his tales after they have been linked to a series of child murders. It’s about the risks storytellers take and the dangers of stories being misinterpreted or misused. Martin McDonagh is best known as a screenwriter of films such as In Bruges or The Banshees of Inisherin, but this play is burned into my soul.
'The first duty of a storyteller is to tell a story.' Or was it 'The only duty of a storyteller is to tell a story'?
A writer in a totalitarian state is interrogated about the gruesome content of his short stories and their similarities to a number of child-murders that are happening in his town.
'Sometimes you don't even know what you've been craving until the real thing comes along.' New York Times
'McDonagh is more than just a very clever theatrical stylist. His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and…
I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
This book imagines a world where the United States succumbs to authoritarianism. Subsequent writers have explored this theme, but I love Lewis’s novel because it captures a precarious historical moment (the 1930s) that has a lot in common with the present day.
“Buzz” Winthrop, the politician turned dictator, whips up fears about threats to America, stressing the need to get back to the nation’s “true” values. It’s a chilling portrait of a nation that loses its way.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon
It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America.
Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press.
I'm a scholar with a deep interest in the critical study of propaganda and its role in shaping public perceptions of terrorism, particularly in Spain. My passion for this topic stems from the recognition that propaganda is pervasive in today’s world and that accusations of terrorism are often deployed strategically to delegitimize a society’s political opponents.
By examining how groups are framed as “terrorists” and unlearning the biased narratives that surround them, we can begin to understand their true nature beyond superficial prejudice. This perspective drives my commitment to exploring media, political discourse, and historical context critically, making me well-positioned to recommend works that illuminate the complex interplay between propaganda, terrorism, and societal perception.
Wolin’s concept of “inverted totalitarianism” helped me understand how democracy can erode from within, without tanks in the streets.
I admire his fearless critique of corporate power and its subtle grip on democratic institutions. The book gave me a framework to interpret post-9/11 political shifts in the U.S. It’s haunting, prescient, and intellectually exhilarating.
Democracy is struggling in America--by now this statement is almost cliche. But what if the country is no longer a democracy at all? In Democracy Incorporated, Sheldon Wolin considers the unthinkable: has America unwittingly morphed into a new and strange kind of political hybrid, one where economic and state powers are conjoined and virtually unbridled? Can the nation check its descent into what the author terms "inverted totalitarianism"? Wolin portrays a country where citizens are politically uninterested and submissive--and where elites are eager to keep them that way. At best the nation has become a "managed democracy" where the public…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I became fascinated by North Korea during a six-month fellowship in Tokyo in 2008. Japan was still dealing with the aftermath of the return of some of its abducted citizens in 2002. It turned out that North Korea had been abducting people—South Koreans, Japanese, and others—since the 1970s. I began interviewing some of the returnees and embarked on an eight-year journey that took me back to Japan and South Korea many times. Throughout my research and reporting, I became convinced that the truth of the abductions, much like the truth of the region, lay between Korea and Japan. I was drawn to books that tried to come to terms with the uncomfortable relationship between two cultures whose similarities are trumped by their mutual animosity.
Adam Johnson visited North Korea once as a tourist. Based on his keen observations during those weeks, he spins a fantastic tale about Pak Jun Do, an orphaned boy who uses treachery and deception to rise to a high position in the North Korean regime. Pak is part of a crew that kidnaps a little girl from Japan, and later marries North Korea’s most famous actress. The genius of the book is that Johnson imbues the characters with believable personalities, even as he moves them through a nightmarish reality most would find completely unbelievable. The book is so good that one need not have any interest in, or knowledge of, North Korea to enjoy it.
- WINNER OF THE PULITZER PRIZE FOR FICTION - NEW YORK TIMES BESTSELLER - NATIONAL BOOK AWARD FINALIST - 'You know you are in the hands of someone who can tell a story. Fantastic' ZADIE SMITH The award-winning and New York Times bestselling novel: a dark and witty story of the rise of a young orphan in the surreal and tyrannical regime of North Korea .
Young Pak Jun Do is convinced he is special. He knows he must be the unique son of the master of the orphanage, and definitely not some kid dumped by his parents. Surely it…