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Letters to Milena.
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I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and āreceptionā of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative āreceptionā of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcottās stage version of the Odyssey and his epic poem "Omeros"). Every time Iāve taught the class, Iāve learned the most from free-wheeling discussions with students.
Though I love to read Homerās Odyssey in the original Greek, I also appreciate translations that allow particular themes to emerge in new ways.
All translations of the ancient epic are necessarily inventive recreations of the ancient Greek Homeric story, and I like the way this translation employs a quick-paced poetic meter and updates the tale to suit modern sensibilities on uncomfortable aspects of the Odyssey (e.g., misogyny, slavery).
The introduction also provides an authoritative explanation of the Homeric Odyssey.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling newā¦
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the deadāletters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.Ā
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
Do I need a reason to love this book? There are too many characters, too many subplots, too many deaths, and the ruins of beloved characters. And yet, the entire picture it presents is beautiful. That is how life isāĀ unpredictable and chaotic.
I learned a lot about war, the mentality of people who go to fight, and the mentality of the people left behind.Ā Above all, it was such a good feeling to finish the big bookāprobably one of the biggest books I had read and loved!Ā
From the award-winning translators of Anna Karenina and The Brothers Karamazov comes this magnificent new translation of Tolstoy's masterwork.
Nominated as one of Americaās best-loved novels by PBSās The Great American Read
War and Peacebroadly focuses on Napoleonās invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues bothā¦
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
If you only read one book by Dostoevsky, this should be the one. The psychiatrist who directed the Mayo Clinicās mental health division for years often had his patients read all of Dostoevskyās works.
The Idiot is about a truly innocent and good man, Prince Myshkin, who is thrust into the highest levels of Russian aristocratic society. Although he understands that deception is essential to thrive in this world, he refuses to give up his guilelessness.
He is always as honest as he can be with everyone around him, and as kind as he can be, and as caring as he can be (he is a Christ figure, also a child figure). This all turns out very badly, unsurprisingly, and results in heartbreak and murder.
There is no greater novel ever written for teaching us about the human capacity and need for human love, and the many obstacles we haveā¦
Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent.
Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment ofā¦
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the deadāletters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.Ā
Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
When I first read this book, I was somewhat mystified by what the fuss was all about. All I could see was a story of a group of dissolute and disillusioned expats living a pointless life of pettiness and drinking. However, as I separately learned more about Hemingway and his writing style, I was drawn back to the book, and on subsequent readings, I was able to discern more in the characters and the plot than was apparent in my first reading.
The protagonist Jake Barnes, impotent because his penis appears to have been shot off as a result of a wound in World War I, is further emotionally damaged, possibly with PTSD from his war experiences and with a cynicism and sadness that engage the readerās attention.Ā
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editorsā an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering womenās editors and women in politics which allows for a better perspective of women in journalism today and adds to womenās history scholarship.
The book takes place beginning in the 1960s ā a time of economic strength and cultural change. An increasing number of young, educated women entered the workforce, yet the newspaper help wanted ads were segregated by gender and the discrimination was common.Ā In the midst of this time, Lynn Povich was hired atĀ Newsweek, renowned for its strong coverage of civil rights and the changing social mores. But in reality, the job was a career dead end. Women researchers only occasionally became reporters, very rarely writers, and never editors. The limitations for women journalists were obvious.
Then in March 1970, NewsweekĀ published a cover story about the Womenās Liberation Movement called āWomen in Revoltā. It was at the time that more than 40Ā NewsweekĀ women charged the magazine with employment discrimination.Ā Povich was one of the plaintiffs. In the book,Ā PovichĀ details the lives of several lawsuit participants. Sheā¦
The inspiration for the original television seriesIt was the 1960s- a time of economic boom and social strife. Young women poured into the workplace, but the Help Wanted" ads were segregated by gender and the Mad Men" office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek , renowned for its cutting-edge coverage of civil rights and the Swinging Sixties." Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job- for a girl- at an exciting place.But itā¦
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parentsā experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connectionsābetween disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first childrenās book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
Claudia Jones was a Black Trinidadian woman who moved with her family to Harlem during its Renaissance. Her experiences seeking work radicalized her, and she joined the Communist Party. In 1952, the United States government deported her, and because the colonial government of Trinidad wouldnāt accept her due to her political commitments, they sent her to Britain.
There, she became the editor of the West Indian Gazette, which brought together global and local news. Jones was one of the first people I chose for my book because her life experience and writing show us that solidarity is never a flattening of identity. Instead, it is reaching beyond ourselves to find a connection in shared struggle.
Claudia Jones, intellectual genius and staunch activist against racist and gender oppression founded two of Black Britonās most important institutions; the first black newspaper, the West Indian Gazette and Afro-Asian Times and was a founding member of the Notting Hill Carnival. This book makes accessible and brings to wider attention the words of an often overlooked 20th century political and cultural activist who tirelessly campaigned, wrote, spoke out, organized, edited and published autobiographical writings on human rights and peace struggles related to gender, race and class. āClaudia Jones was an iconic figure who inspired a generation of black activists andā¦
As a kid, I was amazed to learn that roads ran from one end of the country to the other and that electrical and telecommunications cables circled the entire planet. Excess frightened me. The planet could be circled in a matter of hours in a swift-flying jet; how could it also contain so much stuff? I felt like I was missing something. The books on this list speak to all of us who have wondered about what we might be missing⦠and what we are unable to know. I hope they mean as much to you as they have to me!
Most of Found Audio takes the form of a transcribed interview with an āadventure journalist,ā whose storyāeven without the bookās surrounding architectureāis riveting. He seems to have discovered something mind-bending about the nature of dreams. But this interview is being delivered to the reader by a writer named N.J. Campbell, who received it (on cassette tape) from an audio engineer, who in turn received the tapes from a shady stranger, who refused to say much about them. The bookās overlapping narratives and absence of any ācentral authorityā create a mobius strip. I love fictions that follow the advice of the sculptor Robert Smithson: āEstablish enigmas, not explanations.ā And Found Audio may be Exhibit A.Ā
*Ā AĀ Best Book of 2017 āWriter's Bone "[A] mysterious work of metafiction... dizzying, arresting and defiantly bold."Ā āLaura Pearson,Ā Chicago Tribune Amrapali Anna Singh is an historian and analyst capable of discerning the most cryptic and trivial details from audio recordings. One day, a mysterious man appears at her office in Dutch Harbor, Alaska, having traveled a great distance to bring her three Type IV audio cassettes that bear the stamp of a library in Buenos Aires that may or may not exist.
On the cassettes is the deposition of an adventure journalist and his obsessive pursuit of anā¦
K. Lee Lerner is an author, editor, and producer of science and factual media, including four editions of the Gale Encyclopedia of Science and the Encyclopedia of Espionage, Intelligence, and Security. His expansive writing on science, climate change, disasters, disease, and global issues has earned multiple book and media awards, including books named Outstanding Academic Titles. An aviator, sailor, and member of the National Press Club in Washington, his two global circumnavigations and portfolio of work in challenging and dangerous environments reveal a visceral drive to explore and investigate. With a public intellectual's broad palate and a scientist's regard for evidence-based analysis, Lerner dissects and accessibly explains complex issues.
June Carolyn Erlick, editor-in-chief for ReVista, the Harvard Review of Latin America, casts a seasoned journalistās eye on the 1980 abduction ofĀ Guatemalan journalist Irma Flaquer. Returning home, Flaquer was pulled from her car and was never seen again. Flaquer, a popular and respected journalist with an influential column, Lo Que Otros Callan or "What Others Don't Dare Write",Ā was also the founder of the first Guatemalan Human Rights Commission. Throughout her career, Flaquer survived beatings, car bombs, and drive-by assassination attempts that did not daunt her from doing her job as a reporter to expose Guatemalan suffering at the hands of their corrupt U.S.-backed government and the cost the Guatemalan people paid as Cold War pawns.
"If I die, don't cry for meābecause I was fighting for what I love."āIrma Flaquer
On a quiet October evening in 1980, Guatemalan journalist Irma Flaquer, returning to her downtown apartment after a visit with her four-year-old grandson, was dragged from her car, never to be seen again. Founder of the first Guatemalan Human Rights Commission, she was a crusading reporter who did not tolerate corruption or repression. Best known for her weekly column that ran for over twenty years in various Guatemalan newspapersāLo Que Otros Callan or "What Others Don't Dare Write"āFlaquer criticized presidents, politicians, and the heads ofā¦
Iāve always loved books where something in the past of the main storyline surges into its present, demanding that an old wrong be righted or an old mystery solved. Itās why my first degree was in Social and Political Sciences (Psychology major) instead of English Literature or Creative Writing: I knew that learning how to writewould be useless if I didnāt understand the things I wanted to write about. The role of the past in shaping our present ā our behaviours, sense of self, relationships ā is endlessly fascinating, and stories that unpick this are often the ones that surprise me the most with their insight into the human condition.
Vivid, surprising, and psychologically astute, The Wicked Girls stands out among a plethora of books with a similar premise.
There are no easy answers or pat solutions here. This is a book that asks interesting questions and offers a range of answers, through the characters, for readers to ponder. On the police procedural side, Kate Atkinsonās Case Histories treads a similar line, but Marwoodās protagonist is a journalist, which offers a less common āway inā to the investigation along with a less familiar set of challenges. [If you love Childrenās fiction, check out the phenomenal Diana Wynne Jonesā Eight Days of Luke to match this theme (then, if you love it, Charmed Life and Howlās Moving Castle), plus Jenny Nimmoās The Rinaldi Ring and Berlie Dohertyās White Peak Farm.]
āThe suspense keeps the pages flying, but what sets this one apart is the palpable sense of onrushing doom.ā āStephen King, āThe Best Books I Read This Yearā
The Edgar Award-winning psychological thriller that asks the question: how well can you truly know anyone?
On a fateful summer morning in 1986, two eleven-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads herā¦
These books aren't just the best in their fieldāthey're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Gonzo journalism meets Tartan Noir as Iain Banks ventures into crime. A journalist whoās a big fan of all the bad stuff seems to have a link to a killer picking off members of the establishment.
The second-person narration follows the killer, an unusual stylistic flourish. The answers to the horror lie within, and this book goes to some unbearably dark places. (In theory, The Crow Road is also a murder mystery.)
The twenty-fifth anniversary edition of a modern classic: 'ingenious, daring and brilliant' - Guardian
COMPLICITY n. 1. the fact of being an accomplice, esp. in a criminal act
A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper.
The source is pretty thin, but Cameron senses a scoop and checks out a seriesā¦